A historical, thematically organised study of the unprecedented growth and popularity of stringed instruments in Britain from the Victorian era to 1930, this book examines the social spread of string playing, its infrastructure and grass-roots activities, and the presence of the violin in the British popular imagination of the time.
Interweaving a social history of string playing with a collective biography of its participants, this book identifies and maps the rapid nationwide development of activities around the violin family in Britain from the 1870s to about 1930. Highlighting the spread of string playing among thousands of people previously excluded from taking up a stringed instrument, it shows how an infrastructure for violin culture coalesced through an expanding violin trade, influential educational initiatives, growing concert life, new string repertoire, and the nascent entertainment and catering industries. Christina Bashford draws a freshly broad picture of string playing and its popularity, emphasizing grass-roots activities, amateurs' pursuits, and everyday work in the profession's underbelly, allowing many long-ignored lives to be recognized and untold stories heard. It also explores the allure of stringed instruments, especially the violin, in Britain, analyzing and contextualizing how the instruments and their players, makers, and collectors were depicted and understood.
