Atnaujinkite slapukų nuostatas

El. knyga: Art of Counterpoint from Du Fay to Josquin

(Stanford University, California)
  • Formatas: PDF+DRM
  • Išleidimo metai: 12-Dec-2024
  • Leidėjas: Cambridge University Press
  • Kalba: eng
  • ISBN-13: 9781316886861
Kitos knygos pagal šią temą:
Art of Counterpoint from Du Fay to JosquinDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Išleidimo metai: 12-Dec-2024
  • Leidėjas: Cambridge University Press
  • Kalba: eng
  • ISBN-13: 9781316886861
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it, can be contrasted with smoother and less goal-oriented approaches in music from before – and after – the period ca. 1425–1520. Casting wide evidentiary and repertorial nets, the book reinterprets central genres, theoretical concepts, historical documents, famous pieces, and periodizations; a provocative concluding chapter suggests that we moderns have tended to conceal the period's musical poetics by neglecting central evidence. Above all the book introduces an analytical approach sensitive to musical flow and invites new ways of hearing, performing, and thinking about music from Du Fay to Josquin.

Revolutionizing our understanding of the musical century spanning Du Fay to Josquin, this book offers both a ground-breaking interpretative framework and a new theory of musical form, enabling scholars, students, and performers to hear, perform, and think about Renaissance music in fresh ways.

Recenzijos

'On the cover of this hugely significant book, the singers in Luca della Robbia's marble relief seem to be straining against the constraints of stone, seeking to project passion across the centuries. In the pages that follow, Jesse Rodin lays the groundwork for such a liberation. First, through innovative analysis, he shows how composers from Du Fay to Josquin gave new shape and life to the art of polyphony. Then, in the final chapter, he suggests how modern singers can internalize that organic energy and convey it to audiences. Erudite and urgent in equal measure, investing meticulous scholarship with infectious enthusiasm, Rodin has produced a classic text and set a fresh standard.' Alex Ross, The New Yorker 'Jesse Rodin's long view of a short fifteenth century brings the polyphony vividly to life as few before him have done. In doing so he sets a few hares running, and some cats among the pigeons. His occasionally polemical turn provokes, stimulates, and challenges us to return to the music with fresh ears and minds: a creative irritant in the best sense.' Fabrice Fitch, Royal Conservatoire of Scotland

Daugiau informacijos

Revolutionizes our understanding of pacing and flow in Renaissance music and invites new ways of hearing and performing it.
Introduction; Part I. Starting Points:
1. An esthetics of opposition that privileges intensification, deintensification, and dramatic arcs-and what came before and after;
2. A discursive vacuum; Part II. Tinctoris's Varietas:
3. Defining terms;
4. Varietas as an esthetic paradigm;
5. Tinctoris knew the repertoire;
6. Pieces exemplifying varietas; Part III. Fundaments of the Art:
7. The parameters;
8. Affordances of four- and five-voice texture;
9. Sacred genres;
10. The formes fixes; Part IV. The Art in Action:
11. Some songs by Du Fay;
12. Peaks, valleys, and flow in Ockeghem's sacred music;
13. Busnoys, Josquin, and the Hurricane Osanna;
14. Seven awesome endings;
15. Pater Noster across the esthetic divide;
16. The art of counterpoint in performance; Appendices:
1. Tinctoris's rules of counterpoint;
2. Rough guide to the late fifteenth-century cyclic mass; Bibliography; Index of Compositions; General Index.
Jesse Rodin is Professor of Music at Stanford University and a Guggenheim Fellow. His publications include several books and many articles on Renaissance music, as well as recordings with his vocal ensemble Cut Circle. He directs the Josquin Research Project, a tool for exploring a large musical corpus, and co-directs the digital project Mapping the Musical Renaissance.
Daugiau apie elektronines knygas Daugiau apie elektronines knygas
Pastovi nuoroda: https://www.kriso.lt/db/97813168868612e.html
Raktažodžiai: