This book queries, through the prism of the Convention for the Protection and the Promotion of the Diversity of Cultural Expressions (the Convention), the ways in which the processes and substance of international law-making have shifted in response to new technologies and new actors. The essays, written by recognised experts in the field, engage deeply with the practice under the Convention. The 4 parts examine: the rise of new actors and their impact on the Convention's law-making and implementation; the specific implementation of Article 21; the role of cultural communities in promoting diversity of cultural expressions; and the effectiveness and coherence of the Convention. Scholars and practitioners in the field of international law of culture and international cultural cooperation will welcome this fascinating new book.
Daugiau informacijos
This book provides an insightful collection of expert essays on the implementation, effectiveness and practice of the Convention for the Protection and the Promotion of the Diversity of Cultural Expressions, particularly as it engages with new actors.
| Foreword |
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| Acknowledgements |
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| Notes on Contributors |
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xi | |
| Actors, Processes and the Impact of 15 Years of the UNESCO Cultural Diversity Convention: An Introduction |
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1 | (12) |
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PART I NEW ACTORS IN THE LEGAL DEVELOPMENT AND IMPLEMENTATION OF THE CONVENTION |
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1 The Participation of Non-state Actors in the UNESCO Cultural Diversity Convention: Current Status and Proposals for Reform |
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13 | (16) |
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2 The 2005 UNESCO Convention as an Instrument for International Cooperation: The Example of Networks of Cultural Cooperation |
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29 | (16) |
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3 Promoting the Objectives and Principles of the 2005 UNESCO Convention Among Latin American Civil Society: Challenges for Spanish Speakers. A Case Approach |
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45 | (18) |
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PART II IMPACT OF THE CONVENTION IN OTHER FORA AND SECTORS OF INTERNATIONAL LAW |
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4 Protecting and Promoting the Diversity of Cultural Expressions in the Context of Digital Trade: Make the Cultural Exception Great Again! |
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63 | (24) |
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5 Promoting the Objectives and Principles of the 2005 UNESCO Convention in the Digital Environment: New Forums to Consider? |
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87 | (18) |
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6 Vulnerable Cultural Expressions in the Trade and Culture Debate: A Precautionary Approach to Culture in Times of Crisis |
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105 | (16) |
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PART III CULTURAL DIVERSITY (STILL) BEYOND THE CONVENTION? COMMUNITIES, PRIVATE ACTORS AND LAW-MAKING |
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7 Moving Online: How Communities have Invested Cultural Spaces in the Domain Name System |
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121 | (18) |
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8 Cultural Monopolies: The Cases of International Sports Associations and Internet Platforms |
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139 | (22) |
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9 Internet Governance and Cultural Diversity: An Intimate but Conflictual Relationship |
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161 | (16) |
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Giacomo Mazzone talks to Andrzej Jakubowski |
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PART IV TAKING THE CONCEPT OF CULTURAL DIVERSITY SERIOUSLY THE UNAVOIDABLE NEED OF CONNECTING WITH OTHER SECTORS OF INTERNATIONAL LAW AND OTHER DISCIPLINES |
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10 The Contribution of the Cultural Diversity Convention to Defining Artistic Freedom as a Cultural Right |
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177 | (20) |
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11 Cultural Diversity, Intercultural Dialogue and Social Inclusion of Museums. The Case Study of the Interkulturelt Museum in Oslo City, Norway |
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197 | (28) |
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Monica Riaza de los Mozos |
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12 Reflections Around Despacito and the Concept of Cultural Diversity: A Defence for an Adequate Interaction between the Cultural Diversity Convention, International Economic Law and International Human Rights |
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225 | (26) |
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| Index |
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251 | |
Beatriz Barreiro Carril is an Associate Professor of International Law at the Rey Juan Carlos University, Madrid, Spain. Andrzej Jakubowski is Assistant Professor at the Institute of Legal Studies, University of Opole, Poland. Lucas Lixinski is Professor at the Faculty of Law and Justice, UNSW Sydney, Australia.
