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El. knyga: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 2007, Revised Papers

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Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 2007, Revised PapersDidesnis paveikslėlis
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This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007. The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.
Towards the Understanding of Sense of Sounds.- Fifty Years of Computer
Music: Ideas of the Past Speak to the Future.- Music Cognition: Learning,
Perception, Expectations.- Capturing Expressive and Indicative Qualities of
Conducting Gesture: An Application of Temporal Expectancy Models.- Musicians
Outperform Nonmusicians in Speech Imitation.- Cognitive Styles and
Computer-Based Creativity Support Systems: Two Linked Studies of
Electro-acoustic Music Composers.- The Usability of Music Theory Software:
The Analysis of Twelve-Tone Music as a Case Study.- Understanding Emotion in
Raag: An Empirical Study of Listener Responses.- The Artistic Play of Spatial
Organization: Spatial Attributes, Scene Analysis and Auditory Spatial
Schemata.- Semiotics of Sounds Evoking Motions: Categorization and Acoustic
Features.- Exploring Perceptual Based Timbre Feature for Singer
Identification.- Cognitive Implications of Musical Perception.- A
Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL.-
Real-Time Analysis of Sensory Dissonance.- Multimodal Design for Enactive
Toys.- Psychoacoustic Manipulation of the Sound-Induced Illusory Flash.- On
Cross-Modal Perception of Musical Tempo and the Speed of Human Movement.-
Between Mapping, Sonification and Composition: Responsive Audio Environments
in Live Performance.- Towards the Generation of Sense of Sounds.- Retrieving
and Recreating Musical Form.- Placement of Sound Sources in the Stereo Field
Using Measured Room Impulse Responses.- Rule-Based Expressive Modifications
of Tempo in Polyphonic Audio Recordings.- Exploring the Perceptual Relevance
of Inherent Variability of Drum Sounds.- Improving Musical Expressiveness by
Time-Varying Brightness Shaping.- NN Music: Improvising with a `Living
Computer.- A Real-Time Genetic Algorithm in Human-Robot Musical
Improvisation.- A Musical Framework with Swarming Robots.- Emergent Rhythms
through Multi-agency in Max/MSP.- Experiencing Audio and Music in a Fully
Immersive Environment.- A Network-Based Framework for Collaborative
Development and Performance of Digital Musical Instruments.- The ImmApp: A
Digital Application for Immersive Interaction with Sound Art Archives.-
BioTools: A Biosignal Toolbox for Composers and Performers.-
Focus-Plus-Context Audio Interaction Design.- Maps and Legends: Designing
FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive
Performance.- DECONcert: Making Waves with Water, EEG, and Music.
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