| Acknowledgments |
|
xxxi | |
| Introduction |
|
xxxiii | |
|
Part I Getting Started with Adobe Photoshop CS6 |
|
|
1 | (208) |
|
Chapter 1 Introducing Adobe Photoshop CS6 |
|
|
3 | (12) |
|
Discovering the Versatile World of Photoshop |
|
|
3 | (3) |
|
Knowing when to use Photoshop |
|
|
4 | (1) |
|
Understanding the limitations of Photoshop |
|
|
5 | (1) |
|
Looking at What's New in Photoshop CS6 |
|
|
6 | (8) |
|
|
|
14 | (1) |
|
Chapter 2 Exploring the Photoshop Workspace |
|
|
15 | (64) |
|
|
|
15 | (12) |
|
Cruising the Photoshop menu bar |
|
|
16 | (2) |
|
Looking at the document workspace |
|
|
18 | (1) |
|
Changing the view size of a document |
|
|
18 | (2) |
|
Viewing document information |
|
|
20 | (1) |
|
Arranging the view of multiple documents |
|
|
21 | (3) |
|
Understanding the Toolbox and tool options bar |
|
|
24 | (1) |
|
|
|
25 | (2) |
|
|
|
27 | (1) |
|
Exploring the Photoshop Menu Bar |
|
|
27 | (17) |
|
|
|
28 | (1) |
|
|
|
28 | (1) |
|
|
|
29 | (1) |
|
|
|
30 | (1) |
|
|
|
31 | (1) |
|
|
|
31 | (1) |
|
|
|
31 | (1) |
|
|
|
32 | (1) |
|
|
|
33 | (1) |
|
Understanding the Layer menu |
|
|
33 | (1) |
|
|
|
33 | (2) |
|
|
|
35 | (1) |
|
Exploring the Filter menu |
|
|
35 | (1) |
|
Understanding the 3D menu |
|
|
36 | (1) |
|
|
|
36 | (1) |
|
|
|
37 | (1) |
|
|
|
38 | (2) |
|
|
|
40 | (1) |
|
|
|
41 | (1) |
|
New Guide, Lock Guides, and Clear Guides |
|
|
41 | (1) |
|
Lock Slices and Clear Slices |
|
|
41 | (1) |
|
Exploring the Window menu |
|
|
41 | (1) |
|
|
|
42 | (1) |
|
|
|
43 | (1) |
|
|
|
43 | (1) |
|
|
|
44 | (2) |
|
Understanding the Tools in the Toolbox |
|
|
46 | (4) |
|
|
|
50 | (5) |
|
|
|
51 | (1) |
|
|
|
52 | (2) |
|
|
|
54 | (1) |
|
|
|
55 | (19) |
|
Updating General preferences |
|
|
56 | (5) |
|
Arranging Interface preferences |
|
|
61 | (1) |
|
Setting File Handling preferences |
|
|
62 | (3) |
|
Adjusting Performance preferences |
|
|
65 | (2) |
|
Configuring Cursors preferences |
|
|
67 | (1) |
|
Setting Transparency & Gamut preferences |
|
|
68 | (1) |
|
Using Units & Rulers preferences |
|
|
69 | (2) |
|
Adjusting Guides, Grid, and Slices preferences |
|
|
71 | (1) |
|
Configuring Plug-ins preferences |
|
|
72 | (1) |
|
|
|
72 | (1) |
|
|
|
73 | (1) |
|
Customizing Shortcuts and Menus |
|
|
74 | (4) |
|
|
|
74 | (1) |
|
|
|
75 | (3) |
|
|
|
78 | (1) |
|
Chapter 3 Performing Image Basics |
|
|
79 | (38) |
|
|
|
79 | (10) |
|
Understanding compressed versus uncompressed |
|
|
80 | (1) |
|
Using raster versus vector |
|
|
80 | (1) |
|
|
|
81 | (1) |
|
Understanding image files |
|
|
81 | (1) |
|
|
|
81 | (1) |
|
Tagged Image File Format (*.TIF; *.TIFF) |
|
|
82 | (1) |
|
Joint Photographic Experts Group (*.JPG; *.JPEG; *.JPE) |
|
|
82 | (1) |
|
|
|
82 | (1) |
|
|
|
82 | (1) |
|
Portable Network Graphics (*.PNG) |
|
|
83 | (1) |
|
Bitmap (*.BMP; *.RLE; *.DIB) |
|
|
83 | (1) |
|
RAW (*.RAW; *.CR; *.CR2; *.DNG; and several others) |
|
|
83 | (1) |
|
Portable bitmap (*.PBM; *.PGM; *.PPM; *.PNM; *.PFM; *.PAM) |
|
|
84 | (1) |
|
Wireless bitmap (*.WBM; *.WBMPI) |
|
|
84 | (1) |
|
Encapsulated PostScript (*.EPS; *.AI3; *.AI8; *.PS; *.EPSP; *.EPSF) |
|
|
84 | (1) |
|
Photoshop PDF (*.PDF; *.PDP) |
|
|
85 | (1) |
|
Personal Computer eXchange (*.PCX) |
|
|
85 | (1) |
|
|
|
86 | (1) |
|
|
|
86 | (1) |
|
Flash XML Graphics (*.FXG) |
|
|
86 | (1) |
|
|
|
86 | (1) |
|
|
|
86 | (1) |
|
|
|
87 | (1) |
|
|
|
87 | (1) |
|
Interchange File Format (*.IFF; *.TDI) |
|
|
87 | (1) |
|
|
|
87 | (1) |
|
Targa (*.TGA; *.VDA; *.ICB; *.VST) |
|
|
87 | (1) |
|
Radiance (*.HDR; *.RGBE; *.XYZE) |
|
|
87 | (1) |
|
Understanding video files |
|
|
88 | (1) |
|
Supporting 3D file formats |
|
|
89 | (1) |
|
Supporting the DICOM file format |
|
|
89 | (1) |
|
Creating and Opening Images |
|
|
89 | (6) |
|
|
|
90 | (1) |
|
Opening an existing image |
|
|
91 | (1) |
|
Opening an existing image as a specific file type |
|
|
92 | (1) |
|
|
|
93 | (2) |
|
Resizing Files and Adjusting Resolution |
|
|
95 | (6) |
|
|
|
96 | (1) |
|
Changing the image size and resolution |
|
|
96 | (1) |
|
Understanding the resolution and size relationship |
|
|
96 | (1) |
|
Understanding resizing algorithms in Photoshop |
|
|
97 | (1) |
|
Adjusting the image size and resolution |
|
|
98 | (2) |
|
|
|
100 | (1) |
|
Cropping and Straightening Images |
|
|
101 | (13) |
|
Using general guidelines for cropping a photo |
|
|
102 | (1) |
|
Getting rid of background clutter |
|
|
102 | (1) |
|
|
|
102 | (1) |
|
Applying the rule of thirds |
|
|
102 | (1) |
|
Giving your subject somewhere to go |
|
|
103 | (1) |
|
Closing in on your subject |
|
|
104 | (1) |
|
Telling a story with a photo |
|
|
105 | (1) |
|
|
|
105 | (1) |
|
|
