Concordance |
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vii | |
Preface |
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ix | |
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1 Gustav Mahler: Symphony No. 3 in D Minor, Movement 4 |
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1 | (14) |
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2 Claude Debussy: Estampes, Pagodes |
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15 | (10) |
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3 Arnold Schoenberg: Pierrot lunaire, Op. 21, Mondestrunken |
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25 | (6) |
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4 Alban Berg: Wozzeck, Act 3, Transition and Scene 3 |
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31 | (17) |
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5 Charles Ives: Symphony No. 4, Movement 1 |
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48 | (10) |
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6 Igor Stravinsky: Le sacre duprintemps. Part I, Introduction |
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58 | (11) |
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7 Kurt Weill: Der Lindberghflug, "Introduction of the Pilot" |
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69 | (7) |
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8 Igor Stravinsky: Symphonie de psaumes, Movement 2 |
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76 | (14) |
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9 Maurice Ravel: Concerto in G for Piano and Orchestra, Movement 1 |
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90 | (28) |
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10 Arnold Schoenberg: Piano Piece, Op. 33a |
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118 | (8) |
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11 Anton Webern: Symphony, Op. 21, Movement 2, Variations |
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126 | (11) |
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12 Bela Bartok: Music for Strings, Percussion, and Celesta, Movement 1 |
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137 | (12) |
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13 Aaron Copland: Billy the Kid Suite, "Street in a Frontier Town" (excerpt) |
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149 | (14) |
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14 William Grant Still: Africa, Part 2, Land of Romance |
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163 | (9) |
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15 Benjamin Britten: War Requiem, Op. 66, Requiem aeternam |
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172 | (22) |
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16 Dmitri Shostakovich: String Quartet No. 8, Op. 110, Movement 3 |
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194 | (13) |
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17 Pierre Boulez: Le marteau sans maitre, Movement 5, Bel edifice et lespressentiments |
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207 | (14) |
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18 Pauline Oliveros: Traveling Companions |
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221 | (4) |
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19 Mario Davidovsky, Synchronisms No. 6 (excerpt) |
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225 | (15) |
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20 Kaija Saariaho: NoaNoa |
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240 | (6) |
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21 Gyorgy Ligeti: Continuum |
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246 | (9) |
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22 Elliott Garter: String Quartet No. 5, Introduction, Giocoso, Interlude I, Lento espressivo |
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255 | (15) |
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23 George Crumb: Vox balaenae, Vocalise (... for the beginning of time) |
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270 | (4) |
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274 | (15) |
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25 Steve Reich: Violin Phase (excerpt) |
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289 | (6) |
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26 John Adams: Doctor Atomic, Act 1, Scene 3, Batter my heart |
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295 | |
Appendix 1 Reading an Orchestral Score |
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1 | (2) |
Appendix 2 Instrument Names and Abbreviations |
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3 | (4) |
Appendix 3 Glossary of Performance Indications |
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7 | |