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Art and Its Worlds: Exhibitions, Institutions and Art Becoming Public [Minkštas viršelis]

  • Formatas: Paperback / softback, 288 pages, aukštis x plotis: 240x170 mm, 150 colour
  • Serija: Afterall Exhibition Histories 12
  • Išleidimo metai: 01-Jun-2021
  • Leidėjas: Verlag der Buchhandlung Walther Konig
  • ISBN-10: 3960989172
  • ISBN-13: 9783960989172
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 288 pages, aukštis x plotis: 240x170 mm, 150 colour
  • Serija: Afterall Exhibition Histories 12
  • Išleidimo metai: 01-Jun-2021
  • Leidėjas: Verlag der Buchhandlung Walther Konig
  • ISBN-10: 3960989172
  • ISBN-13: 9783960989172
Kitos knygos pagal šią temą:
Art and its Worlds" offers a possible history of art since 1989 told through the moments when art becomes public. The anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? How do individual exhibitions connect to longer-term artistic, social and economic trajectories expressed through recurring events, collective actions and public institutions? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses exhibitions, institutions and art becoming public in both broad theoretical terms and through close and careful attention to particular sites, situations and case studies.Introduction: Charles Esche, Lucy Steeds, Davi

d Morris and other authors. Text: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, Marķa Berrķos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson, Stefano Harney
Introduction: Exhibition Histories Through the Shared Art of Memory 10(12)
I. Making Art Global? 22(146)
Introduction: Making Art Global?
22(8)
How to Eat a Forest
30(8)
Ntone Edjabe
In our language the word for the sea means the 'spirit that returns'
38(12)
Adjoa Armah
How Do We Know What Latin American Conceptualism looks Like?
50(18)
Miguel A. Lopez
Nirin Wurrunmarra
68(12)
Brook Andrew
Anthony Gardner
Anger and Reconciliation: A Very Brief History of Exhibiting Contemporary Indigenous Art in Canada
80(10)
Lee-Ann Martin
Art and the Foreigner's Gaze: A Report on Contemporary Arab Representations
90(14)
Pablo Lafuente
On the Curatorial in India: Geeta Kapur in conversation with Natasha Ginwala
104(14)
Aftermaths?: Documenta (13) In Kabul
118(12)
Francesca Recchia
In Real Life - A Reflection on the 'Online Exhibition'
130(6)
Adeena Mey
David Morris
'Cities On the Move' in Public Space: A Journey Through the Archive
136(12)
Potosi Principle: Following the Devil's Tail
148(14)
Luiza Proenca
Amo la montana/I Love the Mountain
162(6)
Silvia Rivera Cusicanqui
II. Artist/Curator/Other?
Introduction: Artist/Curator/Other?
168(6)
David Hammons, Untitled (Knobkerry), 1994
174(16)
Elena Filipovic
Brothers in Arms: Laboratoire AGIT'art and Tenq in Dakar in the 1990s
190(20)
Clementine Deliss
Center for Historical Reenactments: Is the Tale Chasing its Own Tail?
210(10)
Khwezi Gule
Counter-Imaginaries: 'Women Artists on the Move', 'Second to None' and 'Like A Virgin...'
220(14)
Serubiri Moses
Womanifesto
234(8)
Bo Choy
Fragmented Sites of Actions: Three Art Events in China's Hinterland, 1992-94
242(10)
Xie Congyang
On the Subject of Object-act-ivities: 1989 in Hong Kong
252(10)
John Tain
Who Cares a Lot? ruangrupa as Curatorship
262(12)
David Teh
The Joy of Meta: On the Museum of American Art
274(14)
Steven ten Thije
The Artist as Director: 'Artist Organisations International' and its Contradictions
288(10)
Ekaterina Degot
III. Institutional Histories? 298(198)
Introduction: Institutional Histories?
298(8)
Who Needs 'Exhibition Studies'?
306(10)
Yaiza Hernandez Velazquez
The Art of Gentrification: The Lisbon Version
316(12)
Ana Teixeira Pinto
Public' and 'Access': Genealogies of Theft, Community, Violence and Pedagogies
328(8)
Khairani Barokka
Museo Comunitario del Valle de Xico: A Community's Trench of Struggle
336(10)
Genaro Amaro Altamirano
Ana Bilbao
'Struggle as Culture': The Museum of Solidarity
346(16)
Maria Berrios
La creatividad es un instrumento de luc ha y el cambia social un hecho creativo (Creativity Is an Instrument of Struggle, and Social Change a Creative Act)
362(8)
Mujeres Creando
VIVA ExCon: Itinerant Indeterminacy
370(10)
Vo Hong Chu'o'ng-Dai
What was Chobi Mela and what happens next?
380(19)
Naeem Mohaiemen
Iniva: Everything Crash
399(5)
Eddie Chambers
My Post-Catastrophic Glossary
404(16)
Zdenk a Badovinac
Ground Provisions
420(76)
Tonika Sealy Thompson
Stefano Harney
Acknowledgements 496
Picture and text credits 427(2)
Contributors 429