|
105 | (3) |
|
Cropping an image to a different perspective |
|
|
108 | (1) |
|
Cropping using the Selection tools |
|
|
109 | (1) |
|
|
|
109 | (1) |
|
Rotating and flipping images |
|
|
110 | (1) |
|
|
|
111 | (1) |
|
Using the Crop and Straighten tool |
|
|
112 | (1) |
|
|
|
112 | (2) |
|
|
|
114 | (1) |
|
|
|
114 | (3) |
|
Chapter 4 Understanding Colors, Histograms, Levels, and Curves |
|
|
117 | (34) |
|
|
|
117 | (2) |
|
|
|
118 | (1) |
|
Looking at color, intensity, and the human eye |
|
|
118 | (1) |
|
Understanding Channels and Levels |
|
|
119 | (1) |
|
Adjusting with Histograms |
|
|
119 | (14) |
|
|
|
120 | (1) |
|
Determining overexposure and underexposure in an image |
|
|
120 | (1) |
|
Determining color balance in an image |
|
|
121 | (1) |
|
Using the Histogram panel |
|
|
122 | (1) |
|
Setting Histogram panel options |
|
|
123 | (1) |
|
|
|
124 | (1) |
|
|
|
125 | (1) |
|
|
|
126 | (1) |
|
Adjusting images with the histogram tools |
|
|
127 | (1) |
|
Using the handles to adjust the histogram |
|
|
128 | (1) |
|
Using the eyedroppers to adjust the histogram |
|
|
129 | (1) |
|
Adjusting levels with the Curves tool |
|
|
130 | (1) |
|
|
|
130 | (1) |
|
|
|
131 | (2) |
|
Working in Different Color Modes |
|
|
133 | (8) |
|
Understanding the different color modes |
|
|
134 | (1) |
|
|
|
134 | (1) |
|
|
|
135 | (1) |
|
|
|
136 | (1) |
|
|
|
137 | (2) |
|
|
|
139 | (1) |
|
|
|
139 | (1) |
|
|
|
139 | (1) |
|
|
|
140 | (1) |
|
Learning about bits per channel |
|
|
140 | (1) |
|
|
|
141 | (9) |
|
Choosing colors with the Color Picker tool |
|
|
141 | (3) |
|
|
|
144 | (1) |
|
|
|
145 | (2) |
|
Selecting color from an image with the Eyedropper tool |
|
|
147 | (1) |
|
Understanding the Color Sampler tool |
|
|
148 | (1) |
|
Using the HUD Color Picker |
|
|
149 | (1) |
|
|
|
150 | (1) |
|
Chapter 5 Applying History and Actions |
|
|
151 | (20) |
|
Understanding Photoshop's Non-Destructive Features |
|
|
151 | (2) |
|
|
|
153 | (8) |
|
Understanding the History panel |
|
|
154 | (1) |
|
Configuring the History panel |
|
|
154 | (2) |
|
Navigating through history states |
|
|
156 | (1) |
|
|
|
156 | (1) |
|
|
|
157 | (1) |
|
|
|
157 | (1) |
|
|
|
157 | (1) |
|
Using the Eraser tool in the History panel |
|
|
158 | (2) |
|
|
|
160 | (1) |
|
Making use of the Art History Brush |
|
|
160 | (1) |
|
Using selections when painting history |
|
|
160 | (1) |
|
Creating and Using Automated Actions |
|
|
161 | (8) |
|
Understanding the Actions panel |
|
|
161 | (3) |
|
Loading existing action sets |
|
|
164 | (1) |
|
|
|
164 | (1) |
|
|
|
165 | (1) |
|
|
|
166 | (1) |
|
|
|
166 | (1) |
|
|
|
166 | (1) |
|
Duplicating actions and operations |
|
|
166 | (1) |
|
|
|
167 | (1) |
|
|
|
168 | (1) |
|
Modifying the action name and function key |
|
|
168 | (1) |
|
|
|
168 | (1) |
|
Adjusting action settings temporarily by using the toggle boxes |
|
|
168 | (1) |
|
|
|
168 | (1) |
|
|
|
168 | (1) |
|
|
|
169 | (2) |
|
Chapter 6 Using Bridge to Organize and Process Files |
|
|
171 | (38) |
|
Working in the Bridge Workspaces |
|
|
171 | (6) |
|
Examining the Bridge utility |
|
|
172 | (1) |
|
|
|
172 | (1) |
|
|
|
173 | (1) |
|
|
|
174 | (1) |
|
|
|
175 | (1) |
|
Using the Bridge workspaces |
|
|
176 | (1) |
|
Organizing Files in Bridge |
|
|
177 | (18) |
|
Importing images from cameras and card readers |
|
|
178 | (1) |
|
|
|
178 | (1) |
|
|
|
178 | (1) |
|
|
|
178 | (2) |
|
|
|
180 | (1) |
|
|
|
181 | (1) |
|
|
|
181 | (1) |
|
|
|
182 | (1) |
|
|
|
182 | (1) |
|
|
|
182 | (1) |
|
Working with image metadata |
|
|
182 | (2) |
|
Assigning ratings and labels to files |
|
|
184 | (1) |
|
Assigning keywords to files |
|
|
185 | (1) |
|
Adding an existing keyword to a file |
|
|
186 | (1) |
|
|
|
186 | (1) |
|
Inserting a new subkeyword |
|
|
187 | (1) |
|
Finding a keyword in the list |
|
|
187 | (1) |
|
Renaming and deleting keywords |
|
|
187 | (1) |
|
|
|
187 | (2) |
|
|
|
189 | (1) |
|
Locating files using the Filter panel |
|
|
189 | (1) |
|
Tracking files using the Find tool |
|
|
190 | (1) |
|
Viewing files using the Review Mode utility |
|
|
191 | (1) |
|
|
|
192 | (1) |
|
|
|
192 | (1) |
|
Creating smart collections |
|
|
192 | (1) |
|
|
|
193 | (1) |
|
Deleting versus rejecting files |
|
|
194 | (1) |
|
Processing Images Using Bridge and Photoshop |
|
|
195 | (10) |
|
Opening images in Photoshop |
|
|
195 | (1) |
|
Placing images in Photoshop |
|
|
195 | (1) |
|
Loading files as Photoshop layers |
|
|
195 | (1) |
|
|
|
196 | (1) |
|
Processing Multiple Files Using the Batch Interface |
|
|
196 | (1) |
|
Using the Image Processor Interface |
|
|
197 | (1) |
|
|
|
198 | (1) |
|
Using Photoshop Photomerge |
|
