Offers the most thoroughly researched and judicious account now available of how, despite being a woman and holding no official titles, Koch became the most dreaded Nazi of them allan essential read for anyone interested in the politics of war crimes trials and the complex trajectory of memory in the two postwar Germanys. -- Steven P. Remy * German Studies Review * A very thorough account of these three trials and of the surrounding media construction of the Bitch of Buchenwald. -- Matthew Stibbe * Antisemitism Studies * Scrupulous and unsettling, this is a vital reconsideration of a notorious figure from history. * Publishers Weekly * [ Jardim] handles this subject matter with precision and delicacyA solid analysis of one of the worlds most notorious war criminals. -- Mattie Cook * Library Journal * [ Jardim] argues that Koch, convicted for her moral and ideological culpability in assaulting prisonersreceived a gendered treatment by the American and German pressesThis focus on the salacious, sensational, and extraordinary hindered an honest examination of the routinized and bureaucratized slaughter by a regime based on the popular support and participation of many ordinary people. * Choice * The definitive portrait of Ilse Koch, whose caricature as a sadistic nymphomaniac has for too long dominated representations of Nazi female perpetrators. In Jardims judicious hands, Kochs story reveals much about the Nazi system, postwar justice, and the sexism that permeated both, while firmly establishing Kochs guilt and paranoid antisemitism. -- Wendy Lower, author of Hitlers Furies: German Women in the Nazi Killing Fields An indispensable, superbly researched contribution to the literature on postwar trials of Nazi crimes. Caught between her own obvious prevarications and lack of remorse, the US publics thirst for sensationalism, and Germanys need for a spectacular symbol of gender-violating deviance to serve as a convenient scapegoat, Ilse Koch was the rare case of a Nazi perpetrator who was over-prosecuted and over-punished. -- Christopher R. Browning, author of Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland Fascinating and highly original. Deploying a number of previously neglected sources, Jardim not only explores Kochs life and trials, but also raises intriguing questions about how guilt can ever be established when all but the most circumstantial evidence is absent. A high-caliber contribution. -- Elizabeth Borgwardt, author of A New Deal for the World: Americas Vision for Human Rights A gripping account of a Nazi placed on trial after the war, both in court and in the press, for her gruesome acts at Buchenwald concentration camp. Looking closely at Kochs life and motivations, Jardim offers a brilliant study of postwar Germany and America trying to come to grips with the barbarity of the Nazis, human wickedness, and the role of women perpetrators. -- Susannah Heschel, author of The Aryan Jesus: Christian Theologians and the Bible in Nazi Germany In a stroke of genius, Jardim shows how the figure of Ilse Kochpopularly depicted as a bad wife, a worse mother, and a sexually threatening womanhelped frame the Holocaust as being, fundamentally, about psychological perversion and deviation from the gendered norms of civilization. In so doing, he makes the role of gender in postwar Nazi trials not only legible, but inescapable. -- Devin O. Pendas, author of Democracy, Nazi Trials, and Transitional Justice in Germany, 19451950 A fascinating, revelatory book. Jardims deft account of the trials of one of the most infamous Nazi defendants serves as a prism through which he examines such big themes as the postwar reckoning with the camps, the popular (mis)understanding of Nazi crimes, and the politics of memory. -- Nikolaus Wachsmann, author of KL: A History of the Nazi Concentration Camps
