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El. knyga: Applied Theatre and Sexual Health Communication: Apertures of Possibility

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This book analyses the partnership between applied theatre and sexual health communication in a theatre-making project in Nyanga, a township in South Africa. By examining the bridges and schisms between the two fields as they come together in the project, an alternative way of approaching sexual health communication is advocated. This alternative considers what it is that applied theatre does, and could become, in this context. Moments of value which lie around the margins of the practice emerge as opportunities that can be overlooked. These somewhat ephemeral, intangible moments, which appear on the edges, are described as ‘apertures of possibility’ and occur when one takes a step back and realises something unnoticed in the moment. This book offers an invitation to pause and notice the seemingly insignificant moments that often occurs tangentially to the practice. The book also calls for more outcry about sexual health and sexual violence, arguing for theatre-making as a route to multitudes of voices, nuanced understandings, and diverse spaces in which discussions of sexuality and sexual health are shared, felt, and experienced.


Recenzijos

Katherine Lows Applied Theatre and Sexual Health Communication: Apertures of Possibility delivers a thoroughly researched, theoretically grounded critique of arts-based public health programs. The book would be useful for applied theatre scholars and arts-based researchers. In an age when communication moves quickly, Lows book invites theatre-makers to slow down and think critically about the spaces they create through their practice and the small moments of possibility in their work. (Hannah Fazio, Theatre Topics, Vol. 32 (1), March, 2022) I was moved by this well researched and detailed read about the ongoing struggles in one of the worlds newest democracies. I too want to reiterate that this book is a necessary contribution to the ongoing discussion around the need of more voices and more discussions on how to apply theatre to create social change. And, like Thompson, I want to add my voice to commend Low for articulating the complexity of the work of an AT practitioner. (Matthew Hahn, Journal of Applied Arts & Health, Vol. 13 (2), 2022)

Introduction 1(28)
The Development and Practice of the OPOS Project
8(2)
My Professional Practice: Overview
10(2)
Contentious and Dangerous: The Difficulty of Talking Openly About Sexual Health
12(2)
The Moral Pitfalls of Effectiveness: The Impact Question
14(2)
Disrupting Notions of Value: A Responsive, Conscious Research Approach
16(3)
How to Read the Book: A Subtle Something in Practice
19(4)
References
23(6)
Part I Context
29(106)
Chapter 1 HIV/AIDS and the Challenge for Socially Engaged Theatre-Making
31(46)
Sexual Health
33(3)
The Global HIV Context with a Specific Focus on the South African Situation
36(3)
Past Interventions
39(5)
The Potential of Social Communication Around HIV
44(3)
Applied Theatre: Theatre and the Social
47(5)
More Than Transformation: Identifying the Something
52(5)
Justification Anxiety
57(3)
Reclaiming and Naming Our Own Values: Apertures of Possibility
60(5)
References
65(12)
Chapter 2 The Context for Our Place, Our Stage
77(58)
A Lack of Governance: Challenges Facing South Africa Today
79(3)
Impact on Health and Poverty
82(4)
Crime and Security
86(3)
South African Theatre
89(9)
Nyanga
98(8)
Welcome to Nyanga
98(3)
Nyanga: A `Model' Township?
101(5)
Etafeni
106(8)
Entering Etafeni
106(2)
Etafeni: `At the Open Space'
108(2)
Our Place, Our Stage (OPOS)
110(4)
`I was so scared when he told me I had a cold vagina': The Impact of the Omnipresent Fear of Crime and Experiences of Crime
114(8)
References
122(13)
Part II Practice
135(130)
Chapter 3 Applied Theatre: A Space `Safe Enough' to Take Risks?
137(44)
Sex Is Always About Space: The Challenge of Making the Idea of Safe Sex Tangible
140(4)
Place: Not Necessarily a `Safe Space'
144(13)
Home Is Not a `Safe Space'
152(5)
Moving from Places of Safety to Spaces of Resistance
157(2)
Disharmony: The Outside Space
159(7)
Tangible Connections in the Representational Spaces
166(10)
The First Exercise Sequence
167(2)
The Second Exercise Sequence
169(7)
References
176(5)
Chapter 4 `If You Want to Be Safe, You Must Stay at Home': Dialogical Spaces and Repressive Outcomes
181(40)
Brenda and Javas: Risky Characterisations
184(4)
The Impact of Playful Risk-Taking
188(2)
Setting Up a Dialogical Space: A `Risk-Sharing' Community?
190(7)
Contagion and Discipline = A Means of Protection?
197(3)
A Moral Tale or an Extension of Contagion?
200(3)
Tactical Action: An Alternative Outcome
203(6)
The Nudge: The Challenge to Me as an Applied Theatre Practitioner
209(7)
References
216(5)
Chapter 5 Apertures of Possibility: A Subtle Form of Resistance?
221(44)
Something More Subtle Than Empowerment?
226(4)
Affective, Circulating Emotions
230(3)
Performing Moments of Hope
233(6)
Scrutinising Moments of Hope
239(6)
Visceral Responses
245(10)
Postscript to the Projects
255(5)
References
260(5)
Conclusion
265(10)
Making Spaces Towards Conclusions
265(4)
Questions of Value
269(1)
A Point on Hope and Tactics
270(2)
Postscript: Looking Forward and Revelling in a Shared, Felt History
272(1)
References
273(2)
Glossary 275(2)
References 277(34)
Index 311
Dr. Katharine E. Low is a practitioner and researcher in socially engaged theatre making and sexual health communication. Her work and research focuses on the intersections of health, labour and care in applied practice, and motherhood and academia. Katharine has written about her practice research in a number of journals and co-edited Applied Theatre: Performing Health and Wellbeing for Methuen Bloomsbury (2017). She is a Senior Lecturer in Applied Theatre and Community Performance at the Royal Central School of Speech and Drama.