|
199 | (1) |
|
Using Photoshop Merge to HDR |
|
|
199 | (1) |
|
Auto-merging images into HDR and panoramic images |
|
|
199 | (2) |
|
Creating PDFs and Web Galleries |
|
|
201 | (1) |
|
|
|
201 | (2) |
|
|
|
203 | (2) |
|
Using the Mini-Bridge Tool in Photoshop |
|
|
205 | (2) |
|
|
|
207 | (2) |
|
Part II Working with Camera Raw Images |
|
|
209 | (72) |
|
Chapter 7 Exploring Camera Raw Basics |
|
|
211 | (24) |
|
Looking at Camera Raw Benefits |
|
|
212 | (4) |
|
Keeping original CMOS information |
|
|
212 | (1) |
|
Editing non-destructively |
|
|
213 | (2) |
|
|
|
215 | (1) |
|
Understanding Camera Raw File Types |
|
|
216 | (1) |
|
Creating an XMP sidebar file |
|
|
216 | (1) |
|
Converting RAW formats to DNG files |
|
|
216 | (1) |
|
Opening Images in Camera Raw |
|
|
217 | (1) |
|
Getting to Know the Camera Raw Workspace |
|
|
218 | (2) |
|
Changing Your Workflow Options |
|
|
220 | (4) |
|
|
|
221 | (1) |
|
|
|
221 | (1) |
|
|
|
222 | (1) |
|
|
|
223 | (1) |
|
Applying output sharpening |
|
|
223 | (1) |
|
Opening images as Smart Objects |
|
|
224 | (1) |
|
|
|
224 | (4) |
|
|
|
224 | (1) |
|
|
|
225 | (1) |
|
|
|
226 | (1) |
|
Changing the default image settings |
|
|
226 | (1) |
|
Modifying the Camera Raw cache |
|
|
227 | (1) |
|
|
|
227 | (1) |
|
Handling JPEG and TIFF file formats |
|
|
227 | (1) |
|
Using the Camera Raw Panel Menu |
|
|
228 | (2) |
|
|
|
230 | (1) |
|
|
|
231 | (1) |
|
Exporting Camera Raw Files |
|
|
232 | (2) |
|
|
|
234 | (1) |
|
Chapter 8 Processing Photos with Camera Raw |
|
|
235 | (46) |
|
Getting to Know the Camera Raw Tools |
|
|
235 | (4) |
|
Synchronizing Adjustments in Multiple RAW Images |
|
|
239 | (2) |
|
Adjusting the White Balance |
|
|
241 | (3) |
|
Using the White Balance tool |
|
|
242 | (1) |
|
Changing the lighting settings |
|
|
243 | (1) |
|
Using the Temperature and Tint sliders |
|
|
243 | (1) |
|
|
|
244 | (4) |
|
Adjusting Color and Clarity |
|
|
248 | (13) |
|
Tweaking clarity, vibrance, and saturation |
|
|
249 | (1) |
|
|
|
250 | (1) |
|
|
|
250 | (3) |
|
|
|
253 | (3) |
|
Adjusting hue, saturation, and luminance |
|
|
256 | (1) |
|
|
|
257 | (1) |
|
|
|
257 | (1) |
|
|
|
258 | (1) |
|
Creating a grayscale photo |
|
|
258 | (1) |
|
|
|
259 | (2) |
|
Correcting and Retouching |
|
|
261 | (12) |
|
|
|
261 | (2) |
|
|
|
263 | (1) |
|
Using the Adjustment Brush |
|
|
264 | (1) |
|
|
|
265 | (1) |
|
|
|
266 | (1) |
|
Setting the Brush options |
|
|
266 | (1) |
|
Setting the Adjustment options |
|
|
267 | (3) |
|
Creating a Graduated Filter |
|
|
270 | (3) |
|
Creating Artistic Effects |
|
|
273 | (3) |
|
Adding grain to your image |
|
|
274 | (1) |
|
|
|
274 | (2) |
|
|
|
276 | (2) |
|
|
|
276 | (1) |
|
Setting camera calibration |
|
|
277 | (1) |
|
Reducing Noise and Adjusting Sharpness |
|
|
278 | (2) |
|
|
|
278 | (2) |
|
|
|
280 | (1) |
|
|
|
280 | (1) |
|
Part III Working with Selections, Layers, and Channels |
|
|
281 | (116) |
|
Chapter 9 Creating Selections |
|
|
283 | (38) |
|
Getting Familiar with the Select Menu |
|
|
283 | (3) |
|
Using the Selection Tools |
|
|
286 | (16) |
|
Exploring the Marquee tools |
|
|
286 | (3) |
|
Using the Rectangular Marquee tool |
|
|
289 | (1) |
|
Using the Elliptical Marquee tool |
|
|
289 | (1) |
|
Looking at the Lasso tools |
|
|
290 | (2) |
|
|
|
292 | (1) |
|
Using the Polygonal Lasso tool |
|
|
292 | (2) |
|
Using the Magnetic Lasso tool |
|
|
294 | (2) |
|
Examining the Quick Selection tools |
|
|
296 | (1) |
|
Looking at the Quick Selection tool |
|
|
296 | (1) |
|
Working with the Quick Selection tool |
|
|
297 | (2) |
|
Looking at the Magic Wand tool |
|
|
299 | (1) |
|
Working with the Magic Wand tool |
|
|
300 | (2) |
|
|
|
302 | (15) |
|
|
|
302 | (1) |
|
Using the selection tools |
|
|
302 | (1) |
|
|
|
303 | (1) |
|
|
|
304 | (2) |
|
|
|
306 | (4) |
|
|
|
310 | (1) |
|
|
|
310 | (2) |
|
Using the Edge Detection options |
|
|
312 | (3) |
|
|
|
315 | (1) |
|
|
|
316 | (1) |
|
Using the Color Range Selector |
|
|
317 | (2) |
|
|
|
319 | (2) |
|
Chapter 10 Learning All About Layers |
|
|
321 | (50) |
|
|
|
322 | (3) |
|
Understanding multiple layers |
|
|
322 | (2) |
|
|
|
324 | (1) |
|
Adding another document as a new layer |
|
|
324 | (1) |
|
Adding text or shapes as a new layer |
|
|
325 | (1) |
|
Creating selections to make a new layer |
|
|
325 | (1) |
|
|
|
325 | (6) |
|
Getting to know the Layer menu |
|
|
326 | (3) |
|
Getting to know the Layers panel menu |
|
|
329 | (2) |
|
Looking at the Layers Panel |
|
|
331 | (12) |
|
|
|
331 | (2) |
|
Changing the Opacity and Fill settings |
|
|
333 | (1) |
|
Changing the lock settings |
|
|
334 | (1) |
|
|
|
335 | (1) |
|
