Preface |
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xi | |
Acknowledgments |
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xv | |
Note on Dates, Translations, Transliterations, and Names |
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xvii | |
Introduction |
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1 | (24) |
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6 | (6) |
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Classical Arabic Literary Theory |
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12 | (13) |
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Poetic Criticism and Badi |
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13 | (3) |
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Aristotelian Arabic Poetics |
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16 | (2) |
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Eloquence and Bayan (Elucidation) |
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18 | (1) |
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19 | (1) |
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Al-Jurjani and the Science of Eloquence (Balagha) |
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19 | (3) |
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22 | (3) |
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25 | (50) |
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I The Old School of Literary Criticism |
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30 | (14) |
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Naturalness and Artificiality |
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31 | (3) |
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The Fundaments of Poetry (Amud al-shi'r) |
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34 | (1) |
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35 | (7) |
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Early Defenses of the New Style |
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42 | (2) |
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II The New School of Criticism |
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44 | (29) |
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45 | (8) |
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The Aesthetics of Make-Believe |
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53 | (5) |
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58 | (5) |
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63 | (10) |
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73 | (2) |
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2 Wonder in Aristotelian Arabic Poetics |
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75 | (60) |
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78 | (3) |
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Al-Farabi: The Beginnings |
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81 | (7) |
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Ibn Sina: A New Conception of the Poetic |
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88 | (13) |
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89 | (3) |
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92 | (1) |
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93 | (4) |
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The Ways of Producing Takhyil: Muhakat and Badi' |
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97 | (4) |
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Ibn Rushd and the Poetics of Alteration |
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101 | (10) |
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101 | (7) |
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Why Is Alteration Poetic? |
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108 | (1) |
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108 | (2) |
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The Relationship between Muhakat and Taghyir (Alteration) |
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110 | (1) |
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Al-Qartajanni: Strange-Making and Reception |
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111 | (13) |
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Primary and Secondary Takhyil |
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112 | (2) |
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114 | (5) |
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The Arts of "Strange-Making" |
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119 | (3) |
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Believability and Reception |
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122 | (2) |
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AJ-Sijilmasi: Truth-Falsehood Revisited |
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124 | (8) |
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126 | (2) |
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Return to the Truth-Falsehood Debate? |
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128 | (4) |
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132 | (3) |
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135 | (36) |
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138 | (2) |
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Al-Jurjani and the Wonders of Discovery |
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140 | (12) |
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141 | (3) |
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144 | (1) |
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144 | (3) |
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147 | (5) |
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Simile and the Science of Bayan |
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152 | (18) |
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The Purpose of Simile: Discovery and Novelty |
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153 | (3) |
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156 | (14) |
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170 | (1) |
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4 Metaphor and the Aesthetics of the Sign |
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171 | (32) |
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Abd al-Qahir al-Jurjani and the Eloquence of the Word |
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172 | (13) |
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Metaphor, Figurative Speech, and Metonymy |
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174 | (2) |
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Simile, Analogy, and Metaphorical Analogy |
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176 | (3) |
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Indirect Signification and Eloquence |
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179 | (1) |
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What Makes One Metaphor Better than Another? |
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180 | (5) |
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`Ilm al-Bayan (The Science of Elucidation) |
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185 | (16) |
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Definition of the Science of Elucidation (`Ilm al-Bayan) |
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185 | (1) |
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Signification and Deduction |
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186 | (3) |
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`Ilm al-Bayan and Eloquence |
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189 | (3) |
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192 | (8) |
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Simile as Indirect Signification? |
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200 | (1) |
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201 | (2) |
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5 Nazm, Wonder, and the Inimitability of the Quran |
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203 | (49) |
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203 | (3) |
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206 | (4) |
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210 | (2) |
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212 | (21) |
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213 | (2) |
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215 | (2) |
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The Meanings of Syntax vs. the Meaning of Meaning |
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217 | (2) |
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Sentence Construction (Nazm) and Eloquence |
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219 | (13) |
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232 | (1) |
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233 | (15) |
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The Science of Meanings (`Ilm al-Ma'ani) |
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233 | (4) |
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The New Conceptualization of Nazm |
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237 | (2) |
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239 | (7) |
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The Science of Meanings and Eloquence |
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246 | (2) |
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248 | (4) |
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Epilogue: Fasaha, Balagha, and Poetic Beauty |
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252 | (5) |
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257 | (8) |
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260 | (1) |
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261 | (1) |
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262 | (1) |
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263 | (2) |
Bibliography |
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265 | (18) |
Index |
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283 | |