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Arranging for Strings [Book and Audio Online]

  • Formatas: Multiple-component retail product, part(s) enclosed, 128 pages, aukštis x plotis x storis: 302x229x13 mm, weight: 454 g, Contains 1 Paperback
  • Type: Book and Audio Online
  • Serija: Berklee Guide
  • Išleidimo metai: 2018
  • Leidėjas: Berklee Press Publications
  • genres: Mokymas
  • Kalba: English
  • ISBN-10: 0876391862
  • ISBN-13: 9780876391860
Kitos knygos pagal šią temą:
  • Formatas: Multiple-component retail product, part(s) enclosed, 128 pages, aukštis x plotis x storis: 302x229x13 mm, weight: 454 g, Contains 1 Paperback
  • Type: Book and Audio Online
  • Serija: Berklee Guide
  • Išleidimo metai: 2018
  • Leidėjas: Berklee Press Publications
  • genres: Mokymas
  • Kalba: English
  • ISBN-10: 0876391862
  • ISBN-13: 9780876391860
Kitos knygos pagal šią temą:
Learn to use strings in your compositions and arrangements! From romantic chord pads to powerful grooves to gut-wrenching passionate melodies, strings do it all. This book presents time-tested techniques and contemporary developments in writing and arranging for strings. You'll learn strategies for authentic writing in many different styles and find ideas to take your personal sound forward. Discover voicings that work best for each project and explore the intricacies of bowing. Hear articulation approaches from pads to chopping in the online audio examples. See how other composers have used strings to heighten the impact of their music in the written examples. Make yourwork stand out with the drama and depth that well informed string writing can bring. You will learn: · The tunings, range, and timbres for the violin, viola, cello, and bass, including standard instruments and common variations, including acoustic, electric, and synthesized string instruments and sections · Bowing techniques and possibilities · Characteristic articulations and sounds, such as vibrato, pizzicato, sul tasto, trills, tremolos, and harmonics · Timbral and rhythm effects, such as chop technique, ponticello/feedback, portamento, and falls · String-section arranging techniques, such as melody/countermelody, fills, pads, and comping · Stylistic nuances of genres such as American roots, Celtic, jazz, rock, klezmer, eastern European, Gypsy jazz, and swing · Mic, recording, and live sound techniques for capturing the best string sounds for both acoustic and electric instruments
Introduction vi
Live vs. In the Box vii
About the Audio vii
Acknowledgements viii
Chapter 1 String Player Perspectives
1(9)
Classical Training
1(5)
Folk/Roots Training
6(4)
How Much Detuning is Safe?
8(1)
American Roots Intonation
8(2)
Chapter 2 Tuning, range, and timbre
10(9)
A Few Words about Tuning and Intonation
11(1)
Standard Notation
11(4)
Violin
11(1)
Viola
12(1)
Violoncello (Cello)
13(1)
Double Bass
14(1)
Range
15(1)
Timbre
16(2)
Large Interval Skips
17(1)
String Range Quick Reference
18(1)
Chapter 3 Basic bowings and articulations
19(8)
Bowing
19(6)
Slurs
19(2)
Down-Bows vs. Up-Bows
21(1)
Tenuto
22(1)
Accents
22(1)
Articulation Choices for Fast Passages
23(2)
Dynamics
25(2)
Bluegrass: Hokum Shuffle
25(2)
Chapter 4 Standard techniques
27(16)
Vibrato
27(1)
Sul Tasto
28(1)
Pizzicato
29(2)
Using a Conductor
31(1)
Bartok Pizzicato
31(1)
Pizzicato Bass
32(1)
Trills
32(2)
Tremolos
34(1)
Mutes
34(1)
Harmonics
35(3)
Natural Harmonics
35(3)
Artificial Harmonics
38(1)
Double, Triple, Quadruple Stops
38(3)
Ricochet/Jete
41(1)
Using the Stick of the Bow
41(2)
Chapter 5 Chops, Ponticello/Feedback, Portamento, and Falls
43(8)
Chop Technique
43(2)
Soft Chop
45(1)
Chunks
45(1)
Ponticello
46(2)
Enhanced Ponticello
48(1)
Glissando/Portamento
48(2)
Papa John Creach Portamento
49(1)
Fall
50(1)
Chapter 6 The string section
51(22)
String Quartet
51(1)
Melody/Countermelody
51(6)
Fills
57(2)
Pads
59(4)
Comping
63(5)
Section Size
68(4)
One Player
69(1)
More Than One
70(2)
Range
72(1)
Chapter 7 Stylistic Approaches
73(15)
American Roots
73(2)
Strong Rhythm
74(1)
Fiddle Keys
74(1)
First Position
74(1)
Western Swing
75(1)
Celtic
76(1)
Fiddle vs. Violin
77(1)
Jazz/Swing
77(1)
Gypsy Jazz
78(1)
Gypsy vs. Roma
79(1)
Rock/Pop
79(1)
Repeated Notes
79(1)
Funk/Fusion
80(1)
Hip-Hop/R&B
81(1)
Charanga
81(2)
Eastern Europe
83(1)
Klezmer
84(2)
Arabic Music
86(1)
And More
86(2)
Chapter 8 Improvisation Or Written Part
88(5)
An Improvised Part
88(2)
A Written Part
90(2)
Strings in the Score
90(2)
String Parts
92(1)
Enharmonic Spelling
92(1)
Music Writing Software
92(1)
Chapter 9 Recording And Sound Reinforcement
93(11)
Recording Acoustic Strings
93(2)
Make Tuning Easy
93(1)
Mic Technique for Solo Strings
93(2)
Mic Technique for String Sections
95(5)
Quartets or Less
95(1)
More Than a Quartet
95(2)
Seating
97(2)
Isolation
99(1)
Beware of Doubling
99(1)
Headphones
99(1)
A Big Section with a Small Budget
100(1)
Recording: Pickups vs. Electric Instruments
100(2)
Amplification: Acoustic Instruments with Pickups
100(1)
Amplification: Electric Instruments
101(1)
Effects
102(1)
Headphones
102(1)
Sound Reinforcement on Stage
102(2)
Acoustic Strings
102(1)
Headphones/Monitors
103(1)
Electric Strings
103(1)
Cellists Sitting vs. Standing
103(1)
AFTERWORD
104(2)
Next Big String Things
104(2)
Even More New Techniques
104(1)
Go Forward and Create
105(1)
APPENDIX: SELECTED LISTENING
106(5)
Classical
106(1)
String Quartets
106(1)
Movie and TV Scores
106(1)
Chopping
107(1)
American Roots
107(1)
Western Swing
107(1)
Old Time Country Music
107(1)
Celtic
107(1)
Jazz and Swing
108(1)
Rock/Pop
108(1)
Funk/Fusion
109(1)
Hip-Hop/R&B
109(1)
Charanga
109(1)
Eastern Europe
110(1)
Klezmer Music
110(1)
Arabic Music
110(1)
Free Improvisers
110(1)
Subharmonics
110(1)
Conductors of Improvising Fnsembles
110(1)
About The Author 111(1)
Index 112