Acknowledgments |
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xi | |
Introduction |
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1 | (7) |
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1 Manuscript World, Print World, Digital World |
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8 | (43) |
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8 | (23) |
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1.1 Surfaces of Emergence |
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14 | (4) |
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1.2 Authorities of Delimitation |
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18 | (5) |
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1.3 Grids of Specification |
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23 | (8) |
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2 Case Study 1: ABC for Book Collectors versus A Dictionary of English Manuscript Terminology |
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31 | (6) |
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2.1 Manuscript Practices in a Print World |
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31 | (2) |
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2.2 Fear of Voiding or Fear of the Void |
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33 | (2) |
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2.3 Moldy Manuscript or Pristine Print |
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35 | (2) |
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3 Case Study 2: A World Without Whom versus Do I Make Myself Clear? |
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37 | (5) |
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3.1 Word of the Year: 2015 or 2016? |
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37 | (3) |
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3.2 Thinking to Type or Typing to Think? Typewriter versus Text Messages |
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40 | (2) |
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4 Case Study 3: The Written, Printed, and Digital Koran |
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42 | (8) |
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4.1 From Manuscript to Print |
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43 | (3) |
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4.2 From Print to Digital |
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46 | (1) |
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4.3 From Digital to Manuscript |
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47 | (3) |
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5 Consequences for Digitized Manuscripts |
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50 | (1) |
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2 The Digital Materiality of Digitized Manuscripts |
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51 | (22) |
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1 Stepping into the Digital World |
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51 | (5) |
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2 Larger Than Life Digitized Manuscripts |
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56 | (4) |
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3 The Intangible Aura of Material Manuscripts |
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60 | (4) |
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4 What Are Digitized Manuscripts? |
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64 | (5) |
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5 New Habits for Philologists in a Digital World |
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69 | (4) |
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3 Digitized Manuscripts and Their Repositories, an Ethnography |
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73 | (29) |
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1 Old Collections in Europe |
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74 | (2) |
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1.1 Staatsbibliothekzu Berlin |
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74 | (1) |
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1.2 Qatar Digital Library |
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74 | (1) |
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1.3 Leiden Universiteitsbibliotheek |
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75 | (1) |
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1.4 Bibliotheque nationale de France |
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75 | (1) |
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1.5 BibliotecaApostolicaVaticana |
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76 | (1) |
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2 New Collections in North America |
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76 | (3) |
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2.1 Caro Minasian Collection at the University of California, Los Angeles Library |
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76 | (1) |
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2.2 Beinecke Rare Book & Manuscript Library |
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77 | (1) |
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2.3 Princeton University Library |
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77 | (1) |
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2.4 University of Michigan Library |
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77 | (1) |
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2.5 Islamic Studies Library, McGill University |
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78 | (1) |
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3 Major Collections in the mena Region |
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79 | (2) |
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3.1 Suleymaniye Kutiiphanesi |
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79 | (1) |
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3.2 Topkapt Sarayi Miizesi Kutiiphanesi |
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79 | (1) |
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3.3 Ketdbkhana va muza-ye melli-ye Malek |
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80 | (1) |
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3.4 al-Maktaba al-wataniyya li-l-mamlaka al-maghribiyya |
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80 | (1) |
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80 | (1) |
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4 Notable Collections in Africa, the Levant, and Asia |
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81 | (3) |
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4.1 Jami'a al-nqjdh al-wataniyya |
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81 | (1) |
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82 | (1) |
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4.3 Aboubacar Bin Said Library and Mamma Haidara Library on vHMML |
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82 | (1) |
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4.4 MyManuskrip Malaya University |
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83 | (1) |
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4.5 Daiber Collection Database at the Institute of Oriental Culture, University of Tokyo |
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83 | (1) |
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5 A Grand Comparison of the Quality of Digital Surrogates |
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84 | (10) |
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84 | (1) |
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85 | (1) |
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85 | (2) |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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92 | (2) |
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94 | (1) |
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7 Difference between Professional and Amateur Photos |
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95 | (1) |
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8 The Future of Digital Manuscript Repositories |
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95 | (7) |
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4 Paleography: Between Erudition and Computation |
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102 | (30) |
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1 The Variety of Digital Paleographic Experience |
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102 | (15) |
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1.1 From Paper to Digital |
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103 | (2) |
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1.2 Born Digital, with A Hint of Print |
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105 | (2) |
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1.3 Traditional Work Done Better |
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107 | (10) |
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1.4 Towards Handwriting Recognition m |
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2 Rise and Fall of Team Projects Funded by Grants |
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117 | (6) |
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2.1 Archetypes across the DH Spectrum |
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121 | (2) |
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3 Drawing Ancient Symbols on a Tablet |
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123 | (9) |
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5 Philology: Standards for Digital Editing |
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132 | (43) |
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133 | (7) |
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140 | (5) |
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145 | (11) |
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4 Intermezzo: Using the Right Editing Tool |
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156 | (4) |
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4.1 You Need to Create a Small Critical Edition Solely for Print Purposes |
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156 | (1) |
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4.2 You Are Working with a Very Large Text from Which You Will Mine Specific Bits of Information |
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157 | (1) |
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4.3 You Have a Large Set of Separate Writings |
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157 | (1) |
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4.4 You Will Work Intensively with a Stable Text |
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158 | (1) |
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4.5 You Wish to Critically Edit a Text with Unusual Features or Multiple Manuscript Witnesses |
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158 | (1) |
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159 | (1) |
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160 | (7) |
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6 Archiving and Publishing |
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167 | (8) |
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6 Cataloging: From a Dusty Backroom to the World Wide Web |
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175 | (52) |
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1 Field Research Workflow: From a Dusty Backroom to My Computer |
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176 | (9) |
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2 Web Development: From My Computer to the World Wide Web |
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185 | (2) |
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187 | (6) |
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193 | (4) |
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197 | (2) |
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6 Interactivity: JavaScript |
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199 | (21) |
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7 Productivity: Code Editor and Code Repository |
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220 | (3) |
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8 Quantitative Analysis of the Collection |
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223 | (4) |
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7 Codicology: Automated Analysis Using Python and OpenCV |
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227 | (60) |
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229 | (2) |
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2 Description of Case Study |
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231 | (1) |
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232 | (3) |
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235 | (2) |
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5 Step 1: Extraction of Images |
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237 | (10) |
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6 Step 2: Analysis of an Image |
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247 | (24) |
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6.1 The Function Check_image_readable |
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249 | (2) |
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6.2 The Function Analyze_image |
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251 | (6) |
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6.3 The Function Displayjmage |
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257 | (6) |
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6.4 The Function Find_angle |
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263 | (4) |
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6.5 The Mathematics behind Finding the Angle |
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267 | (4) |
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7 Step 3: Running the Script over Large Numbers |
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271 | (11) |
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282 | (5) |
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287 | (5) |
Postscript. Among Digitized Manuscripts |
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292 | (19) |
Bibliography |
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311 | (14) |
Index of Persons |
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325 | (4) |
Index of Subjects |
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329 | |