Choosing Normal and Dissolve blending modes |
|
|
335 | (1) |
|
Using darkening blending modes |
|
|
336 | (1) |
|
Using lightening blending modes |
|
|
337 | (1) |
|
Adding contrast blending modes |
|
|
338 | (1) |
|
Using difference blending modes |
|
|
338 | (1) |
|
Looking at the color blending modes |
|
|
339 | (1) |
|
Blending images using blending modes |
|
|
339 | (2) |
|
|
|
341 | (1) |
|
Creating layer styles, layer masks, and fill and adjustment layers |
|
|
342 | (1) |
|
|
|
342 | (1) |
|
|
|
343 | (1) |
|
|
|
343 | (1) |
|
Applying Worry-Free Fill and Adjustment Layers |
|
|
343 | (5) |
|
Choosing a fill or adjustment layer |
|
|
344 | (1) |
|
Learning the basics of fill layers |
|
|
344 | (1) |
|
Learning the basics of adjustment layers |
|
|
345 | (3) |
|
Editing the properties of a fill or adjustment layer |
|
|
348 | (1) |
|
Creating Layer Style Special Effects |
|
|
348 | (4) |
|
|
|
349 | (1) |
|
Adjusting layer style options |
|
|
350 | (1) |
|
Creating a separate layer from a layer style |
|
|
351 | (1) |
|
|
|
352 | (5) |
|
Converting a layer to a Smart Object |
|
|
353 | (1) |
|
|
|
354 | (1) |
|
Making changes to Smart Filters |
|
|
354 | (3) |
|
|
|
357 | (10) |
|
|
|
357 | (1) |
|
Using the Add layer mask icon |
|
|
357 | (1) |
|
Using the Refine Edge dialog box |
|
|
358 | (1) |
|
|
|
359 | (1) |
|
Looking at clipping masks |
|
|
359 | (2) |
|
|
|
361 | (1) |
|
Making changes to a mask by painting on the image |
|
|
361 | (1) |
|
Editing masks using the Channels panel |
|
|
362 | (1) |
|
Editing masks using the Properties panel |
|
|
363 | (2) |
|
Unlinking and moving masks |
|
|
365 | (2) |
|
|
|
367 | (2) |
|
|
|
369 | (1) |
|
|
|
370 | (1) |
|
Chapter 11 Exploring Channels |
|
|
371 | (26) |
|
Understanding Color Channels |
|
|
371 | (2) |
|
|
|
373 | (6) |
|
Mixing colors with the Channel Mixer |
|
|
374 | (1) |
|
|
|
375 | (1) |
|
Converting color to grayscale |
|
|
376 | (3) |
|
|
|
379 | (5) |
|
|
|
380 | (1) |
|
|
|
381 | (1) |
|
|
|
381 | (1) |
|
Splitting and merging channels |
|
|
382 | (1) |
|
Sharing channels between images |
|
|
382 | (2) |
|
Making Channel Selections |
|
|
384 | (3) |
|
Understanding the Alpha Channel |
|
|
387 | (5) |
|
|
|
387 | (1) |
|
Loading selections from alpha channels |
|
|
388 | (1) |
|
|
|
389 | (1) |
|
Understanding alpha channels versus layer masks |
|
|
389 | (1) |
|
Changing the channel options for alpha channels |
|
|
390 | (2) |
|
Using Spot Color Channels |
|
|
392 | (3) |
|
Creating a spot color channel |
|
|
392 | (2) |
|
Merging spot color channels |
|
|
394 | (1) |
|
Removing ink overlap using spot color channels |
|
|
394 | (1) |
|
|
|
395 | (2) |
|
Part IV Enhancing, Correcting, and Retouching Images |
|
|
397 | (154) |
|
Chapter 12 Optimizing Adjustment Workflow |
|
|
399 | (10) |
|
|
|
399 | (2) |
|
|
|
401 | (2) |
|
Creating Adjustment Layers |
|
|
403 | (3) |
|
Making Adjustments Using the Properties Panel |
|
|
406 | (2) |
|
|
|
408 | (1) |
|
Chapter 13 Lighting and Color Adjustments |
|
|
409 | (62) |
|
Applying Quick Adjustments to Light and Color |
|
|
409 | (23) |
|
Adjusting brightness and contrast versus exposure |
|
|
410 | (1) |
|
Using the Brightness/Contrast tool to adjust lighting |
|
|
410 | (1) |
|
Using the Exposure tool to adjust lighting |
|
|
411 | (4) |
|
Changing the color balance |
|
|
415 | (3) |
|
Making selective color adjustments |
|
|
418 | (2) |
|
Applying Photo Filter to images |
|
|
420 | (2) |
|
Replacing specific colors |
|
|
422 | (4) |
|
Using the Variations tool |
|
|
426 | (2) |
|
Changing the shadows and highlights in images |
|
|
428 | (1) |
|
|
|
428 | (1) |
|
|
|
428 | (1) |
|
Adjusting after shadows or highlights are corrected |
|
|
429 | (1) |
|
Creating customized black-and-white photos |
|
|
430 | (2) |
|
Fine-Tuning Hue and Saturation |
|
|
432 | (7) |
|
Using the Hue/Saturation tool |
|
|
433 | (3) |
|
Adjusting the hue and saturation to make colors pop |
|
|
436 | (3) |
|
|
|
439 | (9) |
|
Using the Levels adjustment tool |
|
|
440 | (4) |
|
Configuring the Auto Levels adjustment |
|
|
444 | (1) |
|
Adjusting levels to increase detail in images |
|
|
445 | (3) |
|
Making Adjustments with Curves |
|
|
448 | (10) |
|
|
|
449 | (4) |
|
Configuring the Curves tool |
|
|
453 | (1) |
|
Configuring the Auto Curves tool |
|
|
454 | (1) |
|
Adjusting the curve to correct color and contrast in images |
|
|
454 | (4) |
|
Using the Match Color Tool to Change Colors |
|
|
458 | (3) |
|
|
|
461 | (7) |
|
|
|
462 | (4) |
|
Converting HDR images to 8 bits per channel |
|
|
466 | (2) |
|
|
|
468 | (3) |
|
Chapter 14 Applying Sharpness, Blur, and Noise Adjustments |
|
|
471 | (42) |
|
