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El. knyga: The Routledge Handbook of Audio Description

Edited by (National Institute of Economic and Social Research, UK), Edited by

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The American Council of the Blind (ACB) Recipient of the 2022 Dr. Margaret Pfanstiehl Audio Description Achievement Award for Research and Development

This Handbook provides a comprehensive overview of the expanding field of audio description, the practice of rendering the visual elements of a multimodal product such as a film, painting, or live performance in the spoken mode, for the benefit principally of the blind and visually impaired community. This volume brings together scholars, researchers, practitioners and service providers, such as broadcasters from all over the world, to cover as thoroughly as possible all the theoretical and practical aspects of this discipline.

In 38 chapters, the expert authors chart how the discipline has become established both as an important professional service and as a valid academic subject, how it has evolved and how it has come to play such an important role in media accessibility. From the early history of the subject through to the challenges represented by ever-changing technology, the Handbook covers the approaches and methodologies adopted to analyse the multimodal text in the constant search for the optimum selection of the elements to describe.

This is the essential guide and companion for advanced students, researchers and audio description professionals within the more general spheres of translation studies and media accessibility.

Recenzijos

"Spanning the breadth of audio-descriptive applications, this rich compendium shows that AD has finally come of age and is no longer the Cinderella of AVT. This book will be invaluable to anyone interested in accessibility, particularly researchers in AVT."

Dr Louise Fryer, audio describer and independent researcher

List of illustrations
xi
List of contributors
xiv
Acknowledgements xxi
Introduction 1(10)
Christopher Taylor
Elisa Perego
PART ONE Accessibility and blindness
11(44)
1 The question of accessibility
13(14)
Gian Maria Greco
2 Access services for the blind and partially sighted: a social and legal framework for the promotion of audio description
27(11)
Joan Bestard-Bou
Blanca Arias-Badia
3 A profile of audio description end-users: linguistic needs and inclusivity
38(17)
Elisa Perego
Christopher Taylor
PART TWO A theoretical overview
55(88)
4 A cognitive approach to audio description: production and reception processes
57(21)
Jana Holsanova
5 Narratology and/in audio description
78(15)
Gert Vercauteren
6 Linguistic and textual aspects of audio description
93(14)
Iwona Mazur
7 Audio description and culture-specific elements
107(20)
Anna Jankowska
8 "Ut pictura poesis": the rendering of an aesthetic artistic image in form and content
127(16)
Loretta Secchi
PART THREE Audio description sectors
143(120)
9 Audio description for the theatre: a research-based practice
145(23)
Aline Remael
Nina Reviers
10 Opera and dance audio description
168(15)
Joel Snyder
Esther Geiger
11 Audio description for the screen
183(17)
Maria Joaquina Valero Gisbert
12 Museum audio description: the role of ADLAB PRO
200(15)
Christopher Taylor
Elisa Perego
13 Audio description in museums: a service provider perspective
215(17)
Anna Fineman
Matthew Cock
14 Visitor studies: Interdisciplinary methods for understanding the impact of inclusive museum audio description experiences
232(14)
Rachel Hutchinson
Alison F. Eardley
15 Audio describing churches: in search of a template
246(17)
Ralph Pacinotti
PART FOUR Stakeholders
263(66)
16 The audio description professional: a sociological overview and new training perspectives
265(15)
Elisa Perego
17 Audio description: a public broadcaster's core business and headache
280(15)
Gunter Saerens
Tine Deboosere
Jan-Willem Van Hoof
18 Profiling audio description service providers: a questionnaire-based snapshot
295(17)
Irene Hermosa-Ramlrez
19 Research in audio description
312(17)
Nazaret Fresno
PART FIVE Innovation and technology
329(92)
20 Audio description software tools
331(22)
Vincenza Minutella
21 Receptor tools
353(12)
Wojciech Figiel
Kamila Albin
22 Artificial voices
365(12)
Agnieszka Walczak
Gonzalo Iturregui-Gallardo
23 Video games and audio description
377(14)
Carme Mangiron
Xiaochun Zhang
24 Automating audio description
391(16)
Sabine Braun
Kim Starr
25 Audio description personalisation
407(14)
Pilar Grero
PART SIX Practices
421(74)
26 Audio introductions
423(11)
Pablo Romero-Fresco
27 Audio subtitling
434(13)
Anna Matamala
28 Audio description translation: a retrospective
447(13)
Estella Oncins
29 Audio description translation: a pilot study in Chinese/Spanish
460(16)
Yuchen Liu
Irene Tor-Carroggio
30 Audio description for the non-blind
476(19)
Kim Starr
PART SEVEN Training
495(34)
31 University training
497(13)
Agnieszka Chmiel
32 In-house training: the course at Bayerischer Rundfunk
510(19)
Bernd Benecke
PART EIGHT National case studies
529(105)
33 Audio description in the United States
531(13)
Joel Snyder
34 Audio description in Canada
544(16)
Rebecca Singh
35 Audio description in Australia
560(19)
Karen Seeley
36 Audio description in Russia
579(17)
Ivan Borshchevsky
Alexey Kozulyaev
37 Audio description in Brazil
596(17)
Eliana Franco
Vera Lucia Santiago Araujo
38 Audio description in Slovenia
613(21)
Mateja Vodeb
Veronika Rot
Glossary of Terms 634(4)
Index 638
Christopher Taylor is Full Professor (retired) of English Language and Translation at the University of Trieste, Italy. He is author of Language to Language (CUP, 2000) and more than eighty articles on general translation, audiovisual translation and audio description.

Elisa Perego is Associate Professor of English Language and Translation at the University of Trieste, Italy. She is author of Accessible communication: A cross-country journey, and numerous articles on audiovisual translation, audio description, and language simplification.