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Advanced Musical Performance: Investigations in Higher Education Learning [Kietas viršelis]

Edited by , Edited by (Institute of Education, University of London, UK)
  • Formatas: Hardback, 404 pages, aukštis x plotis: 234x156 mm, weight: 884 g
  • Serija: SEMPRE Studies in The Psychology of Music
  • Išleidimo metai: 19-Dec-2014
  • Leidėjas: Routledge
  • ISBN-10: 1409436896
  • ISBN-13: 9781409436898
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 404 pages, aukštis x plotis: 234x156 mm, weight: 884 g
  • Serija: SEMPRE Studies in The Psychology of Music
  • Išleidimo metai: 19-Dec-2014
  • Leidėjas: Routledge
  • ISBN-10: 1409436896
  • ISBN-13: 9781409436898
Kitos knygos pagal šią temą:
To reach the highest standards of instrumental performance, several years of sustained and focused learning are required. This requires perseverance, commitment and opportunities to learn and practise, often in a collective musical environment. This book brings together a wide range of enlightening current psychological and educational research to offer deeper insights into the mosaic of factors and related experiences that combine to nurture (and sometimes hinder) advanced musical performance. Each of the book's four sections focus on one aspect of music performance and learning: musics in higher education and beyond; musical journeys and educational reflections; performance learning; and developing expertise and professionalism. Although each chapter within its home section offers a particular focus, there is an underlying conception across all the book’s contents of the achievability of advanced musical performance and of the important nurturing role that higher education can play, particularly if policy and practice are evidence-based and draw on the latest international research findings. The narrative offers an insight into the world of advanced musicians, detailing their learning journeys and the processes involved in their quest for the development of expertise and professionalism. It is the first book of its kind to consider performance learning in higher education across a variety of musical genres, including classical, jazz, popular and folk musics. The editors have invited an international community of leading scholars and performance practitioners to contribute to this publication, which draws on meticulous research and critical practice. This collection is an essential resource for all musicians, educators, researchers and policy makers who share our interest in promoting the development of advanced performance skills and professionalism.
List of Figures
ix
List of Tables
xiii
Notes on Contributors xv
Foreword xxiii
Preface xxv
Series Editor's Preface xxxi
PART I MUSICS IN HIGHER EDUCATION AND BEYOND
1 Western Classical Music Studies in Universities and Conservatoires
3(18)
Harald Jørgensen
2 Brilliant Corners: The Development of Jazz in Higher Education
21(12)
Tony Whyton
3 Popular Music in Higher Education
33(16)
Gareth Dylan Smith
4 Wha's like us? A New Scottish Conservatoire Tradition
49(16)
Celia Duffy
Peggy Duesenberry
5 The Epirotic Vocal Folk Polyphony in Contemporary Greece: Performance and the Involvement of Higher Education in an Oral/Aural Tradition
65(12)
Konstantinos Tsahouridis
6 Music Performance in a 'Transitional Era' of Education: A Case Study of Folk Song Performance in China
77(22)
Yang Yang
PART II MUSICAL JOURNEYS AND EDUCATIONAL REFLECTIONS
7 Concepts of Ideal Musicians and Teachers: Ideal Selves and Possible Selves
99(16)
Andrea Creech
Ioulia Papageorgi
8 Music, Motivation and Competence Acquisition across Genres
115(14)
Rachel Swindells
Christophe de Bezenac
9 Creativity and the Institutional Mindset
129(14)
Elizabeth Haddon
John Potter
10 Through a Glass, Vividly: Shedding Light on the Extraordinary Musical Journeys of Some Children on the Autism Spectrum
143(26)
Adam Ockelford
PART III PERFORMANCE LEARNING
11 How Do Musicians Develop Their Learning about Performance?
169(17)
Ioulia Papageorgi
Graham Welch
12 Spaces of Learning and the Place of the Conservatoire in Scottish Music
186(15)
Frances Morton
13 Pitch Perception and Absolute Pitch in Advanced Performers
201(30)
Desmond Sergeant
Maria Vraka
14 Learning Free Improvisation in Education
231(16)
Simon Rose
Raymond MacDonald
15 Hidden Instrumental and Vocal Learning in Undergraduate University Music Education
247(18)
Elizabeth Haddon
16 Learning to Be a Professional Singer
265(22)
Filipa Martins Baptista La
17 Learning lo Be an Instrumental Musician
287(16)
Terry Clark
Tania Lisboa
Aaron Williamon
PART IV DEVELOPING EXPERTISE AND PROFESSIONALISM
18 Developing and Maintaining Expertise in Musical Performance
303(16)
Ioulia Papageorgi
19 Developing Expertise and Professionalism: Health and Well-being in Performing Musicians
319(14)
Sanchita Farruque
Alan H. D. Watson
20 Developing and Maintaining Motivation in Advanced Music Performers
333(16)
Susan Hallam
21 Understanding Professionalism: Transitions and the Contemporary Professional Musician
349(16)
Andrea Creech
Index 365
Ioulia Papageorgi is the Director of the University of Nicosia Teaching and Learning Institute (UNTLI) and an Assistant Professor in the Department of Social Sciences at the University of Nicosia. She is a Fellow of the Higher Education Academy (FHEA) and a Chartered Psychologist (CPsychol), as well as an Associate Fellow of the British Psychological Society (AFBPsS). She previously held the position of Lecturer and Coordinating Research Officer in the Department of Psychology and Human Development and the Department of Arts and Humanities at the Institute of Education, University of London, and of Associate Lecturer at the Open University (UK). Ioulia has presented her work in many international conferences and seminars and has several publications in a number of peer-reviewed journals and books. Graham Welch holds the Institute of Education, University of London Established Chair of Music Education. He is elected Chair of the internationally based Society for Education, Music and Psychology Research (SEMPRE), Immediate Past President of the International Society for Music Education (ISME) and past Co-Chair of the Research Commission of ISME. Publications number over three hundred and embrace musical development and music education, teacher education, the psychology of music, singing and voice science, and music in special education and disability.