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El. knyga: Jean Genet

(Royal Holloway, University of London, UK), (University of Essex, UK)

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‘This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genets work exhilarating rather than intimidating, the book bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century.’ – CHOICE Outstanding Academic Title for 2012Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial writer whose work prefigured many recent postmodern and post-colonial developments in theatre and performance studies.The volume offers philosophical, historical, political and aesthetic readings of Genet’s plays in order to render the complexity of his theatre exhilarating, rather than intimidating. It goes on to explore ways in which different directors, designers and actors have approached his writing. A spectrum of productions spanning 60 years, from 1947 to 2007, illustrates the sheer range of theatrical styles that Genet’s texts inspire.Reflecting on his early life and later political activism as well as the key plays, David Bradby and Clare Finburgh provide a comprehensive discussion of a playwright and theorist whose work caused riots in France, and whose writing represents a unique synthesis of life and art.

Recenzijos

'This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book is neatly organized into two equally important parts. The first provides an overview of Genet's life and politics along with a concise reading of the philosophical, historical, and aesthetic implications of six masterworks: The Maids, Deathwatch, Splendid, The Balcony, The Blacks, and The Screens. The second focuses on the remarkable range of styles that Genet's texts inspire and the multiple ways in which directors, designers, and actors have infused life into his plays over the past 60 years. Finburgh (Univ. of Essex, UK) and the much-missed Bradby (a pioneer of performance studies who died in 2011) delve into more than 20 groundbreaking productions, from Louis Jouvet's naturalist staging of The Maids (1947) to Ultz and Excalibah's hip-hop, slam-poetry remix of The Blacks (2007). Together with Edmund White's magnificent Genet: A Biography (CH, Mar'94, 31-3682), this short but comprehensive treatment bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century. Summing Up: Essential.' C.B. Kerr, CHOICE

List of illustrations
vii
Acknowledgements ix
Part I Life, politics and play-texts
1(88)
1 Life and politics
3(29)
2 Key early plays: The Maids, Deathwatch, Splendid's
32(29)
3 Key late plays: The Balcony, The Blacks, The Screens
61(28)
Part II Key productions
89(101)
4 Key productions and issues surrounding production: The Maids, Deathwatch
91(34)
5 Key productions and issues surrounding production: The Balcony, The Blacks
125(39)
6 Key productions and issues surrounding production: The Screens
164(26)
Notes 190(9)
Bibliography 199(10)
Index 209
David Bradby was Emeritus Professor of Drama and Theatre Studies at Royal Holloway. He was the UKs leading specialist in modern French theatre, writing several seminal works on the subject, including Le Théātre en France (2007) and Modern French Drama (1984, 1991). He was also a prolific translator of French dramatists, including Michel Vinaver and Bernard-Marie Koltčs.

Clare Finburgh is Senior Lecturer in Modern Drama at the University of Essex. She has co-edited Genet: Performance and Politics (with Carl Lavery and Maria Shevtsova, 2006) and Contemporary French Theatre and Performance (with Carl Lavery, 2011). She has published many articles on Genet, and a range of contemporary French and Francophone theatre-makers including Valčre Novarina, Noėlle Renaude and Kateb Yacine.