This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human.
The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence.
The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics.
Recenzijos
This book is rich and insightful , engaging with both art and science; theory and practice. The unusual insights of support the central premise of the book, which is to explore how the humanities, in relation to science, and in particular, biotechnology, engage with important ethical and social issues affecting society at large. * Sheena Calvert , Senior Lecturer, Contextual Studies (Design), and Associate Lecturer, Art and Science (MA), UAL, UK * This book unites a diverse range of pivotal thinkers who provide fascinating insights into the relationship with the tools and activities of the Covid-19 pandemic. Drawing attention to the lineages of biological and environmental art/design, it situates the arts as fundamental interlocutor in the unfolding story of human-viral entanglements both now and into the future. * Joel Ong, Associate Professor and Helen Carswell Chair in Community Engaged Research in the Arts, York University, Canada * This book is essential for artists entering biotech and science students embracing creativity in their fields. Amid global challenges surrounding environmental and global health crises, the book bridges disciplines and offers vital insights for art-sci collaboration. * Victoria Vesna, Professor of Media Arts, and Founder of Art Sci Center + Lab, UCLA, USA *
Daugiau informacijos
An edited collection demonstrating the relationship between art and biotechnology, such as viral pandemics, gene editing, and CRISPR
Illustrations
Notes on Contributors
Acknowledgements
Introduction: CRISPR, COVID, Creativity and Control, Claire Correo Nettleton
(The Benton Museum of Art at Pomona College, USA) and Louise Mackenzie
(Duncan of Jordanstone College of Art and Design, Dundee University, UK)
Part I. Biotechnology and the Arts: Studies
1. Resurrecting the Woolly Mammoth and Muybridges Horse: CRISPR, Cinema and
Species Revival, Claire Correo Nettleton (The Benton Museum of Art at Pomona
College, USA)
2. Autopoiesis in Contemporary Bioart Rethinking Autonomy and Agency,
Charissa N. Terranova (University of Texas at Dallas, USA)
3. The Exterminating Angels: Bio-Art/Thanatos-Art, Pablo Baler (California
State University, Los Angeles, USA)
4. Viral Variation(s): Juan Eduardo Cirlot and the Poetics of Permutation,
Paul Cahill (Pomona College, USA)
Part II. Biotechnology and the Arts: Practice
5. Baitul Mamur: DNA Manifolds and the House of Angels, Joe Davis
(Department of Genetics, Blavatnik Institute, Harvard Medical School and
Department of Biology, Massachusetts Institute of Technology, USA)
6. Gene Music: Biologically Motivated Musical Serialism, Ira Fleming
(University of Colorado School of Medicine, USA)
7. Transformation - An Exercise in How to Relate to Lively Material, Louise
Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee
University, UK)
8. Symbiogenesis Begins at the Mouth, Skin, and Genitalia, Ken Rinaldo
(Artist Director, Emergent Systems, USA)
9. Aphrodisiac in the Machine, Stephanie Rothenberg (University at Buffalo,
USA)
Part III. COVID and the Arts: Reflections
10. Art Worlds Evolving: Notes on Evolutionary Metaphors of Change and the
Global Art System, Meredith Tromble (San Francisco Art Institute, USA)
11. Embracing Viral Uncertainty? It's Complicated, Roberta Buiani (University
of Toronto, Canada)
12.The Anosmatic Symposium, Regine Rapp and Christian de Lutz (Art Laboratory
Berlin, Germany)
13. FEMeeting: Making of an Antibodies Network, Dalila Honorato and Marta de
Menezes (Cultivamos Cultura and Ectopia, Portugal / Ionian University,
Greece)
14. COVID-19 and the Embodiment of Disruption: Assemblages of Agency and the
Turducken of Chaos, WhiteFeather Hunter and Molly McKinney (The University of
Western Australia, Australia)
15. Life in the Time of the Slow Hauling Knowledge, Dolores Steinman
(University of Toronto, Canada)
Part IV. COVID and the Arts: Practice
16. Thermobiopolitics, Oron Catts and Ionat Zurr (The University of Western
Australia, Australia)
17. Utter: On the Matter of Human Emissions, Paul Vanouse (University at
Buffalo, USA)
18. Death Tool Kit: Practical and spiritual guidance from artists Adriene
Jenik, IONE, Marne Lucas, Linda Mary Montano, and Kira OReilly, Kathy High
(Rensselaer Polytechnic Institute, USA)
19. Creating and Exhibiting Artworks Embedded with SARS-CoV-2 Genetic
Material During the COVID-19 Pandemic, Anna Dumitriu (Brighton and Sussex
Medical School / University of Hertfordshire, UK)
20. Living in the Pandemic Panopticon - Who/What is Watching you While you
Think You are Alone?, Karolina Zyniewicz (University of Warsaw, Poland)
21. Viruses as Testing Grounds for Speculations, Pei-Ying Lin (Eindhoven
University of Technology, The Netherlands)
Index
Claire Correo Nettleton is the Academic Curator at the Benton Museum of Art at Pomona College, USA, where she was curator of Parisian Ecologies (2022) and organizer of 15 Viral Culture programs including the COVID-19, Bioart and Society events. She is the author of The Artist as Animal in 19th-Century French Literature (2019) and multiple articles including in Dix-Neuf and Nineteenth-Century French Studies.
Louise Mackenzie is an artist and researcher. She is a lecturer in Contemporary Art Practice at Duncan of Jordanstone College of Art and Design, Dundee, UK, and a Director at ASCUS Art & Science, Edinburgh, UK. Recent publications include BioProtopia (2023) and Viral Experiments (2023) and she exhibits nationally and internationally, including The Stars Beneath Our Feet (2015-22) and BE THE SEA (2023).
