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El. knyga: Architecture in the Age of Mediatizing Technologies

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"This book offers a unique perspective on contemporary architecture, exploring its position in mediatization through technological apparatuses. It introduces the novel concept of apparatus-centricity and mediatization of architecture, which has significant disciplinary ramifications. The book's narrative traces the development of architecture from the modernist era to the present digital age, highlighting technological development, aestheticizing technologies, and theoretical changes. It focuses on how architecture incorporates and becomes a significant part of media technologies and virtualization, positioning itself as a crucial part of today's cognitive dispositive. The book reflects on the concept of dispositive (dispositif) for architecture and investigates the interactions between architecture and media through seminal examples from architecture, music, and media studies. The book explores how architecture is reshaped and influenced by theory and practice in media, ultimately serving as a cognitiveagent. It underscores that architecture significantly influences our image-driven affective world through its apparatus-centric approach to conception, design, production, and mediatization. This book offers a unique perspective on the position of architecture in mediatization for researchers and advanced students in design, theory, and history. It also provides a valuable resource for cultural and media studies into the interdisciplinary impact of architecture in a mediatized culture at large"--

This book offers a novel perspective on contemporary architecture, exploring its position in mediatization, attained through technological apparatuses. It introduces the novel concepts of apparatus-centricity and mediatization of architecture, which have significant disciplinary and cultural ramifications.

Highlighting key technological and theoretical developments, the book’s narrative traces the transformation of architecture from the modernist era to the present, digital age. En route, it reflects on how architecture becomes a crucial element of shifting dispositives through its confluence with technologies of aestheticization and virtualization, and by emblematizing ecological ideals. It also illuminates the reconfiguring of architectural practice through examining surprising interactions and analogies between architecture and music, whose developments in notation and codification continually change the relationship between composer and performer. The book explores how architecture is reshaped by broader theory and practice in media and ultimately serves as a cognitive agent. It underscores that architecture profoundly influences our phantasmagoric, image-driven affective world through its increasingly apparatus-centric approach to conception, design, production, and mediatization.

Architecture in the Age of Mediatizing Technologies

brings into focus the behavior of architecture in mediatization for researchers and advanced students in architectural design, theory, and history. As an investigation into the interdisciplinary impact of architecture in a mediatized culture at large, it also provides a valuable resource for cultural and media studies.



This book offers a unique perspective on contemporary architecture, exploring its position in mediatization through technological apparatuses. It introduces the novel concept of apparatus-centricity and mediatization of architecture, which has significant disciplinary ramifications.

1. Dispositive and Apparatus
2. Codification and Encoding
3. Dissonance
and Resistance
4. Emancipation of Dissonance
5. Apparatization
6. Embedded
Virtuality
7. Mediatization
8. Coda
Sang Lee is an Architect and a University Docent of the Public Building group at the Faculty of Architecture and the Built Environment at Delft University of Technology (TU Delft) in the Netherlands. He teaches architectural design and theory, focusing on technology, media, and sustainability in the masters program. Lee is also a research mentor and advisor for the masters thesis projects. Apart from his appointment at TU Delft, he has served as a visiting faculty member, as a critic, and as a speaker at various institutions, including the University of Pennsylvania, Bauhaus University Weimar, Columbia University, Pratt Institute, Universitą IUAV di Venezia, Bergen School of Architecture, and TU Berlin.

Lee has actively contributed to international conferences, journals, and books and has served as a peer reviewer for academic journals. His research on architecture focuses on examining the impact of digital technology, the concept of apparatization and technological dispositives, cultural identity in a technocentric world, and the integration of sustainability within aesthetics. He has received funding for research and publication from several sources, including the US Department of Education, the European Commissions Directorate General for Education and Culture, the Creative Industries Fund NL, TU Delft, TU Eindhoven, and the Municipality of Eindhoven. Sang Lee is of Korean descent and is based in Delft and Berlin.