Introduction |
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xv | |
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A Year of Teaching Dangerously |
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xvii | |
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xviii | |
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xx | |
Section I Planning Decisions |
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1 | (128) |
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3 | (21) |
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6 | (1) |
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What Are We Planning For? |
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7 | (2) |
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What Do We Believe About Teaching and Learning? |
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9 | (15) |
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We Believe Each Academic Year Is a Unique, Living Mosaic |
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9 | (1) |
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We Believe There Is Beauty in Our Content |
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10 | (1) |
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We Believe in the Power of Models |
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11 | (1) |
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We Believe Choice Drives Engagement |
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12 | (1) |
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We Believe Reading Identity Matters |
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13 | (1) |
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We Believe Writing Identity Matters |
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14 | (2) |
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We Believe in the Value of Talk |
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16 | (2) |
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We Believe in the Practice of Approximation and Fearlessness |
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18 | (1) |
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We Believe in Grading Less and Assessing More |
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19 | (2) |
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We Believe Collaboration Is Essential for Professional Growth |
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21 | (1) |
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Closing Thoughts: The Budget of Time Is Limited |
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22 | (2) |
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2 Establish Daily Practices |
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24 | (21) |
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24 | (2) |
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Practices Support Beliefs: The Template of One Day |
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26 | (18) |
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27 | (2) |
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29 | (6) |
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Write: Daily Notebook Launch |
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35 | (5) |
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Study: Text Study or Other Minilesson |
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40 | (1) |
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Create: Time to Work on an Evolving Draft |
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41 | (2) |
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Share: Debrief/Share Beautiful Words |
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43 | (1) |
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Closing Thoughts: The Efficiency of Daily Practices |
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44 | (1) |
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45 | (35) |
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48 | (5) |
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Support for Independent Reading |
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49 | (2) |
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Teaching "into" Independent Reading |
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51 | (2) |
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53 | (10) |
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54 | (2) |
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56 | (1) |
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Create a Reading and Meeting Schedule |
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56 | (1) |
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Give Students Tools for Discussion |
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57 | (6) |
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63 | (15) |
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64 | (3) |
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67 | (2) |
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69 | (2) |
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Decide Which Skills to Highlight |
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71 | (2) |
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73 | (5) |
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Closing Thoughts: The Case for Engaged Readers |
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78 | (2) |
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80 | (25) |
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Finding a Balance Between Tasks, Assignments, and Freewriting |
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81 | (2) |
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Teachers as Writers: Practicing What We Preach |
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81 | (2) |
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Units of Study in Writing |
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83 | (2) |
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Start with the Finish Line in Mind |
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85 | (4) |
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Move Students from Victimhood to Agency |
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86 | (3) |
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Plan the Teaching That Threads Through Every Unit |
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89 | (2) |
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Plan to Change Your Plans |
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91 | (1) |
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92 | (1) |
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Plan to Study Your Teaching |
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93 | (11) |
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Hone the Skill of Conferring |
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94 | (3) |
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97 | (7) |
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Closing Thoughts: The Case for Engaged Writers |
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104 | (1) |
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5 Balance Feedback and Evaluation |
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105 | (24) |
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105 | (2) |
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Guiding Principles for the Grading of Writing |
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107 | (7) |
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Principle: Students Need a Volume of Ungraded Practice |
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107 | (2) |
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Principle: Students Need Practice in Reading Like Writers |
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109 | (1) |
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Principle: Students Need Feedback |
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110 | (1) |
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Principle: Not All Work Is Weighted Equally |
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111 | (1) |
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Principle: Grades Should Tell the Truth About Progress |
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112 | (1) |
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Principle: Rubrics Are Problematic |
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113 | (1) |
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Principle: Best Drafts Receive Limited Feedback |
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114 | (1) |
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Assessing the Growth of a Reader |
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114 | (9) |
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115 | (1) |
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116 | (2) |
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118 | (2) |
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Whole-Class Reading (to Grade or Not to Grade) |
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120 | (3) |
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Setting Up the Grade Book |
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123 | (1) |
