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El. knyga: Anonymous Sounds: Library Music and Screen Cultures in the 1960s and 1970s

Edited by , Edited by (Northumbria University, UK), Edited by (University of Liverpool, UK)
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"This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s. Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. This book addresses questions about creativity, authorship and agency: How and in what conditions were library music tracks written, recorded and disseminated? Why has anonymity traditionally been such an important aspect of library music? How can we interpret the contemporary revival of library music and the phono-archaeological practices of collectors, reissue record labels, musicians and DJs?"--

This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s.

Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. The book pays attention to the different individuals, groups, organisations and institutions involved in making library music, as well as to its transnational sites of production (from continental recording studios to regional cutting rooms). It addresses questions of distributed creativity, collective authorship, and agency.

Combining empirical and theoretical research, the book unveils the modus operandi of a highly secretive yet enduringly significant cultural industry. By drawing attention to the cultural ubiquity and intersectionality of library music, the collection also shifts emphasis from individual film and TV composers to the invisible community of music publishers, writers, and session musicians. It argues that the latter were collectively responsible for fashioning much of the sonic identity of 1960s and 1970s film and television. As well as providing a nuanced understanding of historical library music cultures, the collection shows how they continue to inform contemporary audiovisual cultures.

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