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El. knyga: Archaeology of Colonisation: From Aesthetics to Biopolitics

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This book rethinks the history of colonisation by focusing on the formation of the European aesthetic ideas of indigeneity and blackness in the Caribbean, and how these ideas were deployed as markers of biopolitical governance. Using Foucault's philosophical archaeology as method, this work argues that the European formation of indigeneity and blackness was based on aesthetically casting Aboriginal and African peoples in the Caribbean as monsters yet with a similar degree of Western civilisation and 'culture'. By focusing on the aesthetics of the first racial imageries that produced indigeneity and blackness this work takes a radical departure from the current Social Darwinian theorisations of race and racism. It reveals a new connection between the global origins of colonisation and local post-Enlightenment histories.

Recenzijos

This book offers an innovative and exciting extension of postcolonial analysis, ranging from aesthetics to biopolitics and demonstrating the continued applicability and range of postcolonial theory. In particular, the use of biopolitics to examine colonialisms continued legacy of racial inequality is illuminating. -- Bill Ashcroft, Emeritus Professor, School of English, Media and Performing Arts, University of New South Wales

List of Figures
ix
Acknowledgements xi
Disclaimer xiii
1 Introduction: Archaeology of Colonisation
1(18)
Part 1 Origins: Colonial Aesthetics (The Caribbean)
19(70)
2 Aesthetics of Ugliness
23(16)
3 Monstrous Anthropology
39(22)
4 Blackness
61(28)
Part 2 Command (Queensland, Australia)
89(84)
5 Biopolitics in Colonisation: The Inequality of Human Races
91(18)
6 The Blanket Approach: Colonisation in Queensland, Australia
109(26)
7 State of Exception in Australia
135(18)
8 Conclusion: Colonisation
153(20)
References 173(6)
Index 179(8)
About the Author 187
Carlos Rivera-Santana is a Research Associate at the Center for Puerto Rican Studies, Hunter College, City University of New York
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