Published to accompany the highly anticipated exhibition Leonardo da Vinci: Painter at the Court of Milan at the National Gallery, London, this extended volume of the Technical Bulletin documents new research undertaken on the life and work of Leonardo. It includes an analysis of his time in Verrocchio's workshop, where he adopted the new technique of oil painting; an article on the recent conservation and redisplay of the London version of The Virgin of the Rocks; and examples of Leonardo's painting practice and influence while he was court painter to the Duke of Milan, Ludovico Sforza.
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Leonardo in Verrocchio's Workshop: Re-examining the Technical Evidence |
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4 | (28) |
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Leonardo da Vinci's Virgin of the Rocks: Treatment, Technique and Display |
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32 | (25) |
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Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan |
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57 | (21) |
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Painting Practice in Milan in the 1490s: The Influence of Leonardo |
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78 | |
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Ashok Roy, Rachel Morrison, David Peggie, and Marika Spring are all staff members of the National Gallery Scientific Department; Rachel Billinge, Jill Dunkerton, and Larry Keith are all staff members of the National Gallery Conservation Department; Peter Schade is staff member of the National Gallery Framing Department; Antonio Mazzotta was formerly curatorial assistant at The National Gallery.
