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Theory for Ethnomusicology: Histories, Conversations, Insights 2nd edition [Kietas viršelis]

(Indiana University, USA), (Memorial University of Newfoundland, Canada)
  • Formatas: Hardback, 242 pages, aukštis x plotis: 254x178 mm, weight: 640 g, 2 Tables, black and white
  • Išleidimo metai: 17-Jun-2019
  • Leidėjas: Routledge
  • ISBN-10: 1138222135
  • ISBN-13: 9781138222137
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 242 pages, aukštis x plotis: 254x178 mm, weight: 640 g, 2 Tables, black and white
  • Išleidimo metai: 17-Jun-2019
  • Leidėjas: Routledge
  • ISBN-10: 1138222135
  • ISBN-13: 9781138222137
Kitos knygos pagal šią temą:
Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research.New to this edition:Every chapter in the book is completely new, with richer and more comprehensive discussions.New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation.New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.
List of Text Boxes and Tables
vii
Preface viii
Acknowledgements xii
Introduction 1(25)
Harris M. Berger
Ruth M. Stone
1 Linguistic and Semiotic Approaches to Ethnomusicology: From Abstract Structure to Situated Practice
26(25)
Jayson Beaster-Jones
2 Marxist Approaches to Music, Political Economy, and the Culture Industries: Ethnomusicological Perspectives
51(20)
Peter Manuel
3 Theories of Gender and Sexuality: From the Village to the Anthropocene
71(28)
Jane C. Sugarman
4 Constructing Race and Engaging Power through Music: Ethnomusicology and Critical Approaches to Race
99(15)
Maureen Mahon
5 Theories of the Post-colonial and Globalization: Ethnomusicologists Grapple with Power, History, Media, and Mobility
114(27)
Jeremy Wallach
Esther Clinton
6 Performance Studies and Critical Improvisation Studies in Ethnomusicology: Understanding Music and Culture through Situated Practice
141(35)
Ellen Waterman
7 Decentering Music: Sound Studies and Voice Studies in Ethnomusicology
176(28)
Katherine Meizel
J. Martin Daughtry
8 Phenomenology and Phenomenological Ethnomusicology: Approaches to the Lived Experience of Music
204(15)
Harris M. Berger
9 Theories of Participation
219(14)
Matthew Rahaim
Notes on Contributors 233(4)
Index 237
Harris M. Berger is Canada Research Chair in Ethnomusicology, Director of the Research Centre for the Study of Music, Media, and Place, and Professor of Music and Folklore at Memorial University of Newfoundland.

Ruth M. Stone is the Laura Boulton Professor Emerita of Ethnomusicology in the Department of Folklore and Ethnomusicology at Indiana University.