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El. knyga: Art and the Home: Comfort, Alienation and the Everyday

3.86/5 (14 ratings by Goodreads)
(Independent Scholar, UK)
  • Formatas: 256 pages
  • Išleidimo metai: 26-Jan-2015
  • Leidėjas: I.B. Tauris
  • Kalba: eng
  • ISBN-13: 9780857738684
Kitos knygos pagal šią temą:
Art and the Home: Comfort, Alienation and the EverydayDidesnis paveikslėlis
  • Formatas: 256 pages
  • Išleidimo metai: 26-Jan-2015
  • Leidėjas: I.B. Tauris
  • Kalba: eng
  • ISBN-13: 9780857738684
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Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing.Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts


*A perfect student text, relevant to a wide-range of disciplines. *Unique: the only up-to-date, single-authored book on the Home and contemporary art

Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts

Daugiau informacijos

*A perfect student text, relevant to a wide-range of disciplines. *Unique: the only up-to-date, single-authored book on the Home and contemporary art
List of Figures
vii
Acknowledgements ix
Introduction 1(6)
Chapter 1 Enclosure
7(24)
Inside/Outside
8(1)
The Home and Self
9(4)
Minimalism and Phenomenology
13(2)
Enclosure, Myths and Phenomenology
15(3)
Homes, Transitional Spaces
18(2)
Wallpaper
20(4)
Michael Landy, Semi-detached
24(7)
Chapter 2 Doors And Windows
31(24)
Boundaries
32(1)
Windows -- Art and Poetry in the Late Nineteenth and Early Twentieth Centuries
33(2)
Postwar Breaks in the Wall -- The Creative Everyday
35(3)
Doors and Windows -- Formal Matters
38(2)
Doors -- Document and Memory
40(4)
Windows and Doors -- The Poetic Everyday
44(6)
Windows -- Sight Denied
50(5)
Chapter 3 Female Space
55(26)
Background
56(2)
Women and Confinement
58(2)
Women Artists and Their Experiences
60(7)
Womanhouse
67(2)
Womanhouse -- Decorative Techniques and Critical Debates
69(2)
Womanhouse -- Female Roles
71(6)
After Womanhouse
77(4)
Chapter 4 Alienation
81(24)
Dada, Surrealism and Freud
82(3)
Domestic Objects
85(3)
Louise Bourgeois -- Home and Memory
88(6)
Mona Hatoum -- Exile and the Contemporary Uncanny
94(5)
Gregor Schneider -- Unhomely Spaces
99(6)
Chapter 5 The Unmade House
105(24)
The Organic Home and the Ruin
106(1)
Establishment Power
107(2)
Art Outside the System
109(4)
Cordon Matta-Clark -- Splitting
113(4)
`Sculpitecture', Rachel Whiteread, the Personal and the Political
117(7)
Steffi Klenz -- Nummianus
124(5)
Chapter 6 Withdrawal
129(26)
Ilya and Emilia Kabakov -- Fantasy Spaces
129(5)
Childhood Dreams
134(6)
Adult Withdrawal -- The Bed
140(4)
Shock
144(11)
Chapter 7 Objects, Sentiment And Memory
155(22)
Objects and Identity
156(2)
The Commonplace
158(6)
Display
164(7)
Vessels
171(6)
Notes 177(40)
Select Bibliography 217(18)
Index 235
Imogen Racz is an art historian who worked for many years at Coventry University, and who has published extensively around the theme of the home and on sculptural practices since the 1970s, including British Art of the Long 1980s: Diverse Practices, Exhibitions and Infrastructures (Bloomsbury Visual Arts, 2020) and Art and the Home: Comfort, Alienation and the Everyday (Bloomsbury Visual Arts, 2015).

Jill Journeaux is Professor of Fine art at Coventry University. Her art practice research is characterised by the handmade, a domesticity of scale, source and reference and the decorative arts both as language and subject. She convenes the Drawing Conversations series of events, exhibitions and publications, and edited Collective and Collaborative Drawing in Contemporary Practice (Cambridge Scholars, 2017) and Body, Space, and Place in Collective and Collaborative Drawing (Cambridge Scholars, 2020).
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