Acknowledgments |
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ix | |
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x | |
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xxiii | |
Introduction: Franciscus Junius' Vernacular Arcadia |
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1 | (30) |
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"An Extremely Learned and Famous Man" |
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9 | (4) |
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Painting and Philology in the Netherlands |
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13 | (6) |
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Artistic Terms in Latin and in the Vernacular |
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19 | (4) |
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Junius in the European "Republic of Painting" |
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23 | (8) |
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1 "Transform this Age into a Golden One": Junius and the Arundel Collection |
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31 | (72) |
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Dutch Art in England: The Arundel Circle |
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41 | (6) |
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Antiquarianism in Britain and the Netherlands |
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47 | (19) |
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The Genesis of The Painting of the Ancients |
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66 | (7) |
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73 | (14) |
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The Gentleman's Exercise: Civil Conversations about Art |
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87 | (16) |
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2 More than a Paraphrase: The Painting of the Ancients in Latin, English, and Dutch |
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103 | (48) |
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"More than Paraphrastic License" |
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116 | (8) |
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Differences in Terminology |
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124 | (4) |
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Junius, Van Hoogstraten, De Lairesse, and Rembrandt |
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128 | (12) |
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"Polishing" and "Demarcating" the Vernacular |
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140 | (11) |
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3 Dutch and English Antiquity: The Germanic Origins of Art |
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151 | (44) |
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The Germanic Languages as Languages of Art |
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153 | (2) |
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155 | (20) |
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175 | (6) |
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Rembrandt's Conspiracy of Claudius Civilis |
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181 | (7) |
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Aftermath: The Saxon Gods at Stowe |
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188 | (7) |
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4 Actualizing the Ancients: Junius, Vossius, Lampsonius |
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195 | (50) |
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The Neo-Latin Tradition of Art Theory |
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199 | (4) |
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203 | (3) |
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206 | (2) |
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208 | (3) |
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211 | (16) |
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The "Father of Painting in the Netherlands": Lambert Lombard |
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227 | (8) |
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Classical Scholarship and the Painter's Studio: A Vernacular Symbiosis |
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235 | (10) |
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5 The Painter's Right Hand: Teghenwoordigheydt and the Presence of Painting |
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245 | (70) |
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The Reception of Junius' Ideas among Artists |
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245 | (3) |
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248 | (10) |
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Presence, or Teghenwoordigheydt |
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258 | (2) |
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"As if the artist were present" |
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260 | (8) |
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268 | (9) |
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The Artistic Experience: A Mental Activity for Both Artist and Viewer |
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277 | (12) |
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Conclusion: From Mimesis to Imagination |
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289 | (1) |
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Imagination and Lifelikeness |
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290 | (10) |
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"A Hidden Room": Art as a Shelter from Conflict |
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300 | (11) |
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Coda: The Presence of the Past as an Aesthetic Ideal |
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311 | (4) |
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Gerardus Vossius, The Art of Painting (1650) |
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315 | (12) |
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Table 1 Contents of Junius' The Painting of the Ancients |
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327 | (2) |
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Table 2 The Reception of Junius' Treatise in the Seventeenth and Eighteenth Centuries |
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329 | (29) |
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Table 3 Major Differences between the English and Dutch Editions |
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358 | (11) |
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Table 4 Terminology in the Dutch Edition |
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369 | (12) |
Notes |
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381 | (41) |
Bibliography |
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422 | (21) |
Index of Names |
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443 | (8) |
Index of Places |
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451 | |