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El. knyga: Anthropology of Contemporary Art: Practices, Markets, and Collectors

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  • Formatas: 272 pages
  • Išleidimo metai: 15-May-2020
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781000181128
Kitos knygos pagal šią temą:
  • Formatas: 272 pages
  • Išleidimo metai: 15-May-2020
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781000181128
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Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.

Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.

With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

Recenzijos

"This collection, itself impressively curated by its editors, is the best source yet on how 'amateurs', which ethnographers of any topic most cogently are, bypass professionals and experts, and provide the most profound and ironic insights on high status but suspect arenas of valuing objects. Especially strong are views of how value and collectibility are created in nontangible works. The volume captures well the surreal quality of creating value and desire in Images, objects, and performances. - George Marcus, University of California, USA

This is cutting edge anthropology about cutting edge art, across the globe. Thomas Fillitz and Paul van der Grijp have edited a remarkably rich and vigorous volume. - Helena Wulff, Stockholm University, Sweden

From post-relational anthropology of art to booming art markets and new kinds of museums, this exciting collection confronts the umbrella construct of a Global North and South through the exploding biennial phenomenon and the promoting of what was once an artworld periphery to a centerless image industry. - Sidney Kasfir, Emory University, USA

This volume charts new territories, asking new questions and initiating dialogue with the neighbouring fields of the philosophy and theory of art. - Wilfried van Damme, Leiden University, The Netherlands"

Daugiau informacijos

The first book to use ethnographic methods to examine the individuals and institutions that constitute the global art market.
List of Illustrations
vii
Contributors ix
Acknowledgments xii
Notes on Texts xiii
Introduction 1(22)
Paul van der Grijp
Thomas Fillitz
PART ONE Image and Medium
23(34)
1.1 The Making of Images
25(16)
Philippe Descola
1.2 To Swallow or to get Swallowed, this is the Question: On Viewing, Viewers, and Frames in the Context of "New" Images
41(16)
Paolo S. H. Favero
PART TWO World Art Studies and Global Art
57(46)
2.1 The Design of Pictorial Ontologies: From Unstitched Imaginaries to Stitched Images
59(15)
Leyla Belkaid-Neri
2.2 How Global Art Came to Istanbul: The Context of the Istanbul Bienal
74(13)
Danila Mayer
2.3 Concepts of "Art World" and the Particularity of the Biennale of Dakar
87(16)
Thomas Fillitz
PART THREE Art Markets, Maecenas, and Collectors
103(58)
3.1 Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy
105(15)
Stuart Plattner
3.2 Brazil's Booming Art Market: Calculations, Images, and the Promotion of a Market of Contemporary Art
120(10)
Dayana Zdebsky de Cordova
3.3 Awkward Art and Difficult Heritage: Nazi Collectors and Postcolonial Archives
130(16)
Jonas Tinius
3.4 Collecting Art in Asia and the Pacific
146(15)
Paul van der Grijp
PART FOUR Participatory Art and Collaboration
161(50)
4.1 Trespassing Borders: Encounters and Resistances in Performance Art
163(16)
Alicja Khatchikian
4.2 Contemporary Art in the Global South: Occupation // Participation // Knowledge
179(17)
Alex Flynn
4.3 The Idle Goddess: Notes about Post-Relational Anthropology and Art
196(15)
Roger Sansi
Notes 211(12)
References 223(23)
Index 246
Thomas Fillitz is Professor of Social and Cultural Anthropology, University of Vienna, Austria.Paul van der Grijp is Professor of Social Anthropology, Université Lumičre Lyon-2, France.