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El. knyga: Landscape Design in Color: History, Theory, and Practice 1750 to Today

(Iowa State University, USA)
  • Formatas: 232 pages
  • Išleidimo metai: 27-Dec-2022
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429798061
  • Formatas: 232 pages
  • Išleidimo metai: 27-Dec-2022
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9780429798061

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"Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines"--

This book is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Richly designed and illustrated in full color throughout, this book is a must-have resource for students, scholars, and professionals in landscape architecture.

Recenzijos

"Mira Engler takes a hearty bite into a space within design that is very rarely discussed: COLOR. Color generates the same disquietude as the topic of beauty, as its assumed to be too qualitative within the design profession. Beauty or color are not considered an acceptable form of "vision," but rather irrational, dispensable, and irrelevant in addressing important landscape and environmental issues. Color is even more threatening to clients, especially white men of European descent, who feel it could erode their appearance of being responsible and trustworthy. Women, who are viewed as more frivolous and less responsible, have some latitude with color. But not much. The lack of color discourse underscores how deeply cultural and personal the topic can be. And although most designers shun color and most clients make immediate unfavorable judgements about it, none has the power to ignore it. Reacting to color is in our DNA. The book is a wonderful read. It shares many stories about the impact and glory of color in landscape design, and it shows how color is a strong medium of communication and a chief signifier within worlds cultures. I suggest you read this book and let your freak flag fly!"

Martha Schwartz, Martha Schwartz Partners, Professor in Practice of Landscape Architecture, Harvard University Graduate School of Design

"Mira Englers marvelous book empowers us to understand and shape the world through color. Color is at landscape architectures heart affecting perceptions of depth, space, and identity, yet colors agency is rarely discussed or even acknowledged. Providing a much-needed chromatic overview of landscape history, theory, and practice, Englers book bravely tackles a considerable void in landscape knowledge and makes the convincing case for color in landscape architecture and design. This colorful book is a joy to read."

Gareth Doherty, Associate Professor of Landscape Architecture, Harvard University Graduate School of Design. Author of Paradoxes of Green: Landscapes of a City-State

"In Landscape Design in Color, Mira Engler offers us new vistas, taking in the designed environment as well as the cultures they reflect. She breathes new life into old concepts central to art and design disciplines, such as disegno vs. colore, while her discussions of contemporary artists and designers provide points of connection to audiences well outside her field. Engaging with enduring theoretical debates as well as more current treatments of race and gender, this is interdisciplinarity at its most exciting and relevant."

Aaron Fine, Professor of Art, Truman State University. Author of Color Theory: A Critical Introduction

