| Preface |
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2 | (24) |
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Getting Started Camera and film |
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4 | (1) |
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Loading film into the camera |
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5 | (1) |
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Focusing and setting the exposure |
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6 | (1) |
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7 | (1) |
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8 | (1) |
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What will you photograph? |
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9 | (1) |
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10 | (2) |
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12 | (2) |
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14 | (2) |
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More about Camera Controls |
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16 | (1) |
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Inside a single-lens reflex camera |
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17 | (1) |
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Shutter Speed Affects light and motion |
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18 | (2) |
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Aperture Affects light and depth of field |
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20 | (2) |
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Shutter Speed and Aperture Blur vs. depth of field |
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22 | (2) |
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Getting the Most from Your Camera and Lens |
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24 | (2) |
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26 | (24) |
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Lens Focal Length The basic difference between lenses |
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28 | (2) |
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Normal Focal Length The most like human vision |
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30 | (2) |
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Long Focal Length Telephoto lenses |
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32 | (2) |
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Short Focal Length Wide-angle lenses |
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34 | (2) |
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Zoom, Macro, and Fisheye Lenses |
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36 | (2) |
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38 | (1) |
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39 | (1) |
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Depth of Field Controlling sharpness in a photograph |
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40 | (2) |
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More about Depth of Field How to preview it |
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42 | (2) |
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Perspective How a photograph shows depth |
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44 | (2) |
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Lens Attachments Making close-ups |
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46 | (2) |
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48 | (2) |
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50 | (10) |
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52 | (2) |
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Film Speed and Grain The two go together |
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54 | (2) |
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56 | (2) |
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58 | (2) |
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60 | (16) |
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Normal Exposure, Underexposure, and Overexposure |
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62 | (2) |
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Exposure Meters What different types do |
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64 | (1) |
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How to calculate and adjust an exposure manually |
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65 | (1) |
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Overriding an Automatic Exposure Camera |
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66 | (2) |
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Making an Exposure of an Average Scene |
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68 | (2) |
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Exposing Scenes that are Lighter or Darker than Average |
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70 | (2) |
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72 | (1) |
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Exposing Scenes with High Contrast |
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73 | (1) |
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Low Light and Reciprocity |
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74 | (1) |
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Exposures in Hard-to-Meter Situations |
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75 | (1) |
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5 Developing the Negative |
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76 | (18) |
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Processing Film Equipment and chemicals you'll need |
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78 | (2) |
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Mixing and Handling Chemicals |
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80 | (1) |
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Processing Film Step by Step Setting out materials needed |
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81 | (1) |
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82 | (2) |
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84 | (1) |
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85 | (1) |
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86 | (1) |
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Summary of Film Processing |
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87 | (1) |
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How Chemicals Affect Film |
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88 | (2) |
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Evaluating Your Negatives |
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90 | (2) |
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92 | (2) |
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94 | (28) |
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Printing Equipment and materials you'll need |
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96 | (2) |
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Making a Contact Print Step by Step |
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98 | (2) |
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Processing a Print Step by Step Development |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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Summary of Print Processing |
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103 | (1) |
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Making an Enlarged Print Step by Step Setting up the enlarger |
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104 | (2) |
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106 | (1) |
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107 | (1) |
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Evaluating Your Print for Density and Contrast |
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108 | (2) |
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More about Contrast How to control it in a print |
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110 | (2) |
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Local Controls Burning in and dodging |
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112 | (2) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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Equipment and materials you'll need |
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117 | (1) |
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Dry Mounting a Print Step by Step |
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118 | (2) |
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Bleed Mounting/Overmatting |
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120 | (2) |
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122 | (18) |
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Qualities of Light From direct to diffused |
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124 | (2) |
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Existing Light Use what's available |
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126 | (2) |
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The Main Light The strongest source of light |
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128 | (2) |
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Fill Light To lighten shadows |
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130 | (2) |
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132 | (2) |
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Using Artificial Light Photolamp or flash |
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134 | (2) |
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More about Flash How to position it |
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136 | (2) |
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138 | (2) |
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140 | (30) |
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Equipment and Materials You'll Need |
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142 | (1) |
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143 | (1) |
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Digital Color Modes, gamuts, spaces, and profiles |
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144 | (1) |
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145 | (1) |
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Using Histograms and the Info Palette |
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146 | (2) |
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Setting up a Workflow Stay organized |
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148 | (1) |
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Photographer's Workflow Programs |
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149 | (1) |
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150 | (1) |
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151 | (1) |
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Getting Started Editing an Image |
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152 | (2) |
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Adjusting an Image Levels |
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154 | (1) |
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155 | (1) |
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Adjusting Part of an Image Selections |
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156 | (2) |
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158 | (1) |
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159 | (1) |
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160 | (1) |
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161 | (1) |
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162 | (2) |
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Editing a Digital Photograph Step by Step |
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164 | (2) |
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166 | (1) |
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167 | (1) |
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Storage, Archiving, Retrieval |
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168 | (1) |
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Ethics and Digital Imaging |
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169 | (1) |
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170 | (26) |
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What's in the Picture The edges or frame |
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172 | (2) |
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174 | (2) |
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Focus Which parts are sharp |
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176 | (2) |
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Time and Motion in a Photograph |
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178 | (2) |
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Depth in a Picture Three dimensions into two |
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180 | (1) |
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181 | (1) |
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Photographing for Meaning |
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182 | (2) |
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Portraits Informal: Finding them |
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184 | (2) |
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186 | (2) |
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Photographing the Landscape |
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188 | (2) |
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Photographing the Cityscape |
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190 | (2) |
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192 | (2) |
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Responding to Photographs |
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194 | (2) |
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10 History of Photography |
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196 | (32) |
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Daguerreotype "Designs on silver bright" |
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198 | (2) |
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Calotype Pictures on paper |
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200 | (1) |
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Collodion Wet-Plate Sharp and reproducible |
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201 | (1) |
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Gelatin Emulsion/Roll-Film Base Photography for everyone |
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202 | (1) |
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203 | (1) |
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204 | (1) |
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205 | (1) |
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Time and Motion in Early Photographs |
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206 | (1) |
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207 | (1) |
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The Photograph as Document |
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208 | (1) |
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Photography and Social Change |
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209 | (1) |
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210 | (2) |
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Photography as Art in the 19th Century |
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212 | (1) |
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Pictorial Photography and the Photo-Secession |
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213 | (1) |
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214 | (1) |
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The Quest for a New Vision |
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215 | (1) |
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Photography as Art in the 1950s and 1960s |
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216 | (1) |
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Photography as Art in the 1970s and 1980s |
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217 | (1) |
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218 | (2) |
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220 | (1) |
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221 | (7) |
| Glossary |
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228 | (4) |
| Photo Credits |
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232 | (1) |
| Bibliography |
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233 | (1) |
| Index |
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234 | |