Using Sharpening Filters to Sharpen Images |
|
|
471 | (11) |
|
Understanding basic sharpening filters |
|
|
472 | (4) |
|
Using the Unsharp Mask filter |
|
|
476 | (4) |
|
|
|
480 | (2) |
|
Using Blur Filters to Soften Images |
|
|
482 | (24) |
|
Understanding the automatic blur filters |
|
|
483 | (1) |
|
Using the Gaussian, Box, and Shape Blur filters |
|
|
483 | (1) |
|
|
|
483 | (1) |
|
|
|
484 | (1) |
|
|
|
485 | (1) |
|
Creating a direction blur |
|
|
486 | (1) |
|
Adding a Motion Blur to an image |
|
|
486 | (2) |
|
|
|
488 | (1) |
|
|
|
489 | (1) |
|
|
|
489 | (1) |
|
|
|
490 | (1) |
|
|
|
490 | (1) |
|
|
|
491 | (1) |
|
|
|
492 | (1) |
|
|
|
492 | (1) |
|
|
|
493 | (1) |
|
Introducing the Blur Gallery |
|
|
493 | (1) |
|
Using the Blur Gallery Options bar |
|
|
493 | (2) |
|
Using the on-image controls |
|
|
495 | (4) |
|
|
|
499 | (2) |
|
|
|
501 | (2) |
|
Applying a Tilt-Shift Blur |
|
|
503 | (1) |
|
Adding blur effects in the Blur Gallery |
|
|
504 | (2) |
|
Reducing Noise in an Image |
|
|
506 | (4) |
|
Using the Despeckle filter |
|
|
506 | (1) |
|
|
|
506 | (1) |
|
Reducing dust and scratches |
|
|
507 | (1) |
|
|
|
508 | (1) |
|
|
|
509 | (1) |
|
|
|
510 | (3) |
|
Chapter 15 Cleaning Up Digital Images with Cloning and Healing Tools |
|
|
513 | (38) |
|
Using the Healing Brush Tools |
|
|
513 | (19) |
|
Using the Spot Healing Brush |
|
|
514 | (1) |
|
|
|
515 | (1) |
|
|
|
515 | (1) |
|
|
|
515 | (5) |
|
|
|
520 | (4) |
|
Fixing larger blemishes with the Patch tool |
|
|
524 | (2) |
|
Using the Content-Aware fill |
|
|
526 | (3) |
|
|
|
529 | (3) |
|
|
|
532 | (1) |
|
Using the Clone Stamp Tool |
|
|
532 | (11) |
|
Looking over the Clone Stamp options |
|
|
533 | (1) |
|
Learning the basics of cloning |
|
|
534 | (3) |
|
Utilizing the Clone Source panel |
|
|
537 | (6) |
|
Using the Clone and Healing Brushes Together for Optimal Effect |
|
|
543 | (7) |
|
|
|
543 | (3) |
|
Swapping faces with multiple images |
|
|
546 | (4) |
|
|
|
550 | (1) |
|
Part V Using Paint, Paths, Shapes, and Text Tools |
|
|
551 | (132) |
|
Chapter 16 Editing with Paintbrush Tools |
|
|
553 | (52) |
|
|
|
553 | (1) |
|
Understanding the Painting Tools |
|
|
554 | (20) |
|
Working with painting tools in blending modes |
|
|
555 | (1) |
|
Choosing a basic blending mode option |
|
|
555 | (1) |
|
Applying a darkening blending mode |
|
|
556 | (1) |
|
Selecting a lightening blending mode |
|
|
556 | (1) |
|
Adding contrast blending modes |
|
|
557 | (1) |
|
|
|
557 | (1) |
|
Finishing with a color blending mode |
|
|
558 | (1) |
|
Applying color with painting tools |
|
|
558 | (5) |
|
Painting with editing tools |
|
|
563 | (1) |
|
Making quick fixes with the healing tools |
|
|
563 | (1) |
|
Choosing a Stamp tool to replace pixels |
|
|
564 | (1) |
|
|
|
564 | (1) |
|
|
|
565 | (3) |
|
Selecting the right Sharpen, Blur, or Smudge tool |
|
|
568 | (1) |
|
Choosing a Dodge, Burn, or Sponge tool |
|
|
569 | (3) |
|
Painting with mixing tools |
|
|
572 | (2) |
|
|
|
574 | (17) |
|
Selecting the brush tip shape |
|
|
574 | (1) |
|
Selecting flat brush shapes |
|
|
575 | (1) |
|
Choosing bristle brush shapes |
|
|
576 | (3) |
|
Selecting erodible tip brush shapes |
|
|
579 | (2) |
|
Selecting airbrush shapes |
|
|
581 | (1) |
|
Setting the brush behavior |
|
|
582 | (1) |
|
Configuring the Shape Dynamics settings |
|
|
583 | (1) |
|
Creating a scattering effect |
|
|
584 | (1) |
|
Applying a texture effect |
|
|
585 | (2) |
|
Applying the dual brush strokes |
|
|
587 | (1) |
|
Painting with multiple colors simultaneously |
|
|
587 | (1) |
|
Controlling the brush stroke with the Transfer option |
|
|
588 | (1) |
|
Using the Brush Presets panel |
|
|
589 | (2) |
|
Painting with Non-Brush Painting Tools |
|
|
591 | (7) |
|
|
|
591 | (2) |
|
Filling a selection with a color or pattern |
|
|
593 | (2) |
|
|
|
595 | (1) |
|
Creating custom gradients |
|
|
596 | (2) |
|
Applying Painting Techniques |
|
|
598 | (6) |
|
Painting from a blank canvas |
|
|
598 | (4) |
|
Tracing edges from an existing image |
|
|
602 | (1) |
|
Using wet paint on an existing image |
|
|
602 | (2) |
|
|
|
604 | (1) |
|
Chapter 17 Working with Paths and Vector Shapes |
|
|
605 | (42) |
|
|
|
605 | (4) |
|
|
|
606 | (1) |
|
|
|
607 | (2) |
|
Exploring the Vector Path |
|
|
609 | (18) |
|
|
|
609 | (1) |
|
|
|
609 | (3) |
|
|
|
612 | (6) |
|
Using the Path Selection tools |
|
|
618 | (1) |
|
|
|
619 | (1) |
|
Path Selection tool options |
|
|
620 | (1) |
|
Understanding the Paths panel |
|
|
620 | (3) |
|
|
|
623 | (4) |
|
|
|
627 | (8) |
|
|
|
627 | (2) |
|
Creating vector shapes from paths |
|
|
629 | (2) |
|
|
|
631 | (2) |
|
|
|
633 | (2) |
|
|
|
635 | (10) |
|