Preface ix
Introduction 1(10)
Part I Pre-Modernism
11(88)
From Painting to Landscape
The Landscape Painting Genre: Privileging Color over Line
Autumn Colors: The Painter's Favorite
1 Structural Color: Uniform Verdure, Humphry Repton (1752--1818)
19(26)
Landscapes: Nature the Colorist
Artifacts: Color as Ornament and Social Code
Drawings: Color and Consumer Appeal
Red Books: Status and Brand
Brandsbury, Middlesex, UK, 1789
The Gardens of Ashridge, Hertfordshire, UK, 1813
2 Artificial Color: Bright and Complementary, J. C. Loudon (1783--1843)
45(24)
Specimen: The Necessity of Observation ("Not All Greens Are the Same")
Artifice: Color of Distinction
Color Charts: Mixed-versus-Solid Debate
Ornament: Color for Every Season
Class Distinction: Color as Social Code
Hendon Rectory, Middlesex, UK, 1838
Hoole House, Cheshire, UK, 1838
3 Color as Impression: Graduated Harmony, William Robinson (1838--1935) and Gertrude Jekyll (1843--1932)
69(30)
Primacy of Color over Form
Foliage Aesthetics: The Return of Green
Intergrouping: Spectrally Adjacent Harmony
Living Pictures, Flowering Calendar
Special Coloring: One-Color Garden
Gravetye Manor, West Sussex, UK, 1885--1935
Munstead Wood, Surrey, UK, 1883--1932
Part II Modernism
99(96)
From Material to Sensation
Primary Colors Versus White
Early Modernist Color Forays in European Gardens
4 Material and Phenomenal Color: Simultaneous Contrast, Gabriel Guevrekian (1900--70)
109(28)
Simultaneous Contrast, Color in Motion
Phenomenology: The Psychology of Color
Modernized Tradition: Polychromatic Mosaic
Permanence: Minerals and Special Light Effects
Photography: Gardens in Black and White
Villa Noailles, Hyeres, France, 1926
Villa Heim, Neuilly-sur-Seine, France, 1927--8
5 Spatial Color: A-Chrome, Garrett Eckbo (1910--2000)
137(30)
Space: Structural Color Revised
Climatic Regionalism, Rational Color
Synthetic Material: Stain and Sparkle
Consumer Culture, Colorful Lifestyle
Axonometry Customized, Photography in Color
Alcoa Forecast Garden, Los Angeles, CA, USA, 1956--9
Union Bank Square, Los Angeles, CA, USA, 1964-8
6 Symphony of Color: Tropical Saturation, Roberto Burle Marx (1909--4)
167(28)
Illumination and Regional Identity
Composition: Symphony of Color
Hybridity: Artificial Ecologies
Tropical Modernism: Cultural Mosaic
Medium: Art and Landscape
Ministry of Education and Health, Rio de Janeiro, Brazil, 1938--43
Edmundo Cavanelas Residence, Petropolis, Brazil, 1954
Part III Postmodernism, Onward
195(125)
From Pigment to Affect
The New Sublime, Minimal and Land Art
Radiant Architecture, Luminous Landscapes
7 Conceptual Color: Purely Synthetic, Martha Schwartz (b. 1950)
205(36)
Transfiguration, Pop Color, and Day-Glo
Critique: Green and Other Landscape Jokes
Humor, Wonder, and Bliss
Color Wars, Branding, and Image Making
Pantone, RBG, and SuperPaint
Daws Garden, El Paso, TX, USA, 1996
Mesa Arts Center, Mesa, AZ, USA, 2005
8 Affective Light Color: Translucence, Petra Blaisse (b. 1955)
241(34)
Curating Textiles and Landscapes
Lines and Imprints: Color Itineraries
Luminosity: Color-Sphere
Tactile Color and Contemporaneity
Multimedium: Bricolage, e-Collage, and Montage
Seattle Central Public Library, WA, USA, 2000--5
Biblioteca degli Alberi (Library of Trees), Milan, Italy, 2003--4; 2008--18
9 Color Now: Gender, Skin, and Screen
275(45)
Naughty Color: Monochrome, Claude Cormier (b. 1960), Claude Cormier + Associes, Montreal, Canada
276(12)
Gender, Identity Politics
Visual Games, Camouflage, Pun, and Flavor
Photographic Mediation, Cartoon, Collage, and Superrealism
Instagrammable Color: Radiance, Martin Rein-Cano (b. 1967), TOPOTEK 1, Berlin, Germany
288(16)
"Chemotherapy," Visibility, and Ambiguity
Color Stories, Identity, and Marking
Real/Surreal, Alice in Wonderland
Rhythms of Color and Light: Black, White, and Blues, Walter Hood (b. 1958), Hood Design Studio, Oakland, California
304(16)
Painting versus Drawing, Field versus Figure
In-Visibility: People of Color
Color Stereotypes, Material to Last
Postscript: Color Prospects 320(4)
Index 324
Mira Engler studied landscape architecture and architecture. She is an Emerita Professor of Landscape Architecture at Iowa State University. Her first book Designing Americas Waste Landscapes explores societal and professional attitudes toward waste and the design of dumps and sewage grounds. Her second book Cut and Paste Urban: Landscape: The Work of Gordon Cullen explores image making in landscape and urban design in the postwar consumer culture era through the drawings and writing of Gordon Cullen. She currently studies immersive landscapes and virtual media culture.