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UNIT 1 EXPLORE FUNDAMENTAL PRINCIPLES |
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Chapter 1 Get Started With Photoshop |
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Lesson 1 Learn About Photoshop and Digital Images |
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6 | (4) |
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Lesson 2 Set Important Photoshop Preferences for Using This Book |
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10 | (7) |
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Lesson 3 Create, Open, and Save Documents |
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17 | (7) |
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Lesson 4 Explore the Toolbar and the Options Panel |
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24 | (4) |
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Lesson 5 Create a Customized Workspace for Using This Book |
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28 | (7) |
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Lesson 6 Work with Grids, Guides, and Rulers |
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35 | (5) |
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Chapter 2 Paint, Select, And Move Pixels |
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Lesson 1 Fill the Canvas and Make Simple Selections |
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40 | (5) |
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Lesson 2 Paint with the Brush Tool |
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45 | (12) |
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Lesson 3 Make Selections with the Marquee and Lasso Tools |
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57 | (13) |
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Lesson 4 Explore a Grayscale Image with the Magic Wand Tool |
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70 | (15) |
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Lesson 5 Posterize an Image and Save Selections |
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85 | (17) |
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91 | (5) |
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96 | (1) |
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97 | (1) |
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98 | (1) |
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National Geographic Storytellers Alison Wright: Image Analysis |
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99 | (3) |
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Chapter 3 Work With Layers |
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Lesson 1 Use the Layers Panel |
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102 | (6) |
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Lesson 2 Transform Layered Artwork |
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108 | (7) |
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Lesson 3 Incorporate Layer Styles |
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115 | (6) |
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Lesson 4 Employ a Layer Mask |
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121 | (4) |
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Lesson 5 Mask Out the Background of an Image and Modify the Canvas Size |
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125 | (21) |
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132 | (6) |
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138 | (2) |
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140 | (2) |
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142 | (4) |
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Chapter 4 Work With Type And Gradients |
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Lesson 1 Set and Format Type |
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146 | (6) |
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Lesson 2 Create Bevel & Emboss Effects on Type |
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152 | (6) |
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Lesson 3 Create and Apply Gradients |
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158 | (6) |
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Lesson 4 Clip a Gradient and an Image into Type |
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164 | (5) |
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Lesson 5 Fade Type with a Gradient and a Layer Mask |
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169 | (2) |
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Lesson 6 Clip Multiple Images into Type |
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171 | (23) |
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176 | (2) |
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178 | (1) |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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National Geographic Storyteller Ruben Salgado Escudero: Developing A Meaningful Project |
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182 | (12) |
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UNIT 2 ADJUST AND MANIPULATE IMAGES AND FILES |
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Chapter 5 Employ Adjustment Layers |
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Lesson 1 Explore Fundamental Adjustments |
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194 | (9) |
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203 | (10) |
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Lesson 3 Investigate the RGB Color Model |
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213 | (12) |
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Lesson 4 Investigate the HSB Color Model |
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225 | (25) |
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237 | (7) |
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244 | (1) |
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245 | (2) |
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247 | (3) |
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Chapter 6 Design With Essential Blending Modes And Filters |
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Lesson 1 Use the Multiply Blending Mode |
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250 | (12) |
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Lesson 2 Explore the Screen Blending Mode |
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262 | (3) |
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Lesson 3 Apply the Overlay Blending Mode |
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265 | (5) |
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Lesson 4 Design with Blending Modes |
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270 | (22) |
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277 | (3) |
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280 | (3) |
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283 | (4) |
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287 | (2) |
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National Geographic Storytellers Gabriele Galimberti: Design Project |
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289 | (3) |
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Chapter 7 Investigate Production Tricks And Techniques |
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292 | (6) |
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298 | (6) |
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Lesson 3 Create Actions and Use the Image Processor |
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304 | (6) |
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Lesson 4 Use the History Panel and History Brush |
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310 | (4) |
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Lesson 5 Open an Image in Camera Raw |
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314 | (12) |
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316 | (5) |
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321 | (1) |
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322 | (1) |
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323 | (3) |
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Chapter 8 Distort And Liquify Images |
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Lesson 1 Use the Distort Command |
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326 | (2) |