Working with vector shape tools |
|
|
635 | (1) |
|
|
|
636 | (1) |
|
|
|
637 | (1) |
|
|
|
637 | (1) |
|
|
|
637 | (2) |
|
|
|
639 | (1) |
|
Adding vector shape layers |
|
|
639 | (3) |
|
Adding custom vector shapes |
|
|
642 | (2) |
|
|
|
644 | (1) |
|
|
|
645 | (2) |
|
Chapter 18 Working with Text |
|
|
647 | (36) |
|
Learning a Little Bit about Text |
|
|
647 | (1) |
|
Using the Text Tools to Add Text to Images |
|
|
648 | (24) |
|
|
|
648 | (2) |
|
Using the text tools to add text |
|
|
650 | (2) |
|
Adding text as a point type |
|
|
652 | (1) |
|
Adding text as a paragraph type |
|
|
653 | (1) |
|
Editing vector text layers |
|
|
654 | (1) |
|
|
|
654 | (1) |
|
|
|
655 | (1) |
|
|
|
656 | (1) |
|
|
|
656 | (1) |
|
|
|
656 | (1) |
|
|
|
656 | (1) |
|
Horizontal/Vertical options |
|
|
657 | (1) |
|
|
|
657 | (1) |
|
|
|
657 | (1) |
|
Convert to Point Text/Paragraph Text |
|
|
657 | (1) |
|
|
|
657 | (2) |
|
|
|
659 | (1) |
|
Using the Character panel |
|
|
660 | (6) |
|
Applying Paragraph panel settings |
|
|
666 | (3) |
|
Using the Character and Paragraph Styles panels |
|
|
669 | (1) |
|
Creating and managing character styles |
|
|
669 | (2) |
|
Creating and managing paragraph styles |
|
|
671 | (1) |
|
|
|
672 | (10) |
|
|
|
672 | (1) |
|
|
|
672 | (1) |
|
|
|
673 | (2) |
|
Constraining text using a vector shape |
|
|
675 | (2) |
|
Adding text in a Smart Object |
|
|
677 | (3) |
|
|
|
680 | (2) |
|
|
|
682 | (1) |
|
Part VI Creating Artistic Effects |
|
|
683 | (74) |
|
Chapter 19 Distorting Images |
|
|
685 | (30) |
|
|
|
685 | (15) |
|
Understanding the importance of the reference point |
|
|
686 | (1) |
|
|
|
687 | (1) |
|
|
|
688 | (1) |
|
|
|
689 | (1) |
|
|
|
689 | (1) |
|
Changing the perspective of images |
|
|
690 | (1) |
|
Using the Warp transformation |
|
|
690 | (2) |
|
|
|
692 | (1) |
|
Using the Content-Aware Scale feature |
|
|
693 | (3) |
|
Using the Puppet Warp tool |
|
|
696 | (4) |
|
Having Fun with the Liquify Filter |
|
|
700 | (5) |
|
Identifying the Liquify tools |
|
|
700 | (3) |
|
|
|
703 | (1) |
|
|
|
703 | (1) |
|
Restoring your image with Reconstruct and Restore All |
|
|
704 | (1) |
|
Modifying the Mask Options selections |
|
|
704 | (1) |
|
|
|
705 | (1) |
|
Changing Perspective with Vanishing Point |
|
|
705 | (5) |
|
Correcting Wide-Angle Lens Distortions |
|
|
710 | (3) |
|
|
|
713 | (2) |
|
Chapter 20 Applying Filters |
|
|
715 | (22) |
|
Looking at Artistic Effects Filters |
|
|
715 | (13) |
|
Exploring Artistic filters |
|
|
716 | (1) |
|
Discovering Brush Stroke filters |
|
|
717 | (1) |
|
Examining Distort filters |
|
|
718 | (2) |
|
Checking out the Pixelate filters |
|
|
720 | (2) |
|
Considering the Render filters |
|
|
722 | (1) |
|
Looking into the Sketch filters |
|
|
722 | (2) |
|
Using the Stylize filters |
|
|
724 | (2) |
|
Delving into Texture filters |
|
|
726 | (1) |
|
|
|
727 | (1) |
|
Exploring the Filter Gallery |
|
|
728 | (2) |
|
Looking at the preview pane |
|
|
729 | (1) |
|
Checking out the filter thumbnail pane |
|
|
729 | (1) |
|
Looking at the options pane |
|
|
729 | (1) |
|
Using Smart Objects to Make Filter Adjustments |
|
|
730 | (3) |
|
|
|
733 | (3) |
|
|
|
736 | (1) |
|
Chapter 21 Combining Images |
|
|
737 | (20) |
|
Creating Seamless Composites |
|
|
737 | (10) |
|
|
|
737 | (2) |
|
Adjusting and transforming new layers |
|
|
739 | (1) |
|
|
|
740 | (1) |
|
|
|
740 | (1) |
|
|
|
740 | (1) |
|
Changing fill or opacity settings |
|
|
741 | (1) |
|
Changing the Blending mode |
|
|
742 | (1) |
|
Creating a Fill or Adjustment layer |
|
|
743 | (1) |
|
Using masks to tuck in a composite file |
|
|
743 | (4) |
|
Using Multiple Images to Create a Photo Collage |
|
|
747 | (5) |
|
Using Photomerge to Create a Panorama |
|
|
752 | (4) |
|
|
|
756 | (1) |
|
Part VII Working with 3D Images |
|
|
757 | (82) |
|
Chapter 22 Creating and Manipulating 3D Objects |
|
|
759 | (26) |
|
Understanding 3D File Formats |
|
|
760 | (1) |
|
Looking at the 3D Workspace |
|
|
761 | (5) |
|
|
|
762 | (1) |
|
Learning about the Properties panel when 3D objects are selected |
|
|
762 | (1) |
|
Looking at 3D objects in the Layers panel |
|
|
763 | (1) |
|
|
|
764 | (1) |
|
Using the Picture in Picture window |
|
|
765 | (1) |
|
Opening and Placing 3D Files in Photoshop |
|
|
766 | (1) |
|
Creating 3D Files in Photoshop |
|
|
766 | (9) |
|
Selecting a source for a 3D object |
|
|
766 | (1) |
|
|
|
767 | (1) |
|
|
|
768 | (1) |
|
Defining an extrusion using the Mesh properties |
|
|
769 | (2) |
|
Transforming a 3D extrusion using the Deform properties |
|
|
771 | (1) |
|
Changing the surfaces of a 3D extrusion using the Cap properties |
|
|
771 | (1) |
|
