The Storming of the Capitol was, for many, the culminating media performance of the four-year presidency of Donald Trump. His presidency and its final act, bore all the hallmarks of a 21st century form of populism and media-politico spectacle that may yet come to dominate the political scene in the US, and worldwide, for years to come. The questions that such events raise are complex, varied and operative across a multitude of disciplines. This book engages with these vexed questions in the broad fields of politics and media, but does so, uniquely, through the prism of architecture.
This book does not, however, limit its view to the recent events in Washington DC or the United States. Rather, it seeks to use those events as the starting point for a critique of architecture in the tapestry of mediated forms of protest and political action more generally. Each chapter draws on case studies from across timeframes and across nations.
The book sharpens our critique of the relationship between direct political action, its media representation and the role it assigns to architecture as played out globally in the age of mass media. In doing so, it opens up broader debates about the past, present and future roles of architecture as a political tool in the context of international political systems now dominated by changing and unpredictable uses of media, and characterised by an increasingly volatile and at times violent form of political activism. It is essential reading for any student or researcher engaging with these questions.
Weaponising Architecture Graham Cairns Part One
1. Screening the Capitol
Riots Annie DellAria
2. Housing Populism: Constructing the "Little Mans"
House, Deconstructing the "Queer" Home Malcolm Rio
3. Representation and
Refusal: From State Architecture to Highway Protests Jeffrey Kruth
4.
Architecture and Disciplinary Knowledge: A Case Study of Hong Kongs Heritage
and Politics Isaac Leung
5. Mediating Consensus and Enacting Dissensus:
Contested Space, Architecture and the Limits of Representation Joern
Langhorst Intersection
6. Architecture Journalism and the Proto-Political
Peggy Deamer and Ian Volner Part Two
7. The Press Photography of Red
Vienna, 19291938 Eva Branscome
8. Diplomacy Under Siege: Belgiums
Diplomatic Patrimony as Political Target during the Boxer Rebellion (1900)
and the Lumumba Assassination (1961) Charlotte Rottiers and Bram De Maeyer
9.
Social Infrastructure and Disintegration, Statecraft and Democracy. Making an
Example of Broadwater Farm Estate Alfie Peacock
10. Germania-on-Thames Murray
Fraser
11. The Pornographic Scene of Insurrection. On Disimaging the
Architecture of Democracy from the Imagery of the Potemkin Steps to the
Reimaging of the Capitol Riot Nadir Lahiji Index
Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has led academic departments in the UK and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organisation, Hybrid Artworks, specialised in video installation and performance writing. He is the author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct, including the Routledge volume that preceded this one Reification and Representation Architecture in the Politico-Media-Complex. He is currently Director of the academic research organisation AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS.
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