Getting Started |
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1 | (10) |
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Make Music with Logic Now! |
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11 | (48) |
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12 | (3) |
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15 | (3) |
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Starting a Project with Apple Loops |
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18 | (5) |
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23 | (6) |
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29 | (15) |
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44 | (9) |
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53 | (3) |
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56 | (3) |
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59 | (42) |
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Setting Up Digital Audio Recording |
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60 | (4) |
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64 | (11) |
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Recording Additional Takes |
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75 | (4) |
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Recording Multiple Tracks |
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79 | (6) |
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85 | (8) |
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Changing Recording and Metronome Settings |
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93 | (5) |
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98 | (3) |
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101 | (40) |
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102 | (8) |
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110 | (3) |
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Editing Audio Regions in the Arrange Area |
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113 | (8) |
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Deleting Unused Audio Files |
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121 | (3) |
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Quantizing an Audio Drum Recording |
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124 | (4) |
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Manipulating the Waveform with the Flex Tool |
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128 | (3) |
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Editing Audio Destructively in the Sample Editor |
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131 | (7) |
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138 | (3) |
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141 | (28) |
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142 | (4) |
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Quantizing MIDI Recordings |
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146 | (2) |
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Merging Recordings into a MIDI Region |
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148 | (8) |
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156 | (2) |
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158 | (2) |
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Using Step Input Recording |
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160 | (5) |
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Filtering Incoming MIDI Events |
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165 | (2) |
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167 | (2) |
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Programming and Editing MIDI |
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169 | (44) |
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Programming in the Piano Roll Editor |
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170 | (8) |
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178 | (3) |
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181 | (6) |
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Editing Notes with a MIDI Keyboard |
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187 | (3) |
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Editing Note Velocity Using Hyper Draw |
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190 | (3) |
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Editing MIDI Continuous Controller Events |
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193 | (12) |
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Editing in the Event List |
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205 | (5) |
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210 | (3) |
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213 | (40) |
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Programming a Drum Pattern in Ultrabeat |
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214 | (15) |
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Changing the Groove in the MIDI Editors |
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229 | (8) |
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Creating a Snare Roll Using the Hyper Editor |
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237 | (9) |
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Converting a MIDI Sequence into an Audio Region |
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246 | (2) |
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Converting an Audio Region into a Sampler Instrument Track |
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248 | (3) |
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251 | (2) |
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Manipulating Tempo and Time Stretching |
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253 | (32) |
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Matching the Project Tempo to an Audio Region's Tempo |
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254 | (3) |
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257 | (5) |
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Inserting Tempo Changes and Curves |
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262 | (4) |
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266 | (3) |
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Change the Playback Pitch and Speed with Varispeed |
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269 | (3) |
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Time Stretching and Tempo Matching with Flex Time Editing |
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272 | (7) |
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Creating a Turntable or Tape Slowdown Effect |
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279 | (3) |
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282 | (3) |
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Arranging and Preparing for the Mix |
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285 | (44) |
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286 | (3) |
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Using Existing Material to Fill In Parts |
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289 | (19) |
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Adding and Deleting Sections |
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308 | (4) |
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312 | (3) |
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Cleaning Up Noisy Recordings |
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315 | (11) |
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326 | (3) |
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329 | (50) |
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330 | (1) |
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330 | (9) |
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339 | (5) |
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344 | (7) |
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351 | (4) |
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355 | (6) |
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Using Delay and Reverberation |
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361 | (6) |
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Using Dynamic Processing Plug-ins |
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367 | (8) |
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375 | (1) |
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376 | (3) |
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Automating the Mix and Using Control Surfaces |
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379 | (30) |
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Creating and Editing Offline Automation |
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380 | (12) |
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Recording Live Automation |
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392 | (9) |
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401 | (4) |
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405 | (2) |
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407 | (2) |
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Troubleshooting and Optimization |
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409 | (40) |
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410 | (12) |
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Solving Audio and MIDI Routing Problems |
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422 | (11) |
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Optimizing Hardware Performance |
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433 | (7) |
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Addressing Unexpected Behaviors |
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440 | (3) |
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443 | (6) |
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Appendix A Using External MIDI Devices |
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449 | (12) |
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Configuring MIDI Hardware |
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450 | (11) |
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Appendix B Keyboard Shortcuts (U.S. Preset) |
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461 | (8) |
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461 | (1) |
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462 | (1) |
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462 | (1) |
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Channel Strip, Track, and Region Operations |
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463 | (2) |
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465 | (1) |
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466 | (1) |
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467 | (2) |
Glossary |
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469 | (16) |
Index |
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485 | |