Atnaujinkite slapukų nuostatas

El. knyga: Acoustics in Nineteenth-Century Literature and Science: Listening at the Threshold

(University of Queensland)
Kitos knygos pagal šią temą:
Acoustics in Nineteenth-Century Literature and Science: Listening at the ThresholdDidesnis paveikslėlis
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

What did it mean to hear, for the first time, what George Eliot described as 'that roar which lies on the other side of silence'? Rapid developments in nineteenth-century acoustic science and communications technologies opened up new worlds beyond the limits of normal audibility for the Victorian public. Weaving together explorations of scientific developments with imaginative cultural, spiritual, and literary responses, this book sets out to explore the burgeoning field of acoustics in the nineteenth century and the new language, structure, and conceptual models it offered to broker the boundaries of the individual self. Ranging from Eliot's Middlemarch to Du Maurier's Trilby, and from Laėnnec's work on the stethoscope to experiments on animal audition, inquiries into the unconscious, and spiritualist investigations of the hidden world of vibrations, it demonstrates the profound challenge to the boundaries of the human that was issued by new sound technologies in the Victorian period.

Daugiau informacijos

A cross-disciplinary study into how new sound technologies transformed Victorian ideas of the relationship between body and environment.
Introduction: whispers in the roar; Part I:
1. Accessing the sounds of
the body;
2. Stethoscopic fantasies;
3. Middlemarch and the art of
stethoscopic listening; Part II:
4. At the limits of audibility;
5. Animal
music; Part III:
6. Sounds of the séance;
7. Played upon or player? Musical
mediums and creative inspiration;
8. Dickens among the spiritualists; Part
IV:
9. Mesmeric soundscapes;
10. 'The Individual Operated Upon': powers of
mind and music in George Du Maurier's Trilby.
Melissa Dickson is Senior Lecturer in Literature at the University of Queensland, Australia. She is the author of Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain (2019) and a co-author of Anxious Times: Medicine and Modernity in Nineteenth-Century Britain (2019).
Daugiau apie elektronines knygas Daugiau apie elektronines knygas
Pastovi nuoroda: https://www.kriso.lt/db/97810094904292e.html
Raktažodžiai: