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Anthology for Music in the Twentieth and Twenty-First Centuries [Paperback / softback]

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Series edited by (Columbia University), (Tufts University)
  • Format: Paperback / softback, 336 pages, height x width x depth: 231x180x20 mm, weight: 557 g
  • Pub. Date: 25-Jun-2013
  • Publisher: WW Norton & Co
  • ISBN-10: 0393920216
  • ISBN-13: 9780393920215
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  • Format: Paperback / softback, 336 pages, height x width x depth: 231x180x20 mm, weight: 557 g
  • Pub. Date: 25-Jun-2013
  • Publisher: WW Norton & Co
  • ISBN-10: 0393920216
  • ISBN-13: 9780393920215
Other books in subject:
Anthology for Music in the Twentieth and Twenty-First Centuries, part of the Western Music in Context series, is the ideal companion to Music in the Twentieth and Twenty-First Centuries. Twenty-six carefully chosen works—including music by Claude Debussy, Kurt Weill, William Grant Still, Pauline Oliveros, and Chen Yi—offer representative examples of genres and composers of the period. Commentaries following each score present a careful analysis of the music, and online links to purchase and download recordings make listening easier than ever.

A concise anthology including a wide range of music from the twentieth and twenty-first centuries.
Concordance vii
Preface ix
1 Gustav Mahler: Symphony No. 3 in D Minor, Movement 4
1(14)
2 Claude Debussy: Estampes, Pagodes
15(10)
3 Arnold Schoenberg: Pierrot lunaire, Op. 21, Mondestrunken
25(6)
4 Alban Berg: Wozzeck, Act 3, Transition and Scene 3
31(17)
5 Charles Ives: Symphony No. 4, Movement 1
48(10)
6 Igor Stravinsky: Le sacre duprintemps. Part I, Introduction
58(11)
7 Kurt Weill: Der Lindberghflug, "Introduction of the Pilot"
69(7)
8 Igor Stravinsky: Symphonie de psaumes, Movement 2
76(14)
9 Maurice Ravel: Concerto in G for Piano and Orchestra, Movement 1
90(28)
10 Arnold Schoenberg: Piano Piece, Op. 33a
118(8)
11 Anton Webern: Symphony, Op. 21, Movement 2, Variations
126(11)
12 Bela Bartok: Music for Strings, Percussion, and Celesta, Movement 1
137(12)
13 Aaron Copland: Billy the Kid Suite, "Street in a Frontier Town" (excerpt)
149(14)
14 William Grant Still: Africa, Part 2, Land of Romance
163(9)
15 Benjamin Britten: War Requiem, Op. 66, Requiem aeternam
172(22)
16 Dmitri Shostakovich: String Quartet No. 8, Op. 110, Movement 3
194(13)
17 Pierre Boulez: Le marteau sans maitre, Movement 5, Bel edifice et lespressentiments
207(14)
18 Pauline Oliveros: Traveling Companions
221(4)
19 Mario Davidovsky, Synchronisms No. 6 (excerpt)
225(15)
20 Kaija Saariaho: NoaNoa
240(6)
21 Gyorgy Ligeti: Continuum
246(9)
22 Elliott Garter: String Quartet No. 5, Introduction, Giocoso, Interlude I, Lento espressivo
255(15)
23 George Crumb: Vox balaenae, Vocalise (... for the beginning of time)
270(4)
24 Chen Yi: Ba Ban
274(15)
25 Steve Reich: Violin Phase (excerpt)
289(6)
26 John Adams: Doctor Atomic, Act 1, Scene 3, Batter my heart
295
Appendix 1 Reading an Orchestral Score 1(2)
Appendix 2 Instrument Names and Abbreviations 3(4)
Appendix 3 Glossary of Performance Indications 7
Joseph Auner is Chair and Professor of Music at Tufts University. His publications include A Schoenberg Reader, The Cambridge Companion to Schoenberg (with Jennifer Shaw), and Postmodern Music/Postmodern Thought (with Judith Lochhead). A past editor-in-chief of the Journal of the American Musicological Society, Auner is the recipient of grants from the Getty Center for the Arts and Humanities, the National Endowment for the Humanities, and the Alexander von Humboldt Foundation. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 19031908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.