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Apocalyptic Rhetoric and the Black Protest Movement: William Monroe Trotters Civil Rights Activism in Early Twentieth-Century Boston [Kietas viršelis]

  • Formatas: Hardback, 228 pages, aukštis x plotis x storis: 236x158x21 mm, weight: 549 g, 14 BW Photos
  • Išleidimo metai: 06-Dec-2023
  • Leidėjas: Lexington Books/Fortress Academic
  • ISBN-10: 1666943614
  • ISBN-13: 9781666943610
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 228 pages, aukštis x plotis x storis: 236x158x21 mm, weight: 549 g, 14 BW Photos
  • Išleidimo metai: 06-Dec-2023
  • Leidėjas: Lexington Books/Fortress Academic
  • ISBN-10: 1666943614
  • ISBN-13: 9781666943610
Kitos knygos pagal šią temą:
"In Apocalyptic Rhetoric and the Black Protest Movement, the author argues that the Black civil rights moment in early twentieth-century Boston drew on radical millenarian beliefs and visions of Armageddon to mobilize African Americans to undertake political protest to resist racial oppression and violence"--

"Apocalyptic Rhetoric and the Black Protest Movement offers a challenging new formulation of African American religious culture by asserting that African American Christianity produced a militant millennialist movement that invoked the apocalypse, the kingdom of God, and the end of the world to compel Black people to oppose racial injustice in the early twentieth century. In this account of the Black civil rights movement in Boston in the early twentieth century, Aaron Pride argues that the apocalyptic rhetoric and millennial imagery disseminated from the Boston Guardian by William Monroe Trotter cast Booker T. Washington and other opponents of Black protest as false prophets, biblical villains, and harbingers of the end times. By placing Black Christianity at the center of Black civil rights activism in the early twentieth century, this book provides a seminal interpretation of the emancipatory capacity of religion as cultural and intellectual force in social and political movements. This book will be of interest to scholars of cultural history, Black studies, and the history of religion."--

Apocalyptic Rhetoric and the Black Protest Movement offers a challenging new formulation of African American religious culture by asserting that African American Christianity produced a militant millennialist movement that invoked the apocalypse, the kingdom of God, and the end of the world to compel Black people to oppose racial injustice in the early twentieth century. In this account of the Black civil rights movement in Boston in the early twentieth century, Aaron Pride argues that the apocalyptic rhetoric and millennial imagery disseminated from the Boston Guardian by William Monroe Trotter cast Booker T. Washington and other opponents of Black protest as false prophets, biblical villains, and harbingers of the end times. By placing Black Christianity at the center of Black civil rights activism in the early twentieth century, this book provides a seminal interpretation of the emancipatory capacity of religion as cultural and intellectual force in social and political movements. This book will be of interest to scholars of cultural history, Black studies, and the history of religion.



In Apocalyptic Rhetoric and the Black Protest Movement, the author argues that the Black civil rights moment in early twentieth-century Boston drew on radical millenarian beliefs and visions of Armageddon to mobilize African Americans to undertake political protest to resist racial oppression and violence.

Chapter 1: The Apocalypse arrives in Black Boston: Booker T.
Washingtons Rise in Jim Crow America

Chapter 2: The Ecclesiastical Tyranny of Mammon: The Dystopia of the Black
Ministry and the Tuskegee Machine

Chapter 3: The Modern Moses of Mammon in the Black Apocalyptic Imagination

Chapter 4: Converting to the Cause: The Boston Riot and the Niagara Movement


Chapter 5: Prophetesses of the End Times: Black Women and the Iconography of
the Apocalypse

Chapter 6: At Freedoms End: World War I and the Quest for World Democracy

Chapter 7: We Shall Never Bend the Knee to Baal: The Reckoning with White
Christendom.

Chapter 8: The Handwriting on the Wall: The Wrath of the Hand of God

Conclusion: Thy Kingdom Come
Aaron Pride is assistant professor of Africana studies at Lafayette College.