Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
Recenzijos
"[ O]ne of the most inspired and inspiring manifestos of our art that I know." -- Richard Monette, Stratford artistic director
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v | |
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1 | (11) |
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II. WHEN ACTING IS AN ART |
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12 | (21) |
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33 | (21) |
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54 | (18) |
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V. CONCENTRATION OF ATTENTION |
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72 | (23) |
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VI. RELAXATION OF MUSCLES |
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95 | (16) |
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VII. UNITS AND OBJECTIVES |
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111 | (16) |
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VIII. FAITH AND A SENSE OF TRUTH |
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127 | (36) |
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163 | (30) |
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193 | (30) |
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223 | (21) |
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244 | (8) |
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252 | (9) |
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XIV. THE INNER CREATIVE STATE |
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261 | (10) |
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271 | (10) |
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XVI. ON THE THRESHOLD OF THE SUBCONSCIOUS |
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281 | |
Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.
