Oscillating between realism and dark fantasy, and impeccably translated by Rosalind Harvey, the stories in The Accidentals are delightful and disturbing, and confirm Nettel as one of the finest Mexican writers of her generation.
Įngel Gurrķa-Quintana, Financial Times Guadalupe Nettel is widely regarded as a leading writer of her generation, and in various ways her four novels and three short story collections continue to seek out the fantastic that lurks in the interstices of everyday life. Nettels prose, brought to us in Rosalind Harveys punctilious translation, is precise and formalized, with a wildness held back like a neat picket fence confining a dangerous place. The title story is a heartbreaker without a superfluous line. An albatross, were told, that strays too far from home and loses its bearings, becomes an accidental, an unmoored wanderer. These stories illustrate different ways a person can become an accidental in their own world.
Lee Langley, The Spectator Guadalupe Nettel yet again walks into uncertain terrain with these mysterious stories. There are secrets everywhere, she says, especially in lifes most intimate and familiar aspects. The Accidentals never loses its sense of things being out of joint, and Nettel explores these fears with calm and with beauty.
Mariana Enrķquez, author of Our Share of Night I adored this collection, it spread its roots out within me. Nettel is an extraordinary writer.
Daisy Johnson, author of The Hotel The Accidentals is a striking and compelling collection that searches for the extraordinary within the ordinary. Each narrative veers seamlessly from the mundane to the existential; the writing is deft, and unsettling prose imbues the work with a profound resonance. I loved these stories, mad and controlled, and brilliant.
Elaine Feeney, author of All the Good Things You Deserve Nettel is one of the leading lights in contemporary Latin American literature.... I envy how naturally she makes use of language; her resistance to ornamentation and artifice; and the almost stoic fortitude with which she dispenses her profound and penetrating knowledge of human nature.
Valeria Luiselli, author of Lost Children Archive I love the work of Guadalupe Nettel, one of Mexicos greatest living writers. Her fiction is brilliant and original, always suffused with sensuality and strange science.
Paul Theroux, author of The Mosquito Coast Nettel is free. She has succeeded in creating an audacious narrative style all her own, a singular and fearless way of being in the world. An essential voice of the new Latin American literature.
Enrique Vila-Matas, author of Macs Problem Slyly inventive and delightfully disquieting, The Accidentals is an incredible story collection filled with worlds both deceptively familiar and wondrously strange. A master of the form, Nettel draws each of her universes with great precision. Each story delivers a deliciously effective and haunting sting youll remember long afterwards.
Gina Chung, author of Green Frog The stories in The Accidentals move through a landscape that is both foreign and familiar, mysterious and menacing, dreamy and distraught, and I had the palpable sense that anything might happen next. It is the kind of book you read in a single afternoon, gladly relinquishing the cares of day-to-day life to sink into its otherworldly submersions.
Jessie Ren Marshall, author of Women! In! Peril! In this electrifying collection, Mexican writer Nettel stages sliding door moments for her characters and explores their life-altering consequences. With laser-like precision, the eight stories probe such universal aspects of the human condition as desire, loneliness, and memory. In crisp and striking prose, Nettel mines the complexities of relationships, in which secrets and betrayals have the power to change everything. Readers will be wowed.
Publishers Weekly Excelling at pinpointing the uneasy in the everyday, these stories delve into characters who find themselves adrift in an unstable world. Here, families dont provide comfort, but instead provoke existential crisis and the dawning realization that close relationships can be emotionally suffocating rather than sustaining.
Eithne Farry, Daily Mail The Accidentals, beautifully translated by Rosalind Harvey, begins with an epigraph from Anaļs Nin: We dont see things as they are, we see them as we are. This entry point serves as a subtle warning. The eight stories that follow [ take] us inside the apartments of Barcelona and the bayous of Louisiana, into the depths of the Bois de Vincennes and the parks of Mexico City. The subject matter varies too. There is a touch of the supernatural, of things being normal and yet somehow off. The Accidentals is very good on desire. Nettel opens up eight little worlds in which she articulates the pain of badly wanting something and the feeling of emptiness when it is finally attained.
Oonagh Devitt-Tremblay, Times Literary Supplement
