Introduction |
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1 | (4) |
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Chapter 1 Why Innovation? |
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5 | (16) |
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6 | (3) |
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What Is "Genre Innovation"? |
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9 | (3) |
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12 | (5) |
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A Case for Studying Genre Innovation |
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17 | (4) |
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Chapter 2 A Theoretical and Methodological Toolkit |
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21 | (29) |
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21 | (6) |
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21 | (1) |
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Flouting and the Cooperative Principle |
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22 | (2) |
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24 | (1) |
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Language Games and Language Play |
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25 | (2) |
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27 | (7) |
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27 | (2) |
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29 | (1) |
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Creativity and World Englishes |
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30 | (2) |
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Creativity and Discourse in the 21st Century |
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32 | (2) |
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Identity, Ethos, and Legitimacy |
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34 | (3) |
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Summary of Conceptual Tools |
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37 | (5) |
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37 | (1) |
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38 | (1) |
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Frames and Genre Knowledge |
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38 | (1) |
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39 | (1) |
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40 | (2) |
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42 | (8) |
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43 | (2) |
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45 | (2) |
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47 | (3) |
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Chapter 3 Innovation in Academic Research Genres |
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50 | (45) |
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Functions of Genre Innovation in Academic Research |
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50 | (20) |
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Alternative Ways of Knowing |
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51 | (6) |
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Self-Expression and Reader Engagement |
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57 | (4) |
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Resistance and Change of Dominant Discourses |
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61 | (4) |
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65 | (4) |
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A Multiplicity of Functions |
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69 | (1) |
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The Role of Intention in Innovation |
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70 | (2) |
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Understanding Academic Genre Innovation Ecologically |
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72 | (23) |
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Accessibility and Availability |
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74 | (2) |
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76 | (3) |
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79 | (1) |
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80 | (5) |
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Heterogeneity, Mobility, and Globalization |
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85 | (3) |
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Resources for Innovations |
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88 | (2) |
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90 | (5) |
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Chapter 4 Convention and Innovation in Learning (to Write in) a Discipline |
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95 | (33) |
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Environmental Science and ES 350: Research Methods |
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97 | (4) |
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Communicating Values of Creativity and Innovation in Research Methods |
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101 | (7) |
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102 | (2) |
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104 | (4) |
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Perceiving and Judging Creativity and Innovation in Student Work |
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108 | (9) |
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Brooke's Proposal: "Original Thinking" |
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108 | (3) |
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Eileen's Proposal: "A Completely Novel Question" |
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111 | (1) |
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Frank's Proposal: "Interesting No Matter What the Outcome" |
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112 | (4) |
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Kurt's Proposal: "A Hard Time Telling the Story" |
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116 | (1) |
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Possibilities for Creativity and Innovation in the Science Research Classroom |
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117 | (9) |
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119 | (3) |
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Access, Availability, and Collaboration |
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122 | (2) |
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Novelty, Originality, and Genre |
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124 | (2) |
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Production and Reception of Innovation as a Situated Process |
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126 | (2) |
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Chapter 5 Genre Innovation in the Academic Writing Classroom |
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128 | (41) |
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Key Features of Genre Innovation |
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130 | (2) |
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A Theoretical Rationale for Innovation in the Writing Classroom |
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132 | (12) |
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Language Play in Second Language Learning |
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132 | (4) |
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World Englishes, Alternative Discourses, and Writing Instruction |
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136 | (5) |
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Genre Knowledge and Genre Awareness |
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141 | (3) |
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Exploring Genre Innovation in the Classroom |
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144 | (25) |
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Genre Analysis: Convention and Variation |
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145 | (4) |
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149 | (2) |
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Bending and Remixing Genres |
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151 | (2) |
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Exploring Emerging Genres |
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153 | (2) |
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New Subject Positions and Identities |
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155 | (2) |
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157 | (2) |
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159 | (3) |
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Learner-Appropriate Pedagogy |
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162 | (7) |
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Chapter 6 The Centrality of Genre Innovation |
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169 | (8) |
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A Case for Genre Innovation |
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170 | (3) |
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Genres Encompass Convention and Innovation |
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170 | (1) |
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Genre Knowledge Encompasses Convention and Innovation |
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171 | (1) |
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Genre Innovation Has a Role to Play in the Academic Writing Classroom |
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172 | (1) |
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173 | (4) |
References |
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177 | (16) |
Index |
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193 | |