Making a 3D shape from a preset |
|
|
772 | (1) |
|
Creating a 3D mesh from a depth map |
|
|
773 | (2) |
|
|
|
775 | (1) |
|
|
|
775 | (8) |
|
|
|
776 | (1) |
|
Turning 3D objects around a central point |
|
|
776 | (2) |
|
Moving a 3D object through 3D space |
|
|
778 | (3) |
|
|
|
781 | (1) |
|
Typing in coordinates for your 3D object |
|
|
782 | (1) |
|
|
|
783 | (2) |
|
Chapter 23 Editing 3D Scenes and Settings |
|
|
785 | (24) |
|
|
|
785 | (1) |
|
Working with a Whole 3D Scene |
|
|
786 | (9) |
|
Changing the properties of a 3D environment |
|
|
786 | (1) |
|
Changing the Global Ambient light |
|
|
787 | (1) |
|
Using Image Based. Lighting |
|
|
787 | (1) |
|
Adjusting the Ground Plane properties |
|
|
788 | (1) |
|
Changing the Background settings |
|
|
788 | (1) |
|
Setting the properties of a 3D scene |
|
|
788 | (1) |
|
|
|
789 | (2) |
|
Changing the render properties |
|
|
791 | (2) |
|
Changing the Current View |
|
|
793 | (1) |
|
|
|
794 | (1) |
|
|
|
794 | (1) |
|
Adjusting the depth of field |
|
|
794 | (1) |
|
|
|
795 | (1) |
|
|
|
795 | (2) |
|
Editing the Textures and Materials of a 3D Object |
|
|
797 | (8) |
|
|
|
798 | (3) |
|
|
|
801 | (4) |
|
Creating and Modifying 3D Lights |
|
|
805 | (3) |
|
|
|
806 | (1) |
|
|
|
807 | (1) |
|
Changing the properties of a 3D light |
|
|
807 | (1) |
|
|
|
808 | (1) |
|
Chapter 24 Using Photoshop Tools with 3D Layers |
|
|
809 | (30) |
|
|
|
809 | (9) |
|
Hiding areas on a 3D object |
|
|
810 | (1) |
|
|
|
811 | (1) |
|
Painting color on a 3D object |
|
|
812 | (3) |
|
Painting textures on a 3D object |
|
|
815 | (3) |
|
Adjustments, Layer Styles, and Filters |
|
|
818 | (4) |
|
Applying an adjustment to a 3D layer |
|
|
818 | (1) |
|
Adding a layer style to a 3D layer |
|
|
819 | (1) |
|
Applying a filter to a 3D layer |
|
|
820 | (1) |
|
Using 3D layers as Smart Objects |
|
|
821 | (1) |
|
|
|
822 | (16) |
|
Flying a carpet over a lake |
|
|
822 | (1) |
|
|
|
822 | (3) |
|
Placing the flying carpet into an image |
|
|
825 | (3) |
|
Adding details to complete the flying carpet composite |
|
|
828 | (2) |
|
|
|
830 | (1) |
|
|
|
830 | (4) |
|
|
|
834 | (1) |
|
Making a present of the moon |
|
|
835 | (3) |
|
|
|
838 | (1) |
|
Part VIII Working with Video and Animation |
|
|
839 | (114) |
|
Chapter 25 Understanding Video Editing Basics |
|
|
841 | (38) |
|
|
|
842 | (8) |
|
|
|
842 | (1) |
|
Correcting the pixel aspect ratio |
|
|
842 | (1) |
|
Changing video aspect ratios |
|
|
843 | (3) |
|
Correcting the aspect ratio of an image |
|
|
846 | (3) |
|
|
|
849 | (1) |
|
|
|
849 | (1) |
|
|
|
850 | (1) |
|
Understanding the Features of the Timeline Panel |
|
|
850 | (10) |
|
Adjusting time in the Timeline panel |
|
|
850 | (2) |
|
Using the work area of the Timeline panel |
|
|
852 | (1) |
|
Using the icons on the Timeline panel |
|
|
853 | (1) |
|
Exploring the options in the Timeline panel menu |
|
|
854 | (2) |
|
Accessing the Video Layers menu |
|
|
856 | (2) |
|
|
|
858 | (1) |
|
|
|
859 | (1) |
|
Opening and Placing Video Files |
|
|
860 | (7) |
|
|
|
860 | (1) |
|
Adding additional video files |
|
|
861 | (2) |
|
Importing image sequences |
|
|
863 | (1) |
|
Importing an image sequence into one layer |
|
|
863 | (1) |
|
Importing an image sequence into multiple layers |
|
|
864 | (3) |
|
|
|
867 | (1) |
|
Dragging the clip duration bar |
|
|
867 | (1) |
|
Trimming clips using the Timeline menu option |
|
|
867 | (1) |
|
|
|
868 | (2) |
|
Changing the clip hierarchy |
|
|
868 | (1) |
|
Dragging clips inside the clip duration bar |
|
|
869 | (1) |
|
Moving the clip start and clip end points |
|
|
870 | (1) |
|
|
|
870 | (2) |
|
Lifting and Extracting Unwanted Sections of Video |
|
|
872 | (2) |
|
Lifting a section of a video clip |
|
|
872 | (1) |
|
Extracting a section of a video clip |
|
|
873 | (1) |
|
Adding Still Shots or Other Elements to a Video Project |
|
|
874 | (3) |
|
|
|
874 | (1) |
|
|
|
875 | (1) |
|
|
|
875 | (1) |
|
Adding or placing a 3D model |
|
|
876 | (1) |
|
|
|
877 | (2) |
|
Chapter 26 Animating in the Timeline Panel |
|
|
879 | (36) |
|
Creating and Editing Keyframes |
|
|
880 | (8) |
|
|
|
880 | (5) |
|
|
|
885 | (1) |
|
|
|
886 | (1) |
|
|
|
886 | (1) |
|
|
|
887 | (1) |
|
|
|
887 | (1) |
|
Animating the Position of a Layer |
|
|
888 | (4) |
|
Getting keyframe placement right |
|
|
889 | (2) |
|
Animating positions in multiple layers |
|
|
891 | (1) |
|
Using Smart Objects to Animate Transformations |
|
|
892 | (3) |
|
Animating the Opacity Setting |
|
|
895 | (2) |
|
Using Keyframes to Animate Layer Styles |
|
|
897 | (3) |
|
Animating the Global Lighting |
|
|
900 | (1) |
|
Using Keyframes to Animate Text |
|
|