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Grading the Finish Line: The End-of-Year Portfolio Summative Assessment |
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123 | (4) |
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124 | (1) |
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125 | (2) |
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Closing Thoughts: The Heart of the Work |
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127 | (2) |
Section II Teaching Essential Discourses |
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129 | (93) |
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131 | (1) |
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131 | (1) |
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132 | (1) |
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132 | (1) |
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133 | (1) |
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133 | (1) |
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133 | (1) |
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134 | (1) |
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134 | (3) |
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137 | (33) |
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Planning a Study in Narrative |
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139 | (1) |
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139 | (3) |
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Lap One: Swimming in Short Memoirs |
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142 | (10) |
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Writing Connected to Place |
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142 | (2) |
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Writing Connected to Objects |
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144 | (1) |
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Writing Connected to Events |
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145 | (1) |
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Writing to Introduce Ourselves |
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145 | (5) |
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150 | (2) |
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Lap Two: Crafting One Scene |
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152 | (11) |
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153 | (1) |
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153 | (4) |
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157 | (1) |
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158 | (3) |
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161 | (2) |
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Lap Three: Crafting Several Scenes to Create a Story |
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163 | (3) |
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163 | (1) |
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164 | (1) |
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165 | (1) |
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Lap Four: Using Multiple Narrators to Craft a Story |
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166 | (3) |
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Closing Thoughts: A Foundation of Trust |
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169 | (1) |
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170 | (19) |
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Planning a Study in Informational Writing |
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171 | (1) |
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172 | (2) |
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Lap One: Summarizing from lnfographics |
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174 | (3) |
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Lap Two: Writing a Review |
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177 | (1) |
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Lap Three: Crafting a Digital Project |
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178 | (4) |
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Using Texts as Mentors Across the Study |
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182 | (5) |
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183 | (1) |
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184 | (1) |
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185 | (2) |
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Modeling the Process of Crafting Informational Texts |
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187 | (1) |
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Minilessons to Support Informational Writing |
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187 | (1) |
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Closing Thoughts: Literacy in an Information-Rich World |
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188 | (1) |
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189 | (20) |
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Planning a Study in Argument |
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189 | (2) |
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191 | (1) |
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Lap One: Reading and Writing Next to Infographics and Short Reviews |
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192 | (3) |
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Lap Two: Reading and Writing Next to "The Ethicist" |
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195 | (3) |
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Lap Three: Writing to Presidential Candidates |
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198 | (3) |
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Lap Four: Creating a Digital Public Service Announcement |
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201 | (1) |
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Using Texts as Mentors Across the Study |
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202 | (4) |
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Modeling the Process of Crafting Argument |
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206 | (2) |
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Invite Your Reader into Your Argument |
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207 | (1) |
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Establish Your Credibility or "Ethos" as a Writer |
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207 | (1) |
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Establish an Emotional Connection or "Pathos" with Your Reader |
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207 | (1) |
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Establish the Logic or "Logos" of Your Argument |
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207 | (1) |
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Include a Call for Action |
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208 | (1) |
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Conclude with a "Hooking" Strategy |
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208 | (1) |
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Closing Thoughts: Argument in a Changing World |
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208 | (1) |
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9 Multigenre Research Projects |
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209 | (13) |
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Planning a Study in Multigenre Writing |
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209 | (2) |
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211 | (2) |
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Part 1: A "Dear Reader" Letter |
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212 | (1) |
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Part 2: Four (or More) Elements |
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212 | (1) |
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Part 3: Works Cited and Endnotes |
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213 | (1) |
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Modeling the Process of Planning Multigenre Projects |
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213 | (1) |
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214 | (2) |
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Minilessons to Support Multigenre Projects |
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216 | (1) |
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Using Texts as Mentors Across the Study |
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217 | (3) |
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217 | (2) |
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219 | (1) |
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Assessment of Multigenre Projects |
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220 | (1) |
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Closing Thoughts: The Value of Multigenre Writing |
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221 | (1) |
Afterword |
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222 | (4) |
Acknowledgments |
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226 | (3) |
References |
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229 | |