Architecture and Statecraft tells the story of how a king from Madrid landed in Naples. Along with his Dresden-born queen, supported by an international cast of architects and American silver, he transformed it into a vibrant capital city. Beautifully written and carefully researched, this book elegantly matches King Charless ambitious urban projects. Robin Thomas brings to life the rich conglomeration of the kings buildings, from Europes most celebrated opera house to one of its largest poorhouses. Embezzling architects, reformist statesmen, boisterous nobles, a homely king, brilliant musicians, proud cavalrymen, and humble poor populate the books pages. Architectural, political, print, military, and music historians, along with lovers of this beautiful city, will all want to savor this rich Neapolitan feast.
Heather Hyde Minor, University of Illinois at Urbana-Champaign Visitors to Naples who visit the Teatro di San Carlo, Piazza Dante, and the majestic Albergo dei Poveri may not know to attribute these monumental spaces to the restoration of Naples as the royal residence of Charles of Bourbon and the policies of civic rebirth, good government, and public happiness promoted in mid-eighteenth-century Europe. This beautifully written and deeply informative book is the first study in English to engage with the transformation of Naples under the Spanish king who ruled the city from 1734 to 1759. Robin Thomas has written a powerful and evocative volume that describes the impact of Enlightenment ideas on the architectural fabric of Naples and situates these monuments within the context of European architecture and city planning of the eighteenth century.
Caroline A. Bruzelius, Duke University Charles of Bourbon, king of the Two Sicilies from 1734 to 1759, reshaped Naples, his capital city, into an environment that embodied the sovereigns agenda for a centralized and enlightened state, rather than one that reflected the competing powers of various political players. In his groundbreaking study, Robin Thomas argues that, to this end, Charles undertook architectural projects that met civic needs by providing didactic cultural activities, by stimulating a thriving economy, by tending to the citys indigent, and by fostering an effective military. Thomass study frees the discussion of Neapolitan architecture from considerations of style, placing it with scholarship that understands the built environments participation in political change.
Susan M. Dixon, La Salle University Thomass account thrusts eighteenth-century Neapolitan architecture to the forefront of Italian baroque scholarship. Through these chapters we see the building arts of Naples take their rightful place among the most glorious achievements in Italy, comparable in every way to the storied chapters from Rome, Venice, and the Piedmont. In sum, Robin Thomas has set a remarkable standard for graceful writing, substantial research, and perceptive insight in a book that provides a rich and engrossing account of Naples in its full glory.
Tod Marder, Rutgers University Meticulously researched, clearly organized, elegantly written, and carefully edited, Thomass book offers a rich feast for early modern art and architectural historians as well as scholars of music, politics, and history.
Daniel McReynolds caa.reviews Very much in the tradition of John H. Elliott and Jonathan Browns celebrated work A Palace for a King, Thomas combines art history with solid archival research to demonstrate how architecture served as a prominent tool of statecraft in the early modern period. As Thomas argues, eighteenth-century Naples became the capital where Caroline architecture most effectively built the city as well as the state.
Michael J. Levin Bulletin for Spanish and Portuguese Historical Studies