901 | (2) |
|
|
|
903 | (1) |
|
|
|
903 | (4) |
|
Learning the Basics of Rotoscoping |
|
|
907 | (5) |
|
Creating a new video layer |
|
|
907 | (1) |
|
|
|
907 | (3) |
|
|
|
910 | (2) |
|
|
|
912 | (1) |
|
|
|
912 | (2) |
|
|
|
914 | (1) |
|
Chapter 27 Correcting Video Files and Adding Artistic Effects |
|
|
915 | (16) |
|
Enhancing Layers with Color Corrections |
|
|
915 | (4) |
|
Unclipping an adjustment layer |
|
|
917 | (1) |
|
Changing the duration of an adjustment layer |
|
|
918 | (1) |
|
Applying Smart Filters to Video Files |
|
|
919 | (2) |
|
Cloning and Healing Over an Entire Video Layer |
|
|
921 | (2) |
|
Modifying Video Clips Frame by Frame |
|
|
923 | (6) |
|
Adding an adjustment to a single frame |
|
|
924 | (1) |
|
Adding a filter to a single frame |
|
|
925 | (1) |
|
Cloning and healing video files |
|
|
925 | (3) |
|
|
|
928 | (1) |
|
|
|
929 | (2) |
|
Chapter 28 Animating Using Frames |
|
|
931 | (22) |
|
Using the Timeline Panel's Frame Animation Interface |
|
|
931 | (8) |
|
|
|
932 | (1) |
|
Setting the frame delay time |
|
|
932 | (1) |
|
Changing the disposal method |
|
|
932 | (1) |
|
Choosing your looping options |
|
|
933 | (1) |
|
|
|
933 | (2) |
|
Duplicating selected frames |
|
|
935 | (1) |
|
Converting to the video Timeline |
|
|
935 | (1) |
|
Activating the frame animation version of the Timeline panel menu |
|
|
935 | (1) |
|
Looking at the frame animation Timeline panel menu |
|
|
935 | (3) |
|
Using the animation features in the Layers panel |
|
|
938 | (1) |
|
Creating Tweened Frame Animations |
|
|
939 | (4) |
|
Opening an image to animate |
|
|
939 | (1) |
|
|
|
940 | (2) |
|
|
|
942 | (1) |
|
Creating a Frame-by-Frame Animation |
|
|
943 | (6) |
|
Creating an animation from a layered image |
|
|
943 | (4) |
|
Building an animation in the animation version of the Timeline panel |
|
|
947 | (2) |
|
|
|
949 | (2) |
|
|
|
951 | (2) |
|
Part IX Using Advanced Output Techniques |
|
|
953 | (66) |
|
Chapter 29 Printing and Color Management |
|
|
955 | (22) |
|
Understanding the Importance of Color Accuracy and Consistency |
|
|
955 | (3) |
|
Understanding ICC color profiles |
|
|
956 | (1) |
|
Embedding color profiles in image files |
|
|
956 | (2) |
|
Using device-independent color profiles |
|
|
958 | (1) |
|
Calibrating Color for Monitors and Printers |
|
|
958 | (1) |
|
Using Color Management in Photoshop |
|
|
959 | (10) |
|
Configuring color settings in Photoshop |
|
|
959 | (1) |
|
|
|
960 | (1) |
|
Configuring color profiles |
|
|
961 | (1) |
|
Controlling the color profile in open images |
|
|
962 | (1) |
|
Controlling conversion between color profiles |
|
|
963 | (2) |
|
Configuring the Advanced Controls options |
|
|
965 | (1) |
|
Assigning color profiles to images |
|
|
965 | (2) |
|
Converting images to other color profiles |
|
|
967 | (1) |
|
Proofing images using color management |
|
|
968 | (1) |
|
Printing Images from Photoshop |
|
|
969 | (6) |
|
Configuring general printing options |
|
|
970 | (1) |
|
Using color management to print accurate colors |
|
|
971 | (2) |
|
Adding crop marks and additional output to printed images |
|
|
973 | (2) |
|
|
|
975 | (2) |
|
Chapter 30 Creating Images for the Web |
|
|
977 | (26) |
|
Preparing Images for the Web |
|
|
977 | (9) |
|
Understanding web image formats |
|
|
977 | (1) |
|
Selecting the right color profile |
|
|
978 | (1) |
|
Slicing images for web use |
|
|
979 | (1) |
|
|
|
979 | (1) |
|
|
|
980 | (2) |
|
|
|
982 | (1) |
|
Adding transparency to images |
|
|
983 | (2) |
|
|
|
985 | (1) |
|
Outputting Images to the Web |
|
|
986 | (13) |
|
Using the preview layout and toolbar |
|
|
987 | (2) |
|
Setting File output options |
|
|
989 | (6) |
|
Manipulating the Color Table |
|
|
995 | (1) |
|
|
|
996 | (1) |
|
Previewing animation controls |
|
|
997 | (1) |
|
Previewing output in a browser |
|
|
998 | (1) |
|
Adding Zoomable Images to Websites |
|
|
999 | (1) |
|
|
|
1000 | (3) |
|
Chapter 31 Automating and Scripting Workflow in Photoshop |
|
|
1003 | (16) |
|
Automating Workflow in Photoshop |
|
|
1003 | (6) |
|
|
|
1004 | (4) |
|
Creating droplets to process images |
|
|
1008 | (1) |
|
Using Scripting to Speed Up Workflow |
|
|
1009 | (9) |
|
Using the Photoshop scripts |
|
|
1010 | (3) |
|
Using stack modes to analyze multiple images and reduce noise |
|
|
1013 | (3) |
|
Scripting workflow events |
|
|
1016 | (2) |
|
|
|
1018 | (1) |
|
|
|
1019 | (16) |
|
Appendix A Timesaving Keyboard Shortcuts |
|
|
1021 | (6) |
|
Appendix B Extending the Capabilities of Photoshop with Plug-Ins |
|
|
1027 | (4) |
|
Appendix C Finding Resources |
|
|
1031 | (4) |
| Index |
|
1035 | |
Daugiau apie elektronines knygas