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Benjamin Britten Studies: Essays on An Inexplicit Art [Kietas viršelis]

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  • Formatas: Hardback, 554 pages, aukštis x plotis: 234x156 mm, weight: 880 g, 20 b/w, 44 line illus.
  • Serija: Aldeburgh Studies in Music
  • Išleidimo metai: 16-Jun-2017
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783271957
  • ISBN-13: 9781783271955
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 554 pages, aukštis x plotis: 234x156 mm, weight: 880 g, 20 b/w, 44 line illus.
  • Serija: Aldeburgh Studies in Music
  • Išleidimo metai: 16-Jun-2017
  • Leidėjas: The Boydell Press
  • ISBN-10: 1783271957
  • ISBN-13: 9781783271955
Kitos knygos pagal šią temą:
Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.

Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.

VICKI P. STROEHER is Professor of Music History at Marshall University.

JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.

Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell

Recenzijos

This book is highly appropriate for its intended audience: academics, librarians, and students. . . . [ R]eaders will be pleased with the scholarly rigor represented here. I would also recommend it to musicians, historians, and fans of Britten's music, as many of these chapters are fascinating reading, and they provide new insights into what have become the accepted narratives of . . . 'the man himself.' -- Shersten Johnson * NOTES, JOURNAL OF THE MUSIC LIBRARY ASSOCIATION * Deepen[ s] our understanding of the composer and his music, whilst also revealing that we can never fully 'know' Britten in spite of our access to documents, recordings and, of course, the music...Witty and thought-provoking. * FONTES ARTIS MUSICAE * An interesting collection of essays on aspects of the composter, his life and compositions. * SPIRITED, THE GAZETTE OF THE ENGLISH MUSIC FESTIVAL * [ S]erves its subject as a repository of expert disquisitions: 'studies' indeed. . . . [ The] admirable and welcome . . . chapters in this beautifully produced book -- a work of art in itself -- combine to demonstrate protean aspects of [ Britten]. * NABMSA REVIEWS * These essays, some the result of this new access, include...Kevin Salfen's very fine chapter on No drama...Jenny Doctor on Britten's wartime radio work and Byron Adams on the little-explored influence of John Ireland. * BBC MUSIC MAGAZINE *

List of Illustrations
ix
List of Musical Examples
xi
List of Tables
xiv
Notes on Contributors xv
Acknowledgements xxi
Bibliographic and General Abbreviations xxiii
Editors' Preface xxv
Introduction: Writing About Britten 1(17)
Philip Reed
Part I Identity: Exile and Return
1 The Shock of Exile: Britten and the American Years
18(15)
Paul Kildea
2 Britten, Paul Bunyan, and "American-ness"
33(26)
Vicki P. Stroeher
3 Collaborating with Corwin, CBS, and the BBC: Britten's Re-entry into British Radio in 1942
59(30)
Jenny Doctor
4 An Empire Built on Shingle: Britten, the English Opera Group, and the Aldeburgh Festival
89(89)
Justin Vickers
Part II Britten and Intimacy
5 "Save Me From Those Suffering Boys": Britten, John Ireland, and the Venerable Tradition of Uranian Boy-worship in England
178(14)
Byron Adams
6 Britten's (and Pears's) "Beloved": Sacred Parlor Song, Passion, and Control in Canticle I
192(22)
Louis Niebur
7 Notes of Unbelonging
214(22)
Lloyd Whitesell
Part III Britten and His Craft
8 "Take These Tokens That You May Feel Us Near": Remembrance and Renewed Citizenship in Britten's Gloriana
236(23)
Colleen Renihan
9 Traces of No: Modularity and Saturation in The Burning Fiery Furnace and The Prodigal Son
259(33)
Kevin Salfen
10 Britten and the Augmented Sixth
292(27)
Christopher Mark
11 Quickenings of the Heart: Notes on Rhythm and Tempo in Britten
319(31)
Philip Rupprecht
Part IV Britten and Matters of Practicality
12 Reviving Paul Bunyan
350(27)
Danielle Ward-Griffin
13 Striking a Compromise: Britten, British Publishers, Soviet Theaters, and the Premieres of Peter Grimes and The Prince of the Pagodas
377(28)
Thornton Miller
14 From Boosey & Hawkes to Faber Music: Britten Seeks a "Composer's Place"
405(25)
Nicholas Clark
Conclusion and Epilogue
15 The Man Himself
430(29)
Lucy Walker
16 Epilogue: Liminalities and Britten
459(6)
Vicki P. Stroeher
Justin Vickers
Works Cited 465(24)
Index 489
Lucy Walker is a freelance writer, researcher and public speaker on classical music, specialising in music of the twentieth and twenty-first centuries.