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El. knyga: Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money

(Massachusetts Institute of Technology)
  • Formatas: EPUB+DRM
  • Išleidimo metai: 01-Aug-2019
  • Leidėjas: Cambridge University Press
  • Kalba: eng
  • ISBN-13: 9781108651783

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This book expands the field of late medieval and Renaissance architectural history by examining the intersection of architectural and financial history during the birth of capitalism. It is for scholars interested in questions about the spaces and locations where pre-industrial European banking and minting transpired.

Over the course of the twelfth and thirteenth centuries, European society confronted rapid monetization, a process that has been examined in depth by economic historians. Less well understood is the development of architecture to meet the needs of a burgeoning mercantile economy in the Late Middle Ages and early modern period. In this volume, Lauren Jacobi explores some of the repercussions of early capitalism through a study of the location and types of spaces that were used for banking and minting in Florence and other mercantile centers in Europe. Examining the historical relationships between banks and religious behavior, she also analyzes how urban geographies and architectural forms reveal moral attitudes toward money during the onset of capitalism. Jacobi's book offers new insights into the spaces and locations where pre-industrial European banking and minting transpired, as well as the impact of religious concerns and financial tools on those sites.

Daugiau informacijos

Probes historical relationships between banks and religious beliefs, exploring urban geographies and architectural forms that reveal moral attitudes toward money during the early onset of capitalism.
List of Figures
ix
Acknowledgments xiii
Introduction: Money at Work 1(7)
Attitudes toward Money 8(6)
Ambivalence 14(2)
Monetary Space and the Bill of Exchange 16(2)
Structure of the Book 18(2)
1 Networked Agglomerations
20(42)
Mercato Nuovo
22(6)
Taint
28(1)
Regulation
29(1)
The Scale of Time
30(3)
The Typology of Bank Architecture
33(1)
The Workspace of Local Banks
34(1)
Hands
35(3)
Books
38(2)
Architectural Furniture and the Body of the Banker
40(2)
Surveillance
42(3)
From Florence to Rome: Domestic Banking in the Eternal City
45(1)
Rome's International Banks
46(7)
Back-Room Banking
53(2)
Jewish Banking
55(1)
Clustering
56(4)
The Spirit of Capitalism
60(2)
2 The Technology of Money, Architecture, and the Public Good
62(29)
The Social Geography of Piazza della Signoria
66(1)
A Delicate Infrastructure
67(2)
A Pisan Invasion
69(2)
The Mint in Florence
71(4)
The Spectacle of Money
75(2)
The Integrity of Coins
77(2)
Architecture and Regulation
79(3)
The Display of Integrity
82(1)
Coloring Money
83(2)
Co-opting Good Government
85(4)
Money Spatialized and Naturalized
89(2)
3 Across Economic Geographies: Trade Sites Beyond the Peninsula
91(32)
The Medici Merchant Bank in Bruges
92(1)
Hof Bladelin
93(7)
The Topography of Money in Flanders
100(1)
The Medici Bank in Milan
101(6)
Palazzo Medici in Florence
107(2)
Florentines Abroad
109(1)
Bruges: Townscape, Trade, and Alterity
110(3)
States of Exception
113(1)
Economic Territories
114(4)
Southampton
118(3)
Reconsidering the World System
121(2)
4 The Transcendental Economy
123(44)
Mendicant Beginnings
126(6)
From Pawnshop to Bank
132(2)
Tenancy and Ownership
134(4)
The Eucharist and the Monti
138(2)
Signing the Monti
140(3)
The Man of Sorrows and an Economy of Grace
143(6)
The Treasury of Merit
149(4)
Bread and Bookkeeping for the Beyond
153(2)
Naturalizing Profit
155(3)
Epilogue
158(3)
Coins on Trial
161(3)
Expert Systems and Symbolic Tokens
164(3)
Notes 167(44)
Bibliography 211(24)
Index 235
Lauren Jacobi is a scholar of late medieval and early modern European architecture. She has received fellowships from the Kress Foundation, the Getty Research Institute, the Morgan Library and Museum, and the American Council of Learned Societies. In 201516, she held a postdoctoral Rome Prize at the American Academy in Rome. She is to be the co-editor of Purity and Contamination in the Renaissance (forthcoming).