Atnaujinkite slapukų nuostatas

El. knyga: changing spaces of television acting: From studio realism to location realism in BBC television drama

  • Formatas: 288 pages
  • Išleidimo metai: 17-Aug-2017
  • Leidėjas: Manchester University Press
  • Kalba: eng
  • ISBN-13: 9781526115522
Kitos knygos pagal šią temą:
  • Formatas: 288 pages
  • Išleidimo metai: 17-Aug-2017
  • Leidėjas: Manchester University Press
  • Kalba: eng
  • ISBN-13: 9781526115522
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium.

Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963-89) and Survivors (BBC, 1975-77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

Recenzijos

Hewett is interested in acting within the context of other practices and developments, such as directing, production practices, technology and actor training [ ] Each chapter is given over to a particular production practice studio realism and location realism and approached with a broadly common set of questions and a specific example to anchor the wider argument [ ] The validity of this approach is confirmed by the illuminating and detailed textual analysis that is at the heart of each chapter, which is used not to elucidate the narrative but to concretise the arguments made about space, the variety of actors approaches and training and directorial and production practices. Stephen Lacey, University of South Wales, Critical Studies in Television, Vol. 13, No. 4 (December 2018)

'Covering a fantastic range of BBC TV science fiction, Hewett innovatively traces different modes of "realism" in much-loved original shows and their remakes/continuations. Tackling the likes of Doctor Who, The Quatermass Experiment and Survivors, The changing spaces of television acting smartly spearheads emergent work on TV performance. Based on archival research and new interviews with key producers, actors and writers, this is a must-read, must-own title for anyone interested in telefantasy.' Matt Hills, Professor of Journalism and Media, University of Huddersfield -- .

List of figures
vi
Acknowledgements xii
Introduction 1(24)
1 Scaling down in early studio realism
25(45)
2 Refining studio realism
70(47)
3 The genesis of location realism
117(48)
4 The age of location realism
165(58)
5 The return of studio realism?
223(15)
Conclusion 238(5)
References 243(18)
Index 261
Richard Hewett is Lecturer in Media Theory at the University of Salford -- .