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El. knyga: Angel Song: Medieval English Music in History

4.00/5 (2 ratings by Goodreads)
  • Formatas: 202 pages
  • Išleidimo metai: 08-Dec-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317181149
Kitos knygos pagal šią temą:
Angel Song: Medieval English Music in HistoryDidesnis paveikslėlis
  • Formatas: 202 pages
  • Išleidimo metai: 08-Dec-2016
  • Leidėjas: Routledge
  • Kalba: eng
  • ISBN-13: 9781317181149
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Although medieval English music has been relatively neglected in comparison with the repertoire from France and Italy, there are few musicians who have not heard of the achievements of composer John Dunstaple, or who have not listened to the thirteenth-century song ’Sumer is icumen in’. Similarly, the effects of the contenance angloise on continental composers such as Guillaume Dufay have been described in the standard narratives of music history. Yet, although many sources of early English music have been discovered over the past century, they remain largely unknown to a broader audience, and have made little impact on the how the history of English music is told. Angel Song: Medieval English Music in History re-examines well-known and lesser-known pieces, exploring their earliest manuscript sources and tracing their reception in the nineteenth and twentieth centuries. Colton reappraises the role of historians in crafting the history of English music between 1200 and 1450, examining their agenda, and suggesting new ways to understand the repertoire and its cultural context.

Recenzijos

"Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Coltons research is meticulous and she makes interpretive arguments clearly and persuasively" - James Maiello, NABMSBA journal

"A masterful account of the medieval history of English music" - James Cook, Music and Letters, 2017

"Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture" - Samantha Blickhan, Early Music, 2018

"Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be" - Samantha Blickhan, Early Music, 2018

"Angel song constitue ą la fois un bilan historiographique précieux et un enrichissement du regard porté sur la musique anglaise débarrassé des questions nationalistes passées."

Hugo Perina, Sehepunkte, 2021

List of figures
vii
List of tables and musical examples
viii
Acknowledgements ix
Introduction: `Merrie England', cultural memory and the writing of English musical history 1(12)
1 `The greatest musical curiosity extant': `Sumer is icumen in' and the canon of English music
13(26)
2 Anglicus angelicus: Was English music political?
39(26)
3 Authorship, musicianship and value in medieval English history
65(20)
4 Who was John Dunstaple?
85(32)
5 The idea of English music: Identity, ethnicity and musical style
117(16)
6 Contenance angloise: A reappraisal
133(16)
Epilogue 149(4)
Appendix A John Dunstaple and other relevant people in historical records 153(10)
Appendix B Hertfordshire Record Office MS 44505 163(6)
Appendix C Property owned by John Dunstaple and his heirs 169(2)
Bibliography 171(16)
Index 187
Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Coltons publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).
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