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This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.

This book focuses on a comparative reading of tragedy from the Greeks through Shakespeare to postcolonial examples from Africa, India, Ireland, and the African-American tradition. It will appeal to a wide range of both specialists and non-specialists alike.

Recenzijos

' [ This book] is a powerful insight, suggestive enough, one would have thought, to fuel a book-length inquiry into the distinctiveness of postcolonial tragedy.' Rajeswari Sunder Rajan, Modern Philology 'The book's connections to the fields of literature, philosophy, and history are apparent, as is its layered, meticulously crafted thesis. Relevant and applicable to a variety of critical reassessments in various fields within the humanities. Recommended.' J. Neal, Choice 'The contribution of Ato Quayson's book is undoubtedly found in the dialogue and the pooling of plural knowledge, reporting on the suffering and ethnic discriminations of which colonized populations have been victims.' Jean Zaganiaris, Anabases (translated from French) Jean

Daugiau informacijos

Provides a new way of reading Western tragedy alongside texts from the postcolonial world so as to cross-illuminate each other.
Preface and Acknowledgments ix
1 Introduction: Tragedy And The Maze Of Moments
1(43)
2 Ethical Cosmopolitanism And Shakespeare's Othello
44(39)
3 History And The Conscription To Colonial Modernity In Chinua Achebe's Rural Novels
83(41)
4 Ritual Dramaturgy And The Social Imaginary In Wole Soyinka's Tragic Theatre
124(32)
5 Archetypes, Self-Authorship, And Melancholia: Tayeb Salih's Seasons Of Migration To The North
156(30)
6 Form, Freedom, And Ethical Choice In Toni Morrison's Beloved
186(27)
7 On Moral Residue And The Affliction Of Second Thoughts: J. M. Coetzee's Waiting For The Barbarians
213(25)
8 Enigmatic Variations, Language Games, And The Arrested Bildungsroman: Arundhati Roy's The God Of Small Things
238(26)
9 Distressed Embodiment And The Burdens Of Boredom: Samuel Beckett's Postcolonialism-
264(34)
10 Conclusion: Postcolonial Tragedy And The Question Of Method
298(12)
Bibliography 310(17)
Index 327
Ato Quayson is Professor of English at Stanford University, California. He has previously taught at the University of Cambridge, the University of Toronto, and at New York University, and has held fellowships at the University of Oxford, Harvard University, the University of California, Berkeley, Australian National University, and Wellesley College, among others.