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Alexander Girards Imagined Worlds [Kietas viršelis]

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  • Formatas: Hardback, 368 pages, aukštis x plotis: 300x230 mm, 260 Illustrations, color
  • Išleidimo metai: 15-Oct-2025
  • Leidėjas: Hirmer Verlag
  • ISBN-10: 3777445371
  • ISBN-13: 9783777445373
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 368 pages, aukštis x plotis: 300x230 mm, 260 Illustrations, color
  • Išleidimo metai: 15-Oct-2025
  • Leidėjas: Hirmer Verlag
  • ISBN-10: 3777445371
  • ISBN-13: 9783777445373
Kitos knygos pagal šią temą:
Alexander Girards Imagined Worlds examines a modern design luminary whose collection of global folk art and vernacular forms informed his expansive design practice. The book focuses on the Museum of International Folk Art, its displays and archival collections, and Girards Santa Fe years, as a locus for the designer-collectors wide-ranging practices.

From his home and studio in Santa Fe, Alexander Girards work had international reach and profoundly impacted modern design. Lavishly illustrated, this book explores through thoughtful essays new facets of Girards design production and folk art collection, underscoring the inseparability of the two and culminating in his exhibition Multiple Visions: A Common Bond at the Museum of International Folk Art. By reflecting on selected displays, providing cultural context and highlighting artists and traditions, the publication offers new ways of approaching Girards legacy.

Published in conjunction with the long-term installation of Multiple Visions: A Common Bond, the Girard Wing, Museum of International Folk Art, Santa Fe. Multiple Visions: The folk art and toy collections of architect and designer Alexander Girard (19071993) including unpublished photographs of his final designed environment.

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Alexander Girards Imagined Worlds examines a modern design luminary whose collection of global folk art and vernacular forms informed his expansive design practice. The book focuses on the Museum of International Folk Art, its displays and archival collections, and Girards Santa Fe years, as a locus for the designer-collectors wide-ranging practices.
Monica Obniski is a curator and writer whose work engages social issues and is rooted in architecture and design history. She wrote her dissertation on Girard as a designer at UIC (Chicago).

Laura M. Addison is curator of North American & European collections at the Museum of International Folk Art, Santa Fe, where she works extensively with the Girard exhibition Multiple Visions.