What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernitys anxiety-inducing realities? Studies on the 19th to mid-20th centurys transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for translocal/transnational cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.
Recenzijos
This volume offers a series of fascinating case studies that explores the performance of popular culture in different genres across the Arab world during a time of great change. Grounded in some exciting source material, it raises the curtain on popular entertainment that ranges from its local specific and subversive dimension to its wider regional importance as part of the Arab nahda. -- Anthony Gorman * Senior Lecturer in Modern Middle Eastern History, University of Edinburgh, UK * Auji, Cormack and Mahmoud succeed in curating a groundbreaking contribution to Nahdah studies. Commuting between canonical and lesser-known texts and authors, Arab Nahda as Popular Entertainment originally considers the intersection of textuality and print culture with the materiality of popular culture. Dwelling in the seams between the anxieties and stabilizations of modern Arab national subjectivities. This collection rewards us with powerful new insights into the centrality of staging, performance, and negotiating gender and class positionalities within the Arab Nahda. * Stephen Sheehi, Professor, William and Mary , USA * By focusing on the production and reception of popular culture --theater, cabaret, music, film and performance-- from Iraq to North Africa, The Arab Nahda as Popular Entertainment marks a groundbreaking and refreshing new approach to the study of the Nahda from a transnational and interdisciplinary perspective. By turns erudite, thought-provoking and entertaining, the essays in this important new volume are essential reading for scholars and students of the global cultural histories of modernity. * Samah Selim, Professor, Rutgers University, USA *
Daugiau informacijos
This book asks: what does the Arab nahda (renaissance) look like, viewed from the perspective of popular culture and ordinary people?
Introduction by Hala Auji, Raphael Cormack, and Alaaeldin Mahmoud
Part I: Leisure and Morality
1. Proper Fun? Struggles over Popular Entertainment in Ottoman Damascus
(1875-1914), Till Grallert (Humboldt-Universität zu Berlin, Germany)
2. Immoral Enlightenment: Media and Moral Anxiety in Late Nahda, Walid El
Khachab (York University, Canada)
3. Nocturnal Baghdad: Nightclubs and Popular Entertainment, Pelle Valentin
Olsen (University of Chicago, USA)
Part II: Performance and Spectacle
4. Female Performers in Beirut (1900-1930s): Agents and Metaphors of Social
Change, Diana Abbani (EUME-CNMS Fellow of the Alexander von Humboldt
Foundation, Germany)
5. Andalusi Music as Cultural Renaissance in 20th-Century North Africa,
Elizabeth Matsushita (Claremont McKenna College, USA )
6. On the Road: Sulayman al-Qardahi and the Travelling Theatrical Troupes of
the Nahda, Raphael Cormack (Durham University, UK)
Part III: Media and The Imaginary
7. Incredible Prints: The Intersection of Knowledge and Entertainment in
Journal Illustrations, Hala Auji (Virginia Commonwealth University in
Richmond, USA)
8. Egyptomaniac Egyptians? Ancient Egypt in the Popular Literary Imaginary in
Twentieth Century Egypt, Alaaeldin Mahmoud (American University of the Middle
East, Kuwait)
9. The Early Egyptian Film Industry and the Formation of Nationality:
Studying Muhammad Karims Zaynab as a Vision of Modern Standards, Thana
al-Shakhs (American University of the Middle East, Kuwait)
Hala Auji is Associate Professor of art history and the Hamad bin Khalifa Endowed Chair for Islamic Art in the Department of Art History at the School of the Arts, Virginia Commonwealth University in Richmond, Virginia, USA. She is the author of Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (2016). Auji received her PhD in Art History from Binghamton University, the State University of New York.
Raphael Cormack is Assistant Professor of Arabic at the Durham University, UK. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypts Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo.
Alaaeldin Mahmoud is Assistant Professor of English in the Liberal Arts Department at the American University of the Middle East in Kuwait. He is a former Fulbright visiting Scholar at Ohio State University. He is an established translator who translated books of travel writing, fiction, and literary studies, notably his translation of Other Renaissances: A New Approach to World Literature (Kuwait, 2014). His latest book Nusus Abd Allah al-Nadim (The Texts of Abd Allah al-Nadim) was published in two volumes: al-Diwan al-Shiri (The Complete Collected Poems), and al-Athar al-Nathriya al-Kamila (Complete Works in Prose) (Cairo, 2020).
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