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El. knyga: American Science Fiction Television and Space: Productions and (Re)configurations (1987-2021)

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-Mar-2023
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9783031105289
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  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-Mar-2023
  • Leidėjas: Palgrave Macmillan
  • Kalba: eng
  • ISBN-13: 9783031105289
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This collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured.  The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services.  The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of television since 1987, the year Star Trek: Next Generation began airing.
Part I Contested Habitation: Enclosed, Encoded, and Reordered Spaces
1(94)
1 Occupied Space: The Contested Habitation of Terok Nor/Deep Space Nine
5(16)
Ina Rae Hark
2 Welwala at the Borders: Language, Space, and Power in The Expanse
21(18)
Edward Sadrai
Michael Dando
Kyoko Kishimoto
Matt Barton
Sharon Cogdill
3 "You've Seen One Post-Apocalyptic City, You've Seen Them All": The Scales and Failures of the Right to the City and the Science Fiction Production of Space in Love, Death, & Robots
39(16)
Phevos Kallitsis
4 "Heaven is a Place on Earth"?: Configuring the Horizon of Queer Utopia in Black Mirror's "San Junipero"
55(16)
Orin Posner
5 SVOD: A Place for (Outer) Space?
71(24)
Andrew Lynch
Alexa Scarlata
Part II Mirroring Screens: Reflections, Refractions, and the "Real World"
95(68)
6 The Wars of Ronald D. Moore: Terrorism, Insurgency, and News Media in Deep Space Nine and Battlestar Galactica
97(22)
Ben Griffin
7 "To Ensure the Safety of the Republic, We Must Deregulate the Banks": A Social Democratic Reading of Star Wars: The Clone Wars
119(26)
Edward Guimont
8 Enclosing, Opening, and Redefining Modern Space in The Expanse
145(18)
Edward Royston
Part III Intersecting Media: Text, Television, and Streaming Services
163(62)
9 The Year Everything Changed: Babylon 2020
167(24)
Alex Christie
10 Disembodied Spaces and Cyborg Utopias in Westworld
191(18)
John Bruni
11 Memos from the Author: Adaptation of Flashforward for Television
209(16)
Ellen Forget
Part IV Transformed Communities: Technologies, Bodies, and Viewers
225(42)
12 Pushing Through Networks and Media Spaces in Stranger Things
227(24)
Nicholas Orlando
13 The Boys Keep Swinging: Celebrity Bodies in and Between Space
251(16)
Sean Redmond
Post Production: Screening Futures--From Scarlet to Ebon 267(10)
Index 277
Joel Hawkes is a Sessional Lecturer in English at the University of Victoria, Canada. Hawkes research is particularly interested in the practices and performances that create the physical and literary spaces we inhabit, and the ritual nature of these. Though primarily a modernist, his work is cross-period and interdisciplinary.  His modernist publications engage with spatial theory, and at present focus on the relatively unknown British modernist Mary Butts.  He has just finished editing Mary Buttss Collected Essays, which will be published by McPherson & Co. in 2021.  Alexander Christie is Assistant Professor of Digital Prototyping at Brock Universitys Centre for Digital Humanities. He has published internationally in a number of journals and collections, including Digital Humanities Quarterly, Social Knowledge Creation in the Humanities, and Reading Modernism with Machines. In addition to creating warped 3D maps ofliterary spaces (z-axis research), he is currently completing a book on modern manuscripts and humanities computing.











Tom is an instructor in English at Camosun College in Victoria, British Columbia.  His research has examined religiosity and the supernatural in twentieth-century American literature.  He is increasingly focused on science fiction storytelling, and in particular cyber punk narratives.