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Beyond Convention: Genre Innovation in Academic Writing [Minkštas viršelis]

3.86/5 (14 ratings by Goodreads)
  • Formatas: Paperback / softback, 208 pages, aukštis x plotis: 229x152 mm, weight: 352 g
  • Išleidimo metai: 03-Mar-2016
  • Leidėjas: The University of Michigan Press
  • ISBN-10: 0472036475
  • ISBN-13: 9780472036479
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 208 pages, aukštis x plotis: 229x152 mm, weight: 352 g
  • Išleidimo metai: 03-Mar-2016
  • Leidėjas: The University of Michigan Press
  • ISBN-10: 0472036475
  • ISBN-13: 9780472036479
Kitos knygos pagal šią temą:
“Reading this book did more than just make me more aware of something I already, somewhat subconsciously, was doing, however. It pushed my thinking about if, when, and how writing teachers should encourage students to push genre boundaries and to innovate.”
---Foreword by Dana R. Ferris, author of Treatment of Error and Teaching College Writing to Diverse Student Populations
 
This book attempts to engage directly with the complexities and tensions in genre from both theoretical and pedagogical perspectives. While struggling with questions of why, when, and how different writers can manipulate conventions, Tardy became interested in related research into voice and identity in academic writing and then began to consider the ways that genre can be a valuable tool that allows writing students and teachers to explore expected conventions and transformative innovations. For Tardy, genres aren’t “fixed,” and she argues also that neither genre constraints nor innovations are objective—that they can be accepted or rejected depending on the context.
 
Beyond Convention considers a range of learning and teaching settings, including first-year undergraduate writing, undergraduate writing in the disciplines, and the advanced academic writing of graduate students and professionals. It is intended for those interested in the complexities of written communication, whether their interests are grounded in genre theory, academic discourse, discourse analysis, or writing instruction. With its attentiveness to context, discipline, and community, it offers a resource for those interested in English for Academic Purposes, English for Specific Purposes, and Writing in the Disciplines. At its heart, this is a book for teachers and teacher educators.
Introduction 1(4)
Chapter 1 Why Innovation?
5(16)
Genre and Convention
6(3)
What Is "Genre Innovation"?
9(3)
Innovating Genres
12(5)
A Case for Studying Genre Innovation
17(4)
Chapter 2 A Theoretical and Methodological Toolkit
21(29)
Theories of Innovation
21(6)
Alternative Discourses
21(1)
Flouting and the Cooperative Principle
22(2)
Discourse Disruptions
24(1)
Language Games and Language Play
25(2)
The Study of Creativity
27(7)
Creativity Research
27(2)
Language and Creativity
29(1)
Creativity and World Englishes
30(2)
Creativity and Discourse in the 21st Century
32(2)
Identity, Ethos, and Legitimacy
34(3)
Summary of Conceptual Tools
37(5)
Types of Innovations
37(1)
Reasons for Innovating
38(1)
Frames and Genre Knowledge
38(1)
Social Environment
39(1)
An Example
40(2)
Researching Innovation
42(8)
Text
43(2)
Social Environment
45(2)
Reception
47(3)
Chapter 3 Innovation in Academic Research Genres
50(45)
Functions of Genre Innovation in Academic Research
50(20)
Alternative Ways of Knowing
51(6)
Self-Expression and Reader Engagement
57(4)
Resistance and Change of Dominant Discourses
61(4)
Critique
65(4)
A Multiplicity of Functions
69(1)
The Role of Intention in Innovation
70(2)
Understanding Academic Genre Innovation Ecologically
72(23)
Accessibility and Availability
74(2)
Roles and Hierarchies
76(3)
Collaboration
79(1)
Novelty and Originality
80(5)
Heterogeneity, Mobility, and Globalization
85(3)
Resources for Innovations
88(2)
Genres
90(5)
Chapter 4 Convention and Innovation in Learning (to Write in) a Discipline
95(33)
Environmental Science and ES 350: Research Methods
97(4)
Communicating Values of Creativity and Innovation in Research Methods
101(7)
Creative Thinking
102(2)
Creative Expression
104(4)
Perceiving and Judging Creativity and Innovation in Student Work
108(9)
Brooke's Proposal: "Original Thinking"
108(3)
Eileen's Proposal: "A Completely Novel Question"
111(1)
Frank's Proposal: "Interesting No Matter What the Outcome"
112(4)
Kurt's Proposal: "A Hard Time Telling the Story"
116(1)
Possibilities for Creativity and Innovation in the Science Research Classroom
117(9)
Roles and Hierarchies
119(3)
Access, Availability, and Collaboration
122(2)
Novelty, Originality, and Genre
124(2)
Production and Reception of Innovation as a Situated Process
126(2)
Chapter 5 Genre Innovation in the Academic Writing Classroom
128(41)
Key Features of Genre Innovation
130(2)
A Theoretical Rationale for Innovation in the Writing Classroom
132(12)
Language Play in Second Language Learning
132(4)
World Englishes, Alternative Discourses, and Writing Instruction
136(5)
Genre Knowledge and Genre Awareness
141(3)
Exploring Genre Innovation in the Classroom
144(25)
Genre Analysis: Convention and Variation
145(4)
Genre Play
149(2)
Bending and Remixing Genres
151(2)
Exploring Emerging Genres
153(2)
New Subject Positions and Identities
155(2)
Parody
157(2)
Critique and Ownership
159(3)
Learner-Appropriate Pedagogy
162(7)
Chapter 6 The Centrality of Genre Innovation
169(8)
A Case for Genre Innovation
170(3)
Genres Encompass Convention and Innovation
170(1)
Genre Knowledge Encompasses Convention and Innovation
171(1)
Genre Innovation Has a Role to Play in the Academic Writing Classroom
172(1)
Looking Ahead
173(4)
References 177(16)
Index 193