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Lesson 2 Create a Cast Shadow |
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328 | (7) |
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Lesson 3 Investigate the Liquify Filter |
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335 | (6) |
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Lesson 4 Create a Puppet Warp |
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341 | (5) |
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346 | (24) |
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350 | (4) |
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354 | (1) |
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355 | (1) |
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356 | (2) |
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National Geographic Storyteller Anand Varma: Making The Hidden World Visible |
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358 | (12) |
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UNIT 3 MASTER COMPLEX CONSTRUCTIONS AND TECHNIQUES |
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Chapter 9 Create Special Effects With Type |
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Lesson 1 Convert Layer Styles to Editable Artwork |
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370 | (3) |
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Lesson 2 Design Plastic Text Effects |
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373 | (5) |
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Lesson 3 Design Recessed Type |
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378 | (9) |
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Lesson 4 Use Images as Textures for Type |
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387 | (15) |
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393 | (1) |
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394 | (2) |
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396 | (2) |
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398 | (4) |
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Chapter 10 Enhance And Retouch Images |
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Lesson 1 Apply Curves Adjustments |
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402 | (8) |
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Lesson 2 Use a Channel as a Mask |
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410 | (5) |
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Lesson 3 Use the Clone Stamp Tool |
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415 | (6) |
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Lesson 4 Explore Content-Aware Features |
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421 | (10) |
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Lesson 5 Retouch an Image with the Healing Brush Tools |
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431 | (13) |
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434 | (5) |
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439 | (1) |
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440 | (1) |
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National Geographic Storytellers Prasenjeet Yadav: Image Analysis |
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441 | (3) |
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Chapter 11 Design With Multiple Images |
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Lesson 1 Create a Concept for a Poster |
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444 | (3) |
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Lesson 2 Position Images for a Background Setting |
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447 | (5) |
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Lesson 3 Integrate Multiple Images into a Single Background Image |
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452 | (3) |
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Lesson 4 Position Foreground Images |
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455 | (4) |
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Lesson 5 Integrate Foreground Images |
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459 | (4) |
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463 | (11) |
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468 | (2) |
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470 | (1) |
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471 | (3) |
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Chapter 12 Work With Shapes, Paths, And Vector Masks |
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Lesson 1 Work with Shapes |
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474 | (9) |
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Lesson 2 Import Shapes from Adobe Illustrator |
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483 | (4) |
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487 | (5) |
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Lesson 4 Draw a Path Around an Image |
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492 | (6) |
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Lesson 5 Create Vector Masks |
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498 | (24) |
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502 | (5) |
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507 | (1) |
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508 | (1) |
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509 | (1) |
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National Geographic Storyteller Jen Guyton: Creating Compositions To Tell A Story |
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510 | (12) |
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UNIT 4 UNIFY ADVANCED SKILLS |
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Chapter 13 Work With Smart Objects, Artboards, Libraries, Patterns, And Web Graphics |
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Lesson 1 Export Layers from Illustrator to Photoshop |
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522 | (2) |
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Lesson 2 Work with Smart Objects |
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524 | (7) |
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Lesson 3 Work with Artboards and Libraries |
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531 | (10) |
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541 | (5) |
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Lesson 5 Prepare an Image for the Web |
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546 | (16) |
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552 | (2) |
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554 | (2) |
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556 | (2) |
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558 | (4) |
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Chapter 14 Create Complex Special Effects |
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Lesson 1 Create a Customized Solarize Effect |
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562 | (6) |
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Lesson 2 Create Mezzotint and Halftone Effects |
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568 | (3) |
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Lesson 3 Create Neon, Blur and Lighting Effects |
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571 | (9) |
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Lesson 4 Create a High Dynamic Range (HDR) Composite |
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580 | (5) |
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Lesson 5 Create a Double-Exposure Effect |
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585 | (17) |
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588 | (1) |
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589 | (1) |
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590 | (2) |
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592 | (1) |
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National Geographic Storytellers Nadia Shira Cohen: Design Project |
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593 | (1) |
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National Geographic Storyteller Robbie Shone: Finding Solutions For Difficult Situations |
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594 | (8) |
Glossary |
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602 | (2) |
Index |
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604 | |