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Refocus: the Films of William Castle [Paperback / softback]

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  • Format: Paperback / softback, 280 pages, height x width: 234x156 mm, 15 B/W illustrations
  • Series: ReFocus: The American Directors Series
  • Pub. Date: 30-Nov-2019
  • Publisher: Edinburgh University Press
  • ISBN-10: 1474455107
  • ISBN-13: 9781474455107
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  • Format: Paperback / softback, 280 pages, height x width: 234x156 mm, 15 B/W illustrations
  • Series: ReFocus: The American Directors Series
  • Pub. Date: 30-Nov-2019
  • Publisher: Edinburgh University Press
  • ISBN-10: 1474455107
  • ISBN-13: 9781474455107
Other books in subject:
Often described as 'the Master of Gimmicks', William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and '60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a 'punishment poll' to determine a film's conclusion. But far from being 'the world's craziest filmmaker', Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. ReFocus: The Films of William Castle assembles fourteen essays on the full sweep of Castle's career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle's legacy as an innovator as much as a showman.

With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle’s legacy as an innovator as much as a showman.



Often described as ‘the Master of Gimmicks’, William Castle is best known for the outrageous publicity stunts that characterised his genre films in the 1950s and ‘60s, including offers for an insurance policy against death by fright, vibrating seats, a skeleton that flew over the audience, and a ‘punishment poll’ to determine a film’s conclusion. But far from being ‘the world’s craziest filmmaker’, Castle was also a dependable studio director who made more than 50 films between 1944 and 1974, and who produced films for Orson Welles and Roman Polanski. ReFocus: The Films of William Castle assembles fourteen essays on the full sweep of Castle’s career, including his horror films, westerns, film noirs and more. With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle’s legacy as an innovator as much as a showman.
List of Figures
vii
Notes on Contributors ix
Acknowledgments xii
Introduction: The Many Castles 1(20)
Murray Leeder
Part 1 The Early Castle
1 When Strangers Marry: Film Noir as Mediated Gothic
21(20)
Hugh S. Manon
2 Gender in William Castle's Westerns
41(16)
Zack Rearick
Part 2 The Gimmick Cycle
3 He Earned Our Forgiveness: William Castle and American Movie Showmanship
57(19)
A. T. McKenna
4 Collective Screams: William Castle and the Gimmick Film
76(23)
Murray Leeder
5 Ghost Show Ballyhoo: Castle's Macabre Will Scare You to Death
99(16)
Beth Kattelman
6 How to View 13 Ghosts
115(22)
Eliot Bessette
7 Chaos Made Flesh: Mr. Sardonicus (1961) and the Mask as Transformative Device
137(16)
Alexandra Heller-Nicholas
Part 3 Castle, Authorship, and Genre
8 A Sick Mind in Search of a Monstrous Body: William Castle and the Emergence of Psychological Horror in the 1960s
153(18)
Steffen Hantke
9 "What a Wicked Game to Play?" Playfulness, Generic Hybridity, and Cult Appeal in Castle's 1960s Films
171(18)
Michael Brodski
Caroline Langhorst
10 "Where Did Our Love Go?" The Case of William Castle's The Night Walker
189(30)
Michael Petitti
Part 4 Castle's Legacy
11 Homo/cidal: William Castle's 1960s Killer Queers
219(18)
Peter Marra
12 The Cinematic Pandemonium of William Castle and John Waters
237(18)
Kate J. Russell
Index 255