Atnaujinkite slapukų nuostatas

El. knyga: Apes and Monkeys on the Early Modern Stage, 1603-1659

Kitos knygos pagal šią temą:
Apes and Monkeys on the Early Modern Stage, 1603-1659Didesnis paveikslėlis
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

This book is the first full-length study of apes and monkeys on the early modern stage. It broadens the scope of existing scholarship by situating the apes glimpsed in Shakespeare’s plays in the wider context of the many uncelebrated uses by other playwrights, c. 1603-1659. The book investigates the theatrical appearances of real monkeys, actors dressed up as apes, and characters mistaken for them, arguing that the ape trope is so insistent in early modern drama that it becomes a structural metaphor. It addresses both plays and masques across the period, arguing that the ways of seeing in these different kinds of theatre make apes mean differently in their generic contexts. Grounded in historicist readings, this book also draws significantly on the field of ritual studies and the new intersectional discipline of animal performance studies. 

1. The Renaissance Animal: Critics and Contexts.- 2. The Renaissance
Monkey.- 3. Somewhat Like A Man: Apes, Boy Players, Women.- 4. Vir-tue:
Being a Man.- 5. Bacons Antimasquing Baboons.- 6. The Memorable Masque,
1613.- 7. Beaumont and Fletcher (with Shakespeare).- 8. Apes, Indigeneity and
the Early Modern Travel Narrative.- 9. A Brace of Court Apes: James Shirleys
Masques.- 10. Sir William and His Apes: Davenant, monkeys and the staging
of disorder.- 11. The End of the Antique Measures.



 
Teresa Grant is Director of the Centre for the Study of the Renaissance and Associate Professor in Renaissance Theatre in the department of English and Comparative Literary Studies at the University of Warwick, UK. With primary research interests in early modern theatre, she also publishes more widely on Renaissance culture and on the history of the book. She is a general editor of The Complete Works of James Shirley (2022-).  
Daugiau apie elektronines knygas Daugiau apie elektronines knygas
Pastovi nuoroda: https://www.kriso.lt/db/97830315398796e.html