Introduction |
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Architecture Filmmaking: Framing the Discourse and Conditions of Production in Architectural Practice and Education |
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1 | (20) |
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PART ONE ARCHITECTURE FILMMAKING TECHNIQUE |
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21 | (90) |
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Architectural Codes in the Works of Dan Graham, Bernard Tschumi and Diller and Scofidio |
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25 | (14) |
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The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg |
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39 | (18) |
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Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place -- Artistic Research in the Moving Image |
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57 | (16) |
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Paris Plays Itself: Widescreen and the City in Tati, Godard and Melville |
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73 | (24) |
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Inside History: Filmic Space-Time and an Electronic Archaeology |
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97 | (14) |
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PART TWO ARCHITECTURE FILMMAKING |
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111 | (6) |
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SECTION I REIMAGINING DOMESTIC SPACE |
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Reimaging Domesticity in O3-FLATS: Single Women and Singapore Public Housing |
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117 | (22) |
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Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre |
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139 | (16) |
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Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing |
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155 | (16) |
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SECTION II REIMAGINING THE URBAN REALM |
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Hammer to Bell: A Poetic Documentary about Limerick |
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171 | (12) |
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Invented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens |
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183 | (12) |
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Errant Bodies: A Critical Essay on the Film More Out of Curiosity |
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195 | (8) |
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SECTION III REIMAGINING AUTERSHIP |
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Fight Club: Whether to Make PoMo Architecture or Blow It Up! |
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203 | (22) |
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His House, Our House and Her House: A Filmic Place for Women |
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225 | (14) |
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Stylist as Auteur: Hierarchy, Reputation and Creative Control |
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239 | (12) |
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PART THREE ARCHITECTURE FILMMAKING PEDAGOGY |
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251 | (120) |
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Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture |
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255 | (12) |
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From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary |
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267 | (10) |
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Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods |
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277 | (22) |
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Resonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-Visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Landscape Architectural Design |
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299 | (22) |
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Cinematic Collage as Architectural Design Research |
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321 | (14) |
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Cinematics in Architectural Practice and Culture: The Cambridge Project |
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335 | (22) |
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A Postgraduate Student's Pursuit for the Future of Architecture Filmmaking in Cuba's Cinematic Heart: No Hay CINE |
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357 | (14) |
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Author Biographies |
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371 | (6) |
Index |
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377 | |