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180 Days: Two Teachers and the Quest to Engage and Empower Adolescents [Minkštas viršelis]

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  • Formatas: Paperback / softback, 256 pages, aukštis x plotis x storis: 231x193x23 mm, weight: 544 g, Illustrations
  • Išleidimo metai: 22-Mar-2018
  • Leidėjas: Heinemann Educational Books
  • ISBN-10: 0325081131
  • ISBN-13: 9780325081137
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 256 pages, aukštis x plotis x storis: 231x193x23 mm, weight: 544 g, Illustrations
  • Išleidimo metai: 22-Mar-2018
  • Leidėjas: Heinemann Educational Books
  • ISBN-10: 0325081131
  • ISBN-13: 9780325081137
Kitos knygos pagal šią temą:

"Teaching is art-creation-and a curriculum map is only as good as the teacher who considers it, who questions it, and who revises it to meet the needs of each year's students." -Kelly Gallagher and Penny Kittle

Two teachers. Two classrooms.
One school year.

180 Days represents the collaboration of two master teachers-Kelly Gallagher and Penny Kittle-over an entire school year: planning, teaching, and reflecting within their own and each other's classrooms in California and New Hampshire. Inspired by a teacher's question, "How do you fit it all in?" they identified and prioritized the daily, essential, belief-based practices that are worth spending time on. They asked, "Who will these students be as readers and writers after a year under our care?"

What we make time for matters: what we plan, how we revise our plans while teaching, and how we reflect and decide what's next. The decision-making in the moment is the most essential work of teaching, and it's the ongoing study of the adolescents in front of us that has the greatest impact on our thinking.

With both the demands of time and the complexity of diverse students in mind, Kelly and Penny mapped out a year of engaging literacy practices aligned to their core beliefs about what matters most. They share their insights on managing time and tasks and offer teaching strategies for engaging students in both whole class and independent work. Video clips of Kelly and Penny teaching in each other's classrooms bring this year to life and show you what a steadfast commitment to belief-based instruction looks like in action.

