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El. knyga: Ariosto in the Machine Age

  • Formatas: 410 pages
  • Serija: Toronto Italian Studies
  • Išleidimo metai: 01-Nov-2023
  • Leidėjas: University of Toronto Press
  • Kalba: eng
  • ISBN-13: 9781487546816
  • Formatas: 410 pages
  • Serija: Toronto Italian Studies
  • Išleidimo metai: 01-Nov-2023
  • Leidėjas: University of Toronto Press
  • Kalba: eng
  • ISBN-13: 9781487546816

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Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape Magical Realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of the Second World War.

Based on substantial archival findings, bold iconographic hypotheses, and novel interpretations of literary texts, the book proposes a new account of Italy’s twentieth-century culture through a unique take on Ludovico Ariosto’s early modern poetics and legacy. Starting from the unexpected pass ism of Futurists visiting Ferrara on the eve of the First World War, it rereads the development of Giorgio de Chirico’s Metaphysical art and Massimo Bontempelli’s Realismo Magico. The book reconstructs the multimedia archive of the Fascist initiatives for the 1933 centennial anniversary of Ariosto’s death, and then focuses on the passage between Fascist cinema and the birth of neorealism, unearthing unfinished adaptations of the Orlando Furioso by Luchino Visconti and Alessandro Blasetti. Questioning the very concept of reception, this radically interdisciplinary book warns twenty-first-century readers about the risks of monumentalizing the "great authors" of the past.



Ariosto in the Machine Age reimagines reception theory through the modern afterlife of a Renaissance literary icon.

Daugiau informacijos

Winner of 2023 AAIS Book Prize in Literary and Cultural Studies Awarded by the American Association for Italian Studies 2024 (United States).

List of Illustrations
Preface
Acknowledgments

Introduction: Peeking from Parnassus: Ariosto the Amphibian

1. The Great Metaphysician: Ariosto’s Encounters with Ferrara’s Avant-Garde
2. Ludovico’s Gifts: The Ariostean Spirit of Magical Realism
3. Eternal Renaissance: Ariosto’s Presence in Fascist Ferrara
4. Theatrical Ghosts: Not Adapting the Orlando Furioso in Late Modernity

Notes
Index

Alessandro Giammei is an assistant professor of Italian studies at Yale University.