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El. knyga: Act as a Feminist: Towards a Critical Acting Pedagogy [Taylor & Francis e-book]

  • Formatas: 228 pages
  • Išleidimo metai: 31-Mar-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781351130516
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 228 pages
  • Išleidimo metai: 31-Mar-2021
  • Leidėjas: Routledge
  • ISBN-13: 9781351130516
Kitos knygos pagal šią temą:

Act as a Feminist maps a female genealogy of UK actor training practices from 1970-2020 as an alternative to traditional male lineages. It re-orientates thinking about acting through its intersections with feminisms and positions it as a critical pedagogy, fit for purpose in the twenty-first century.

The book draws attention to the pioneering contributions women have made to actor training, highlights the importance of recognising the political potential of acting, and problematises the inequities for a female majority inspired to work in an industry where they remain a minority. Part One opens up the epistemic scope, shaping a methodology to evaluate the critical potential of pedagogic practice. It argues that feminist approaches offer an alternative affirmative position for training, a via positiva and a way to re-make mimesis. In Part Two, the methodology is applied to the work of UK women practitioners through analysis of the pedagogic exchange in training grounds. Each chapter focuses on how the broad curriculum of acting intersects with gender as technique to produce a hidden curriculum, with case studies on Jane Boston and Nadine George (voice), Niamh Dowling and Vanessa Ewan (movement), Alison Hodge and Kristine Landon-Smith (acting), and Katie Mitchell and Emma Rice (directing). The book concludes with a feminist manifesto for change in acting.

Written for students, actors, directors, teachers of acting, voice, and movement, and anyone with an interest in feminisms and critical pedagogies, Act as a Feminist offers new ways of thinking and approaches to practice.

Acknowledgements x
Preface xii
Introduction 1(22)
Acting
1(5)
Where to learn?
1(2)
How to learn?
3(1)
What to learn?
3(3)
Pedagogy
6(4)
Anti-pedagogical prejudice
6(2)
Disembody, disempower, `disembrain'
8(2)
Feminism
10(4)
Where are the women?
11(1)
`Being' female
11(2)
Post-feminist equality?
13(1)
Overview of chapters
14(9)
PART I Shaping a Methodology
23(48)
1 Feminist Underpinnings in Acting: Re-Making Mimesis
25(20)
Unlearning and the hidden curriculum of acting
26(3)
The female ontology of acting: The matter of doubling, vision and vulnerability
29(8)
The matter of doubling: Being like a girl
30(3)
The matter of vision: Seeing like a girl
33(2)
The matter of vulnerability: Feeling like a girl
35(2)
Re-making mimesis: New feminist materialisms and acting
37(8)
2 Feminist Interventions: Via Positiva and Critical Acting Pedagogy
45(26)
Acting and pedagogical frameworks
46(11)
Foundational pedagogies: Play and the `via negativa'
49(4)
Feminist interventions: Power, affirmativity and the `via positiva'
53(4)
Towards a Critical Acting Pedagogy: Difference, the critical position and feminist acting approaches
57(14)
Difference
57(1)
The critical position
58(3)
Feminist acting approaches
61(10)
PART II Considering Practice
71(127)
3 Women and the Matter of Voice
73(27)
Jane Boston: Thinking through voice
76(10)
Becoming voice
79(4)
The second text
83(3)
Nadine George: The healing voice
86(14)
Touching feeling in voice
89(2)
Queering voice
91(9)
4 Women and the Matter of Movement
100(34)
Feminist ways and movement teaching
104(4)
Vanessa Ewan: The cultural body
108(8)
Foundational practices: Learning `to see' through keys and codes
109(2)
`Doing' gender: Gender as technique
111(3)
`Doing' intimacy: Intimacy as technique
114(2)
Niamh Dowling: The ecological body
116(18)
Foundational practices: Towards a nomadic pedagogy
117(5)
Mattering language
122(12)
5 Women and the Matter of Acting
134(28)
Kristine Landon-Smith: Intra-cultural acting
137(8)
`All these little parts of yourself'
140(3)
`Doing' race
143(2)
Alison Hodge: The relational actor
145(17)
Foundational practices: Sensuality, touch and feeling
149(4)
Queering acting
153(9)
6 Women and the Matter of Directing
162(36)
Katie Mitchell: Schooling actors
165(13)
Feminist director pedagogue
167(6)
Re-making mimesis: Vital materialism
173(3)
Agential realism and cyborgs
176(2)
Emma Rice: A school for wise children
178(20)
Pedagogy for the collective imagination
181(5)
Vital materialism and the feminine masquerade'
186(2)
Bric-a-brac, thing-ness and agential realism
188(10)
Conclusion
198(17)
Changing the culture: A feminist manifesto for acting
200(3)
A Feminist Manifesto for Acting
200(3)
Theoretical underpinnings: A Critical Acting Pedagogy
203(4)
Pedagogical practices: Implementing a Critical Acting Pedagogy
207(8)
Index 215
Lisa Peck is Lecturer in Theatre Practice at University of Sussex and Associate Tutor at Royal Central School of Speech and Drama. She has worked in drama education for over twenty-five years as a teacher educator, in universities and drama schools and as a consultant for The National Theatre and Digital Theatre Plus. She researches pedagogic practices in actor training in relation with feminisms, working at the intersection between social science and humanities.