180 Days. Make every moment matter. Teach fearlessly. Empower all students to live literate lives.

Introduction xv
A Year of Teaching Dangerously
xvii
Our Two Schools
xviii
How This Book Is Framed
xx
Section I Planning Decisions 1(128)
1 Start with Beliefs
3(21)
The Demands of Time
6(1)
What Are We Planning For?
7(2)
What Do We Believe About Teaching and Learning?
9(15)
We Believe Each Academic Year Is a Unique, Living Mosaic
9(1)
We Believe There Is Beauty in Our Content
10(1)
We Believe in the Power of Models
11(1)
We Believe Choice Drives Engagement
12(1)
We Believe Reading Identity Matters
13(1)
We Believe Writing Identity Matters
14(2)
We Believe in the Value of Talk
16(2)
We Believe in the Practice of Approximation and Fearlessness
18(1)
We Believe in Grading Less and Assessing More
19(2)
We Believe Collaboration Is Essential for Professional Growth
21(1)
Closing Thoughts: The Budget of Time Is Limited
22(2)
2 Establish Daily Practices
24(21)
Day One Sets the Tone
24(2)
Practices Support Beliefs: The Template of One Day
26(18)
Read: Book Talk
27(2)
Read: Time to Read
29(6)
Write: Daily Notebook Launch
35(5)
Study: Text Study or Other Minilesson
40(1)
Create: Time to Work on an Evolving Draft
41(2)
Share: Debrief/Share Beautiful Words
43(1)
Closing Thoughts: The Efficiency of Daily Practices
44(1)
3 Map a Year of Reading
45(35)
Independent Reading
48(5)
Support for Independent Reading
49(2)
Teaching "into" Independent Reading
51(2)
Book Clubs
53(10)
Select Titles
54(2)
Group Students by Choice
56(1)
Create a Reading and Meeting Schedule
56(1)
Give Students Tools for Discussion
57(6)
Core Texts
63(15)
Select a Text
64(3)
Pace the Reading
67(2)
Pose Essential Questions
69(2)
Decide Which Skills to Highlight
71(2)
Craft an Assessment
73(5)
Closing Thoughts: The Case for Engaged Readers
78(2)
4 Map a Year of Writing
80(25)
Finding a Balance Between Tasks, Assignments, and Freewriting
81(2)
Teachers as Writers: Practicing What We Preach
81(2)
Units of Study in Writing
83(2)
Start with the Finish Line in Mind
85(4)
Move Students from Victimhood to Agency
86(3)
Plan the Teaching That Threads Through Every Unit
89(2)
Plan to Change Your Plans
91(1)
Plan to Reteach
92(1)
Plan to Study Your Teaching
93(11)
Hone the Skill of Conferring
94(3)
Teach into What You See
97(7)
Closing Thoughts: The Case for Engaged Writers
104(1)
5 Balance Feedback and Evaluation
105(24)
Grading Doesn't Teach
105(2)
Guiding Principles for the Grading of Writing
107(7)
Principle: Students Need a Volume of Ungraded Practice
107(2)
Principle: Students Need Practice in Reading Like Writers
109(1)
Principle: Students Need Feedback
110(1)
Principle: Not All Work Is Weighted Equally
111(1)
Principle: Grades Should Tell the Truth About Progress
112(1)
Principle: Rubrics Are Problematic
113(1)
Principle: Best Drafts Receive Limited Feedback
114(1)
Assessing the Growth of a Reader
114(9)
Independent Reading
115(1)
Book Clubs
116(2)
Literary Analysis
118(2)
Whole-Class Reading (to Grade or Not to Grade)
120(3)
Setting Up the Grade Book
123(1)
Grading the Finish Line: The End-of-Year Portfolio Summative Assessment
123(4)
Selection
124(1)
Reflection
125(2)
Closing Thoughts: The Heart of the Work
127(2)
Section II Teaching Essential Discourses 129(93)
Time
131(1)
Expectations
131(1)
Teaching
132(1)
Essential Questions
132(1)
The Rhythm of a Study
133(1)
Launching a Unit
133(1)
Heart of a Unit
133(1)
End of a Unit
134(1)
Reflecting on a Unit
134(3)
6 Narrative
137(33)
Planning a Study in Narrative
139(1)
Time and Expectations
139(3)
Lap One: Swimming in Short Memoirs
142(10)
Writing Connected to Place
142(2)
Writing Connected to Objects
144(1)
Writing Connected to Events
145(1)
Writing to Introduce Ourselves
145(5)
Assessment in Lap One
150(2)
Lap Two: Crafting One Scene
152(11)
Notebook Writing
153(1)
Mentor Text Study
153(4)
Passage Study
157(1)
Modeling Process
158(3)
Assessment in Lap Two
161(2)
Lap Three: Crafting Several Scenes to Create a Story
163(3)
Mentor Text Study
163(1)
Modeling Process
164(1)
Passage Study
165(1)
Lap Four: Using Multiple Narrators to Craft a Story
166(3)
Closing Thoughts: A Foundation of Trust
169(1)
7 Informational
170(19)
Planning a Study in Informational Writing
171(1)
Time and Expectations
172(2)
Lap One: Summarizing from lnfographics
174(3)
Lap Two: Writing a Review
177(1)
Lap Three: Crafting a Digital Project
178(4)
Using Texts as Mentors Across the Study
182(5)
Sentence Study
183(1)
Passage Study
184(1)
Sentence Templates
185(2)
Modeling the Process of Crafting Informational Texts
187(1)
Minilessons to Support Informational Writing
187(1)
Closing Thoughts: Literacy in an Information-Rich World
188(1)
8 Argument
189(20)
Planning a Study in Argument
189(2)
Time and Expectations
191(1)
Lap One: Reading and Writing Next to Infographics and Short Reviews
192(3)
Lap Two: Reading and Writing Next to "The Ethicist"
195(3)
Lap Three: Writing to Presidential Candidates
198(3)
Lap Four: Creating a Digital Public Service Announcement
201(1)
Using Texts as Mentors Across the Study
202(4)
Modeling the Process of Crafting Argument
206(2)
Invite Your Reader into Your Argument
207(1)
Establish Your Credibility or "Ethos" as a Writer
207(1)
Establish an Emotional Connection or "Pathos" with Your Reader
207(1)
Establish the Logic or "Logos" of Your Argument
207(1)
Include a Call for Action
208(1)
Conclude with a "Hooking" Strategy
208(1)
Closing Thoughts: Argument in a Changing World
208(1)
9 Multigenre Research Projects
209(13)
Planning a Study in Multigenre Writing
209(2)
Time and Expectations
211(2)
Part 1: A "Dear Reader" Letter
212(1)
Part 2: Four (or More) Elements
212(1)
Part 3: Works Cited and Endnotes
213(1)
Modeling the Process of Planning Multigenre Projects
213(1)
Notebook Work
214(2)
Minilessons to Support Multigenre Projects
216(1)
Using Texts as Mentors Across the Study
217(3)
Obituaries
217(2)
Podcasts
219(1)
Assessment of Multigenre Projects
220(1)
Closing Thoughts: The Value of Multigenre Writing
221(1)
Afterword 222(4)
Acknowledgments 226(3)
References 229