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After Print: Eighteenth-Century Manuscript Cultures [Minkštas viršelis]

  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 229x151x19 mm, weight: 500 g, 48 black & white illustrations, 2 tables
  • Išleidimo metai: 30-Apr-2020
  • Leidėjas: University of Virginia Press
  • ISBN-10: 0813943485
  • ISBN-13: 9780813943480
  • Formatas: Paperback / softback, 320 pages, aukštis x plotis x storis: 229x151x19 mm, weight: 500 g, 48 black & white illustrations, 2 tables
  • Išleidimo metai: 30-Apr-2020
  • Leidėjas: University of Virginia Press
  • ISBN-10: 0813943485
  • ISBN-13: 9780813943480
"While scholars have generally focused on the eighteenth century as a 'print culture,' this book examines a range of manuscript practices--from letter writing to note taking to recipe preparation to novel authorship--to show how handwritten texts remained central to the media environment"--

The eighteenth century has generally been understood as the Age of Print, when the new medium revolutionized the literary world and rendered manuscript culture obsolete. After Print, however, reveals that the story isn’t so simple. Manuscript remained a vital, effective, and even preferred forum for professional and amateur authors working across fields such as literature, science, politics, religion, and business through the Romantic period.

The contributors to this book offer a survey of the manuscript culture of the time, discussing handwritten culinary recipes, the poetry of John Keats, Benjamin Franklin’s letters about his electrical experiments, and more. Collectively, the essays demonstrate that what has often been seen as the amateur, feminine, and aristocratic world of handwritten exchange thrived despite the spread of the printed word. In so doing, they undermine the standard print-manuscript binary and advocate for a critical stance that better understands the important relationship between the media.

Bringing together work from literary scholars, librarians, and digital humanists, the diverse essays in After Print offer a new model for archival research, pulling from an exciting variety of fields to demonstrate that manuscript culture did not die out but, rather, may have been revitalized by the advent of printing.

Contributors: Leith Davis, Simon Fraser University * Margaret J. M. Ezell, Texas A&M University * Emily C. Friedman, Auburn University * Kathryn R. King, University of Montevallo * Michelle Levy, Simon Fraser University * Marissa Nicosia, Penn State Abington * Philip S. Palmer, Morgan Library and Museum * Colin T. Ramsey, Appalachian State University * Brian Rejack, Illinois State University * Beth Fowkes Tobin, University of Georgia * Andrew O. Winckles, Adrian College

Recenzijos

After Print makes an important contribution to our understanding of the use of manuscripts for literary and scientific purposes in the transatlantic Anglophone culture of the seventeenth and eighteenth centuries. The strength of this collection lies in its diversity of both subject matter and methodology, accomplishing Kings objective of opening an important and exciting field in eighteenth-century literary history and the history of the book. None of this has been done before.

Acknowledgments vii
Introduction: The Multimedia Eighteenth Century 1(26)
Part I Coteries, Communities, Collaborations: Manuscript Publication
"Pray for the Unworthy Scribbler": The Textual Cultures of Early Methodist Women
27(25)
Andrew O. Winckles
Collecting John Abbots Natural History Notes and Drawings
52(22)
Beth Fowkes Tobin
A "Female Accomplishment"? Femininity, Privacy, and Eighteenth-Century Letter-Writing Norms
74(21)
Rachael Scarborough King
Bookmaking and Archiving in Dorothy Wordsworth's Notebooks
95(28)
Michelle Levy
Part II The Manuscript-Print Interface
Paratextual Readers: Manuscript Verse in Printed Books of the Long Eighteenth Century
123(25)
Philip S. Palmer
Mediating the "Sudden & Surprising Revolution": Official Manuscript Newsletters and the Revolution of 1688
148(27)
Leith Davis
Manuscript, Print, and the Affective Turn: The Case of Frances Brookes The Old Maid
175(20)
Kathryn R. King
Becoming Dr. Franklin: Benjamin Franklins Science, Manuscript Circulation, and "Anti-Authorship" in Print
195(22)
Colin T. Ramsey
Part III New Methods for Manuscript Studies
Amateur Manuscript Fiction in the Archives: An Introduction
217(20)
Emily C. Friedman
The Language of Notation and the Space of Manuscript Notebooks
237(26)
Collin Jennings
The Circulation of John Keatss Letters on Land, on Sea, Online
263(22)
Brian Rejack
Cooking Hannah Woolley's Printed Recipes from a Manuscript Recipe Book: UPenn Ms. Codex 785
285(25)
Marissa Nicosia
Epilogue 310(11)
Margaret J. M. Ezell
Contributors 321(4)
Index 325
Rachael Scarborough King is Associate Professor of English at the University of California, Santa Barbara, and author of Writing to the World: Letters and the Origins of Modern Print Genres.